ANOMALIES ON MARS...The Red Planet HOLDS A DEEP SECRET Ft. Brian Corey Dobbs
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Speaker 1: Stay all right, Welcome back to Total disc Oh damn,
Speaker 1: that was going to be so slick.
Speaker 2: I started this new thing where I was going to
Speaker 2: start the intro right at the tail end of the music.
Speaker 2: See how that worked out for me. Welcome back to
Speaker 2: Total Disclosure. Right, it's die. I have your host ed creator.
Speaker 2: We're going to be joined tonight also by producer Jeanie's
Speaker 2: going to be jumping in in just a moment. But
Speaker 2: the real fun, if you will, is someone returning from
Speaker 2: last week's live stream where we had a little ghost encounter,
Speaker 2: which was something new for me. Last weekend was fucking wild,
Speaker 2: multiple days of ontological shock and existential crisis. But yes,
Speaker 2: joining us tonight is Brian Corey Dopps. He is the
Speaker 2: award winning documentary filmmaker of Blue Planet Red. Brian's work
Speaker 2: delivers a ground breaking look at the evidence for life, fossils, artifacts,
Speaker 2: and hidden ruins on the Red Planet, as well as
Speaker 2: the UFO connection. Beyond his film, he actively drives the
Speaker 2: Mars disclosure movement forward through his YouTube channel, Blue Planet
Speaker 2: Red with Brian Corey Dopps of the same name. Get ready,
Speaker 2: We're going to be really diving deep into this and
Speaker 2: I don't think I've ever done a show that's specifically
Speaker 2: on Mars. I'm so excited to get into it. It's
Speaker 2: something that I am very passionate about because all many,
Speaker 2: many cultures have looked to the sky and talked about
Speaker 2: the Red planet. And you know, now that we're able
Speaker 2: to send you know, photographic machines and tools to our
Speaker 2: closest and you know, even some of our furthest celestial objects,
Speaker 2: we're starting to see that. I don't think everything's as
Speaker 2: cut and dry as the textbooks would have it. So
Speaker 2: with that being said, let's welcome today our friend Brian
Speaker 2: Corey Dobbs.
Speaker 3: I've read die. What's going on? Man?
Speaker 2: Not much. I'm battling a little bit. I'm a little
Speaker 2: bit under the weather. Yeah, we're going to do this
Speaker 2: show last night, but I had to chicken out because
Speaker 2: of my uh my voice sounded way worse last night.
Speaker 2: I always have a kind of gravelly voice, but god,
Speaker 2: it like, you know, I sounded like RFK junior yesterday.
Speaker 2: I hear you.
Speaker 4: Well, it's okay, man, we're here today, the sunshining.
Speaker 3: We got plenty of time and good company, so.
Speaker 2: Yes, listen. I wanted to open up the show with
Speaker 2: a little bit of banter. You know, that's what I
Speaker 2: do best because I fucking banter.
Speaker 5: Uh.
Speaker 2: I know you don't follow this stuff as extremely close
Speaker 2: as I do, but I wanted to kind of get
Speaker 2: your feelings on something. Do you know who lou Elizondo is?
Speaker 3: Yes? Of course?
Speaker 2: Okay, So you know Alexondo. You know Ross Coltart, Yes, okay.
Speaker 2: Do you know UAP Gerb.
Speaker 3: Only by name?
Speaker 2: Only by name?
Speaker 5: Okay?
Speaker 4: Well, rossining him last week and I sort of got
Speaker 4: the gist of what was going on there.
Speaker 2: Right, oh right, right, right, right, right right? I remember that.
Speaker 2: So Ross had UAP Gerb on the News Nation reality
Speaker 2: check program. They're doing like a two parter, and you know,
Speaker 2: some some pretty they're not. It's not anything new. I mean,
Speaker 2: people have been talking about Alexondo being this kind of
Speaker 2: legacy UFO program plant, or at least mechanism, whether he
Speaker 2: knows it or not, this mechanism of a controlled disclosure, right,
Speaker 2: And you know, ever since Alexondo first came into the
Speaker 2: UFO community in twenty seventeen, he's been pretty open about
Speaker 2: how he's not a quote unquote UFO guy, He's not
Speaker 2: a ufologist, he's not this, he's not that he's a
Speaker 2: counter intel expert who is asked to use his skills
Speaker 2: on or on and around the UFO topic. Now, what
Speaker 2: that sounds like to me is that he's doing someone's bidding.
Speaker 2: And it's always sounded like that to me. I I
Speaker 2: just don't yell and scream about it. The guy's been
Speaker 2: pretty open about what what he is and isn't. We're
Speaker 2: the ones or not we But there's some people in
Speaker 2: this community that follow the guy and everything he says
Speaker 2: like it's gospel. And I if you're defending the UFO gurus,
Speaker 2: like they're like your fucking fantasy football team, like reevaluate yourself. Yeah, right,
Speaker 2: reevaluate where you're at, right, And so gerb went on
Speaker 2: ross Colthard. The weird thing is is people in the
Speaker 2: community have been talking about at Lou for a long time. Listen,
Speaker 2: I kind of like the guy. There's something about him
Speaker 2: that I like, and I think that's why he's good
Speaker 2: at his job. I want to like him, I want
Speaker 2: to trust him, but I know you got to keep
Speaker 2: people like that at arms arms distance. So there's this
Speaker 2: idea of this role in government at least like liaison
Speaker 2: between government military and the public that I think Alizondo
Speaker 2: is at least gunning for so. But but Gerb and
Speaker 2: coltheart came out and they both kind of like endorsed
Speaker 2: this idea that lou is a plant from a from
Speaker 2: the legacy UFO programs plural, and that he has been
Speaker 2: sent kind of to control the nozzle, right. We can't
Speaker 2: let it overflow and flood. We have to let it
Speaker 2: drip out. What do you think of something like that?
Speaker 4: Of course it makes logical sense, I think in general,
Speaker 4: as it relates.
Speaker 3: To disclosure, we have these.
Speaker 4: Figures, these public figures, some of them were more notable
Speaker 4: than others, and the public applies a certain value to
Speaker 4: each one of them based on whom they're affiliated with.
Speaker 4: In a case of luel Azando, first the guy. First
Speaker 4: of all, I agree with you. He seems like a
Speaker 4: likable guy. Just the way he speaks seems relatable. He's
Speaker 4: got a cool name. He was featured on sixty minutes Okay,
Speaker 4: looking really sharp and coming from video production worlds and
Speaker 4: filmmaking and such, I'm sure you can appreciate. Simply having
Speaker 4: higher production quality associated with your public persona oftentimes allows
Speaker 4: you to have inherently more credibility in the eyes.
Speaker 3: Of the public, isn't that weird?
Speaker 4: Rights means a whole lot, and this is something that
Speaker 4: a lot of people don't really understand who are getting
Speaker 4: into this. But so so, you know, video podcasts have
Speaker 4: come a long way about the game. It's not just
Speaker 4: about audio now, it's about like what you can how
Speaker 4: you can present yourself. So that being said, because he
Speaker 4: comes from this, you know, from government, essentially, there is.
Speaker 2: Always definitely comes from government.
Speaker 4: Right government, I'm you know, there's a variety of ways
Speaker 4: you can define what government is, but you know, just
Speaker 4: to distill it down, there is always going to be
Speaker 4: and there always should be an inherent amount of skepticism
Speaker 4: as it relates to any government official, former or existing.
Speaker 4: You know, based on what exactly it is they're saying.
Speaker 4: There should always be skepticism there. I do get the
Speaker 4: sense that there is at least some amount of truth
Speaker 4: to what he is saying, in the whether or not
Speaker 4: it is entirely true or not. You know, I don't
Speaker 4: want to get so lost in the black or white
Speaker 4: aspect of it, because we are sitting here in twenty
Speaker 4: twenty six talking about flying saucers in the mainstream news,
Speaker 4: and I think that's an overall win for this movement.
Speaker 4: And figures like him, in the eyes of the uninitiated public,
Speaker 4: have an inherent amount of credibility because he is essentially vetted.
Speaker 4: He has the government credentials, he has the you know,
Speaker 4: the secret government credentials. And so for the people who
Speaker 4: just go to work and to come home and they
Speaker 4: put on the five o'clock news, there's that Ufo Gui
Speaker 4: from the government and he's telling it like it is
Speaker 4: and they don't know this. There's what you have on
Speaker 4: the mainstream news. And I don't want to knock the
Speaker 4: mainstream news. I mean it is there and everybody watches it,
Speaker 4: and that's fine. But then there's online culture, which like
Speaker 4: people like you and I are really tapped into and
Speaker 4: like it's we can't talk to our parents or our
Speaker 4: friends about this stuff. They're not into it. They just
Speaker 4: see the major headlines. And he's going to be one
Speaker 4: of those people in the major headlines. So us, you
Speaker 4: and I have to have that ability to discern a
Speaker 4: little bit more as it relates to what's coming from him.
Speaker 3: And you know, I think that's that's fair.
Speaker 2: Do you do you think it's our job to maybe
Speaker 2: enlighten people on you know, if they get But okay,
Speaker 2: let me kind of rephrase this because I want to
Speaker 2: jump obviously, I want to get to your your your topic.
Speaker 2: H But I couldn't help myself but bite into this
Speaker 2: a little bit tonight. Do you think that it's our
Speaker 2: job as people that are tapped in to kind of
Speaker 2: temper people's expectations if they do come across this stuff
Speaker 2: and say, know, maybe they're talking and they're they're a
Speaker 2: little bit bit misguided. You know, do you think do
Speaker 2: you think there is or do you think because there's
Speaker 2: no denying that the shift from twenty seventeen to now,
Speaker 2: you can't deny what the guy's done for the topic mainstream.
Speaker 2: You can't fucking deny it. Whether there's the Wizard of
Speaker 2: Oz behind the curtain pulling the fucking strings, he's the
Speaker 2: public face of that that momentum shift and to the
Speaker 2: Stars Academy. So you could argue that we aren't here
Speaker 2: today without the introduction of Louelizondo.
Speaker 3: Yeah, I agree.
Speaker 4: Again, we have to give the guy credit here, Like
Speaker 4: this thing got kicked off twenty seventeen, that's almost ten
Speaker 4: years ago.
Speaker 2: Isn't that easy.
Speaker 3: It is.
Speaker 4: We've made a lot of progress since then, and I
Speaker 4: think the reason why you invited me on the show
Speaker 4: directly relates to what he was involved in and releasing
Speaker 4: these or leaking these these videos, these UFO videos to
Speaker 4: the New York Times way back in the day. I
Speaker 4: mean that that now we were having congressional hearings, we're
Speaker 4: having mainstream news coverage in this.
Speaker 2: I watched him, I watched him testify to Congress.
Speaker 4: Right, I mean, this is a big deal, whether or
Speaker 4: not he's playing a part. While he might be, but
Speaker 4: overall I see it as okay, he's he's helping the
Speaker 4: movement gain the attention that it deserves. But to answer
Speaker 4: your question, yes, it is up to people like us
Speaker 4: to you know, be a little bit more discerning and
Speaker 4: to try to contextualize this for the lay person who
Speaker 4: doesn't follow the day to day and it doesn't know
Speaker 4: all the actors and things of that nature. You know,
Speaker 4: as it relates to who to trust, where do we
Speaker 4: place most of our trust, which with which public figures?
Speaker 4: You know, I've got my people who I look to
Speaker 4: to try to you know, who do I trust on
Speaker 4: this topic? Who do I trust on this topic. Of course,
Speaker 4: it's never gonna be a hundred percent, nor should it be.
Speaker 4: But if you look at the the entire field of
Speaker 4: UFO disclosure and the and the personalities in it, you know,
Speaker 4: I think each one of us are gonna it's not a.
Speaker 3: Black and white thing.
Speaker 4: It's a spectrum, right, and I think that we have
Speaker 4: to take in as much information as possible, right.
Speaker 2: We shouldn't.
Speaker 3: We shouldn't necessarily choose sides.
Speaker 4: This isn't like what what's your favorite football team and
Speaker 4: like like it's you know, uh, we have to be
Speaker 4: a little bit more careful, a little bit more nuanced
Speaker 4: with with this information.
Speaker 2: That's it. It's a really good point. It's a really
Speaker 2: really good point. So with that being said, GB gurb
Speaker 2: in them. The thing that is kind of surprising me
Speaker 2: the most about it all. Oh I turned that by accident.
Speaker 2: I'll fix that in a minute. But what's surprising is
Speaker 2: now it's used to only come from the bottom up right,
Speaker 2: like it was it was lou Crue and then like
Speaker 2: it was the the people who loved him, there was
Speaker 2: the people that loved him, and they're the people that
Speaker 2: love him like kind of love him, love him yeah,
Speaker 2: and to the people that hate him, like, they don't
Speaker 2: just dislike him, they it's this really weird dichotomy. I've
Speaker 2: never seen someone so polarizing, Like not even doctor Greer,
Speaker 2: I would argue, is as polarizing in in retrospect, like
Speaker 2: if ten years from now looking back on it, unless
Speaker 2: Alizondo like comes out and shows us the body. Uh.
Speaker 2: He's just he's been so polarizing in such a short
Speaker 2: time that you know, I I think he's arguably more
Speaker 2: than more than Greer, and Greer's kind of like kind
Speaker 2: of like slipped away lately. Did you notice that?
Speaker 3: You know.
Speaker 4: I'm happy you brought up Greer because I was actually
Speaker 4: going to go there next. Greer, I think, was the
Speaker 4: first one I heard being critical of Alessando, being skeptical
Speaker 4: of Alessando. But this is years ago, and I'm thinking,
Speaker 4: why is he so hard on Alessando?
Speaker 3: Alessando?
Speaker 4: You know, it seems like he's coming out and trying
Speaker 4: to release this information. He seems genuine with his intent
Speaker 4: behind this. But right, Stephen Greer is one of these
Speaker 4: people who I place more inherent trust because he is
Speaker 4: number one, a political number two, unaffiliated with with any
Speaker 4: government organization.
Speaker 3: Now, certainly he's a controversial figure. Everything I don't I
Speaker 3: never heard that he worked.
Speaker 4: He was he was a he was a surgeon who
Speaker 4: got into this, and he was doing this long before
Speaker 4: it was cool. Man, And to be doing this for
Speaker 4: that long you got and you got to give that
Speaker 4: guy a whole lot of credit too. Now I don't
Speaker 4: know the deep history, all the ins and outs, but
Speaker 4: I'm inclined.
Speaker 3: To take what he has to say quite seriously.
Speaker 4: And this is the thing, you know, I was once offered, Hey,
Speaker 4: someone once asked me a hypothetical question. You know, if
Speaker 4: if I could, if I could gain a lot more
Speaker 4: exposure for the work that I'm doing with Mars, but
Speaker 4: I would have to be affiliated with a presidential administration.
Speaker 3: What I want to do that?
Speaker 4: And I don't want to do that. I do not
Speaker 4: want to be affiliated with any government entity, especially any
Speaker 4: political entity, because then there's going that along with that
Speaker 4: brings core inherent skepticism. People are going to be distrustful.
Speaker 4: You know. I hope that I never get accused of being,
Speaker 4: you know, playing a syop or something like that. People
Speaker 4: just like to throw that word around when they don't
Speaker 4: like somebody. Oh, he's just a sy up. He's doing
Speaker 4: a sigh up and things like that. Like I'm you know,
Speaker 4: all I have right now is my credibility, and I
Speaker 4: look to the people who are doing this and who
Speaker 4: are doing this with in my opinion, noble efforts, who
Speaker 4: aren't necessarily making a whole lot of money on it.
Speaker 4: Although I'm not necessarily critical of that, if you can
Speaker 4: understand public relations in a way to somebody has to
Speaker 4: report on this stuff, and it's a capitalist society of
Speaker 4: no problem making money on it, but you have to
Speaker 4: figure out where that money is coming from. And I
Speaker 4: think my main criticism of Greer is that he doesn't
Speaker 4: understand public relations well enough. And I don't think it's
Speaker 4: his fault that he's fallen by the way. Sid He's
Speaker 4: still doing what he's doing, but he doesn't necessarily have
Speaker 4: a He's a well spoken person, but I get the
Speaker 4: sense that his reputation suggests that he is, you know,
Speaker 4: a highly polarizing figure. He's not a very fun person
Speaker 4: to be around. And you know, I don't know all
Speaker 4: of his experiences, but you know, I'm sure he's rubbed
Speaker 4: people the wrong way. You know, he has made some
Speaker 4: wonderful documentaries with with filmmaker Mike Mozzola. You know, I
Speaker 4: don't know these guys personally. I pressed by some of those.
Speaker 2: I would argue that Unacknowledged is up there with like
Speaker 2: the top five, I would argue.
Speaker 4: That Unacknowledged is great. Lost Century would blew my frickin' mind.
Speaker 4: And I like production graality quality was fantastic.
Speaker 2: Yeah, I liked it. But and and and I'll give
Speaker 2: Career credit where credit is due. He didn't. He didn't
Speaker 2: stray too far, like this was about the lost civilization
Speaker 2: and how to reclaim it, right, It wasn't. It didn't
Speaker 2: swing over to full ufology right right. He really kept
Speaker 2: the topical element alive on that one, which I actually
Speaker 2: respected a lot. Yeah. I think he puts out some
Speaker 2: of the best, the best films. But I also think
Speaker 2: James Fox is up there with you know, with what
Speaker 2: he does too.
Speaker 3: Oh well, James James Fox a great filmmaker.
Speaker 4: I was just commenting on the filmmaker that uh works
Speaker 4: with Mozol. Yeah, he's He's done some great work there,
Speaker 4: and I know he'd probably some other stuff there. I
Speaker 4: think if more people watch The Lost Century, they like
Speaker 4: Stephen Greer, a little bit more. It's just you know, uh,
Speaker 4: with with his personality, maybe it's just not as very
Speaker 4: engaging with the media, Like the media has to like you.
Speaker 4: That's how you get so much coverage is you have
Speaker 4: to be likable. And I think Stephen Geer's inherent problems
Speaker 4: that he's just not as likable as everybody else, Right,
Speaker 4: But that me tells me that he is a little
Speaker 4: bit more connected to the truth and not really biased
Speaker 4: or influenced rather by people who want to manipulate the narrative.
Speaker 3: Now, look, this is just my general feeling.
Speaker 4: Of course, Steven Greer is going to be a polarizing
Speaker 4: figure and people might might disagree here or there, but
Speaker 4: you know, it's all a spectrum.
Speaker 2: I think one of the greatest debates ever would be
Speaker 2: Greer Elizondo fucking I don't care. Put Jesse Michaels there
Speaker 2: to mediate it, right they you know whatever, Put Put
Speaker 2: one of these guys in there to mediate it. Put
Speaker 2: me in there to mediate it. I don't know, but
Speaker 2: I think that that would be, like short of like
Speaker 2: them divulging into name calling, like that might be the
Speaker 2: single greatest like that's up that might be up there
Speaker 2: with him. Hillary Trump Debate number one right right, like
Speaker 2: that's fucking electric TV right there.
Speaker 3: I'd pay to see that.
Speaker 2: What Lou Steven, Let's go, come on, we'll we'll fund it.
Speaker 2: Let's go baby. All right, Brian, listen, you've done a
Speaker 2: lot of hard work. Blue Blue Planet Red is the documentary.
Speaker 2: All the links for everything that you all your stuff
Speaker 2: will be in the description below for people on the replay.
Speaker 2: And I want to get into how after we I'm
Speaker 2: just gonna play the quick ad break and just get
Speaker 2: it over with ninety seconds. Will be right back, great
Speaker 2: bannswer session. We're all I'm feeling loose. I'm feeling a
Speaker 2: little bit better when we come back. I want to
Speaker 2: hear about how you first got into looking at Mars.
Speaker 2: Where did the fascination come from? Did you see that?
Speaker 3: Yep, it's happening again.
Speaker 2: Dude, guys, I can't make this shit up. I mean,
Speaker 2: last time, people were accusing me. By the way, I
Speaker 2: want to set the record straight. In that live stream,
Speaker 2: people were saying I was looking down. I was, my
Speaker 2: laptop was on the desk and I was looking down
Speaker 2: at the chat. But I was doing that the whole episode.
Speaker 2: I did not. I've I shelved a whole documentary because
Speaker 2: someone asked me to stage something. I shelved three years
Speaker 2: of work because someone asked me to stage something. No,
Speaker 2: I didn't stage the fucking light dimming, like, come on,
Speaker 2: but it's just gonna keep happening, y'all see, y'all will
Speaker 2: see my microphones explode. But we'll be right back, guys.
Speaker 2: This is I'm already tuned up and I'm a little
Speaker 2: I'm a little sick, so I took some mom what's
Speaker 2: that shit called day quill, So it's kicking in. Brother,
Speaker 2: I'm about to go a whole comdiac on your on
Speaker 2: on on this show. But yeah, we'll be right back guys,
Speaker 2: ninety seconds. This episode of Total Disclosure is brought to
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Speaker 2: Now back to the show. I got to fix that.
Speaker 2: Ending back to the show. It sounds like so terrible,
Speaker 2: but all right, guys, So Brian, I am going to
Speaker 2: let you take the lead here. How did you get
Speaker 2: into the topic of Mars and how did you you
Speaker 2: know what led you down this path? Talk to me
Speaker 2: a little bit about your origins.
Speaker 4: Yeah, I'll try to keep it brief here. You know,
Speaker 4: I've worked in nine to five like most other people
Speaker 4: until up till about COVID. And then my girlfriend suggested
Speaker 4: that I read a book by Graham Hancock, a called
Speaker 4: Fingerprints of the Gods, which I'm sure most people are
Speaker 4: aware of. I had never heard about any of this stuff,
Speaker 4: and I read it and I didn't get it. I
Speaker 4: thought this was fiction, and I'm like, what the hell
Speaker 4: is this? I didn't hear about any of this stuff.
Speaker 4: Then I finished it and I'm like, this is this
Speaker 4: is crazy. This seems like there's more to our past,
Speaker 4: there's more going on with our past than I was
Speaker 4: previously aware of. So I became a fan of Graham Hancock,
Speaker 4: just relatively, you know, four years ago or so. And
Speaker 4: then I was looking at his collection of books, and
Speaker 4: as it turns out, most people don't know this, but
Speaker 4: he's got a whole book written about Mars. Really, yes, really,
Speaker 4: it's called The Mars Mystery. And in it he's talking
Speaker 4: about the same kind of things that I've been talking
Speaker 4: about for the past few years. And this book was
Speaker 4: written in the late nineties, okay, and it talks it
Speaker 4: discusses NASA's Viking mission in the seventies to Mars and
Speaker 4: what they found primarily, and what they found was evidence
Speaker 4: for life and an ancient civilization. So the book has
Speaker 4: since been ridiculed quite a bit. I think Graham has
Speaker 4: distanced himself from it because there's a you know, with Mars,
Speaker 4: there's a lot of baggage, there's a lot of inherent
Speaker 4: baggage with it.
Speaker 3: The face on Mars, we could go through it.
Speaker 4: But as it turns out, there's a whole new generation
Speaker 4: of Mars researchers. Hello to people who are joining us,
Speaker 4: there's a whole there's a whole new generation of of
Speaker 4: Mars reachers or researchers who are finding all sorts of
Speaker 4: stuff tie and most the public is mostly unaware of this.
Speaker 4: I want to give credit to a man by the
Speaker 4: name of Richard Hoagland, who in the eighties spearheaded the
Speaker 4: modern day Mars disclosure movement.
Speaker 3: I don't think it was called that there you go
Speaker 3: Mars mystery.
Speaker 4: But in the wake of the Viking mission, which was
Speaker 4: NASA's incredible mission to Mars.
Speaker 3: Uh.
Speaker 4: They were, they were photographing some interesting things on this surface.
Speaker 4: And back then we had you know, lower resolution stuff,
Speaker 4: but we can still make out some anomalous stuff. And
Speaker 4: so a man by the name of Richard Hogland put
Speaker 4: together sort of a superhero team of independent scientists who
Speaker 4: would evaluate the data and analyze it from a completely
Speaker 4: different point of view than what NASA was doing, because
Speaker 4: NASA is like, there's nothing to see here, and Richard
Speaker 4: Hogland and company saw things differently, and they had public
Speaker 4: relations campaigns over the years, blah blah blah.
Speaker 3: Its so sort of fizzled out.
Speaker 4: The public's interest in it fizzled out, maybe at the
Speaker 4: turn of the century. However, there have since then there
Speaker 4: have been a new crop of researchers, both you know,
Speaker 4: professional and independent, who have done a lot of work
Speaker 4: analyzing Mars, Mars's NASA's Mars data, publishing research papers on it,
Speaker 4: publishing things to the internet.
Speaker 1: Uh.
Speaker 4: And what I do is I cover the people, so
Speaker 4: I don't do the research itself.
Speaker 3: When I research the researchers and I try to report
Speaker 3: on all.
Speaker 4: I'm sort of like maybe yourself a nexus point of
Speaker 4: all things Mars disclosure. So you were telling me a
Speaker 4: few minutes ago about how there might be something in
Speaker 4: the news that you have twelve people contact you about it.
Speaker 3: The same thing for me, but as it relates to Mars.
Speaker 4: Now, fortunately we you know your podcast, total disclosure. In
Speaker 4: my opinion, disclosure has to include Mars. Based on what
Speaker 4: I've seen, what we continue to see. There is some overlap,
Speaker 4: like here's an image you just have up here. This
Speaker 4: is what most people are familiar with, a boring, desolate,
Speaker 4: rocky landscape. And that's what NASA is really good at,
Speaker 4: just putting these pictures out of to the public saying hey,
Speaker 4: look here's Mars. Everybody, look at the rocks in rock. Yeah,
Speaker 4: there's rocks and weather on Mars. And that's about it.
Speaker 4: That's all NASA really does. NASA does great work with engineering,
Speaker 4: Like I want to credit NASA for furthering our understanding
Speaker 4: of the universe and the Solar system, et cetera, et cetera. Unfortunately,
Speaker 4: they've discovered a whole lot that they're just not talking about.
Speaker 4: The data is there. All my work is based off
Speaker 4: of their own data. And when I say data, that
Speaker 4: includes photographs. Okay, so photographs are admissible in court as evidence,
Speaker 4: and we've got so much good stuff tie over thirty
Speaker 4: forty years now, high resolution photography, multiple rover missions that
Speaker 4: we've got more eyes looking at this. We're citing sources,
Speaker 4: and I'm in touch with now with a community which
Speaker 4: I'd like to highlight their work because you know, I'm
Speaker 4: at the nexus point of all all things Mars, disclosure, biology, palaeontology,
Speaker 4: archaeology and UFOs.
Speaker 3: That were here.
Speaker 4: You know, we could start talking off today because there's
Speaker 4: so much really cool stuff there happening.
Speaker 3: So much.
Speaker 4: After I read Graham Hancock's book, I read another book
Speaker 4: by doctor John Brandenberg. I'm like, I got to do
Speaker 4: something about this because I'm a filmmaker. And I said, well,
Speaker 4: what needs to be done is that there needs to
Speaker 4: be some sort of comprehensive Mars documentary. And I looked
Speaker 4: around like there wasn't anything. All this data was published,
Speaker 4: but it just wasn't all put together. And when you
Speaker 4: put it all together, the totality of evidence paints a
Speaker 4: very different picture of Mars than the one that most.
Speaker 3: People are familiar with.
Speaker 4: And if you understand all of the facets towards all
Speaker 4: of these interesting discoveries that NASA has made yet doesn't
Speaker 4: really comment on. Then you'll start to understand what it
Speaker 4: is that I'm talking about. So I really thank you
Speaker 4: for your interest in having me on the show today,
Speaker 4: because I think this is going to blow a lot
Speaker 4: of people's minds absolutely.
Speaker 2: I mean, this is one of those topics that's just
Speaker 2: like it is so interesting to me that, you know,
Speaker 2: because I have a lot of theories myself on you
Speaker 2: know what, like in my in my opinion, maybe one
Speaker 2: of the things we can start with is this idea
Speaker 2: that humans may have, Like we all know that there's
Speaker 2: a big scar across Mars, right and that there some
Speaker 2: say that there was another planet in our solar system
Speaker 2: and that it impacted Mars, and there was life on Mars,
Speaker 2: intelligent life that escaped and they went they came to Earth,
Speaker 2: and that is why our biological clocks or more tuned
Speaker 2: to Mars. You know, the sun burns. Us uh. We
Speaker 2: stood you know, if you're going by evolution, We shed
Speaker 2: our fur only to need pelts in the winter. We
Speaker 2: stood up only to have back pain, you know, we
Speaker 2: don't we also, like you look at every other thing
Speaker 2: in the every other creature, every other insect, every other animal.
Speaker 2: It seems to have this delicate balance with the ecosystem
Speaker 2: and it takes what it needs, but it doesn't it doesn't,
Speaker 2: you know, it's a it's a perfect balance. Humans we
Speaker 2: take and take and take and take and take and
Speaker 2: take and take. Rarely do we give back a small percentage.
Speaker 2: Have you ever heard this theory?
Speaker 3: Yes?
Speaker 4: And actually one of my goals tie is to try
Speaker 4: to thread that needle just right, because I do think
Speaker 4: there is some amount of truth to it. Although because
Speaker 4: I'm such a nuts and bolts guy, it's a lot
Speaker 4: harder of a it's a challenging task to try to
Speaker 4: We've that narrative in where the origin of humanity was
Speaker 4: on Mars and then came to Earth. We do have
Speaker 4: mythological texts, you know, of which I am not inherently
Speaker 4: familiar with. I just hear about them, and it's something
Speaker 4: I need to get to eventually. I am in touch
Speaker 4: with you know, we're gonna go on the deep end
Speaker 4: just just for a moment here.
Speaker 3: I am in touch with remote viewers and channelers.
Speaker 4: So if you entertain the metaphysical analysis aspect of Mars disclosure,
Speaker 4: a lot of what they have to say supports exactly
Speaker 4: what you just said. The challenge is how do you
Speaker 4: communicate that to the public who is still sort of
Speaker 4: adopting and emerging their interest or gaining interest in the
Speaker 4: metaphysical I think it's coming more and more mainstream, so
Speaker 4: that you know, that's something that I say for like
Speaker 4: the the the later levels, the the two or one
Speaker 4: or the three oh one version of Mars disclosure, I
Speaker 4: like to try to focus on one oh one, especially
Speaker 4: for those people who have never heard about any of
Speaker 4: this stuff no time.
Speaker 3: Most people don't even know that there's water on Mars.
Speaker 2: Right right, and not just a little, like a lot,
Speaker 2: especially at the polar at the caps.
Speaker 4: You know, yes, yes, so the polar ice caps are
Speaker 4: mostly H two oh.
Speaker 3: You can see them with the telescope.
Speaker 4: However, buried across the entire planet, just a few centimeters
Speaker 4: down is ice. So a lot of you know, Mars
Speaker 4: used to be this blue planet. This is why I
Speaker 4: title a blue planet red. It was once a blue
Speaker 4: planet like Earth, but then something terrible happened to it,
Speaker 4: which is a part of what I cover exactly what happened,
Speaker 4: and then a lot of that water evaporated and a
Speaker 4: lot of it kind of sublimated down into the soil
Speaker 4: and froze. But as we know, ty, where there's water,
Speaker 4: there's life, even if it's ice.
Speaker 2: Yes, yes, sir so yeah, And you know, I find
Speaker 2: it to be quite telling that, like, you know, not
Speaker 2: not just from our like modern day, but since humans
Speaker 2: looked up, they always found the red planet as this
Speaker 2: this thing, right, this thing that could affect you physiologically.
Speaker 2: You know. Now it's like people talk about Mars and
Speaker 2: retrogade and stuff, and like, while I don't necessarily believe
Speaker 2: that that kind of thing, like, there is a reason
Speaker 2: and a mystery that people look up to Mars, the
Speaker 2: red planet, and they see this this bought this celestial
Speaker 2: object that is an enigma wrapped in a mystery, wrapped
Speaker 2: in you know, like just this this cosmic detectives like
Speaker 2: documentary and is it? Is it? It's also true that
Speaker 2: that NASA has shaped the public perception of Mars as
Speaker 2: being this desolate, rusty terrain when in reality, Uh, I
Speaker 2: don't think that's actually the case, is it?
Speaker 4: I Mean, Mars is red because it's covered in rust. Okay,
Speaker 4: but what does that tell us?
Speaker 2: Right? But if you're on Mars, is it as orange
Speaker 2: as this?
Speaker 3: Ah?
Speaker 4: Well, I think what you're alluding to is how NASA
Speaker 4: has unfortunately, for a long period of time, manipulated the
Speaker 4: colors of these rover photographs, making it appear a lot
Speaker 4: more red than it actually is, including the sky. Mars
Speaker 4: sky is actually a whole lot more like ours. It's
Speaker 4: depending on the time of day. It could be blue,
Speaker 4: it could be purple, you know, reddish and orange depending
Speaker 4: on where the sun is in sunset and things of
Speaker 4: that nature. But you know, if you look at the
Speaker 4: Perseverance Rover landing video with there's a camera looking straight
Speaker 4: up in the sky and it's a blue sky. So
Speaker 4: why does NASA want to try to hide that from us?
Speaker 4: You know, we can only speculate, but we have, you know,
Speaker 4: reason to believe that they they want to paint a
Speaker 4: picture of Mars where it.
Speaker 3: Is not a habitable world. And it's not. I mean,
Speaker 3: if we show up there tomorrow, it's it's no.
Speaker 2: Yeah, we're not gonna be We're not just gonna plant
Speaker 2: the flag and fucking live there.
Speaker 1: No.
Speaker 2: So uh, but I think I have the picture you
Speaker 2: just referenced. Is this it?
Speaker 3: Yeah?
Speaker 4: I mean this this is a good picture here. This
Speaker 4: is a more color accurate picture where you can see
Speaker 4: that that just.
Speaker 2: Looks like we're in like the Nevada desert, right Arizona.
Speaker 3: It does, it does. So NASA has started fixing this problem.
Speaker 2: But there's a huge you do agree that there's a
Speaker 2: huge difference between this and this, of course, Okay, we
Speaker 2: can all agree that that that's like, that's almost kind
Speaker 2: of But by the way, this one's one of my
Speaker 2: favorite little like what is that? Dude, what the fuck
Speaker 2: is that? But I didn't mean to put that one
Speaker 2: up there, But there's a huge difference between the color
Speaker 2: grading there.
Speaker 4: Yeah, and they started doing that day one as soon
Speaker 4: as they started getting back lander photos from the Viking
Speaker 4: Lander in nineteen seventy six. You know, I for the film,
Speaker 4: I interviewed a lot of people, including a gentleman by
Speaker 4: the name of Ron Levin, who is the son of
Speaker 4: doctor Gillivin. Gilivin was the person who designed one of
Speaker 4: the biology experiments that went to Mars in nineteen seventy six,
Speaker 4: and Ron was in the control room as a you know,
Speaker 4: twenty young twenty something, and you know, we're going to work.
Speaker 3: With his father.
Speaker 4: His father's working on NASA's is really cool. But he's
Speaker 4: looking at all the monitors and they're beaming back the pictures,
Speaker 4: and all the monitors immediately start showing Mars with the
Speaker 4: blue sky. And immediately one of the technicians went around
Speaker 4: to all the monitors, you know, these analog monitors started
Speaker 4: turning knobs to make it appear less blue, like.
Speaker 3: Ooh, right off the bat.
Speaker 4: So I, you know, I interviewed Ron for the film
Speaker 4: and he recounts the story and he says, then I
Speaker 4: went and I changed them all back to the proper color.
Speaker 2: Aha.
Speaker 3: They got in trouble for it.
Speaker 4: So immediately they're starting to like, oh my god, what
Speaker 4: this marsh shouldn't look like this?
Speaker 3: Why does it look like this?
Speaker 4: And I think the basic idea is that NASA doesn't
Speaker 4: want to give the public any reason to believe that
Speaker 4: Mars is a lot more like Earth than you know,
Speaker 4: this this dead planet that they really want to tell
Speaker 4: us that it is.
Speaker 2: But why do that? Now? We could argue, right, we
Speaker 2: could argue that NASA fights for their funding per year, right, Yeah,
Speaker 2: why not let it slip out that Mars is maybe
Speaker 2: more habitable than we anticipated and get public support for
Speaker 2: more missions. And act because the space race only worked
Speaker 2: because the populace was behind it. Right, Look where look
Speaker 2: where modern space exploration has has has ended up. It's
Speaker 2: ended up, you know, mostly in the private sector at
Speaker 2: this point, and public interest has waned like very And
Speaker 2: this this didn't just happen like recently. This was during
Speaker 2: the Apollo missions where public interests started to wane because
Speaker 2: there's there's only so many times you can land and
Speaker 2: it be this cultural moment, right, so why not try
Speaker 2: to recreate that that drive where they're funding kicks up?
Speaker 2: And or is there something on Mars that they want
Speaker 2: to keep secret so that they can specifically exploit it
Speaker 2: and and let like keep the rest of the world
Speaker 2: in the dark about what might actually be there and
Speaker 2: what the potential that's untapped.
Speaker 4: Literally, this is going to sound conspiratorial. This is going
Speaker 4: to sound like will we do my friend? I can
Speaker 4: address this directly. This is going to sound like X files.
Speaker 4: But there is everything that I say I can back
Speaker 4: up to an official source. Okay, there is something called
Speaker 4: the Brookings Institution Report.
Speaker 3: Have you heard of this?
Speaker 2: I course have heard of this, yes.
Speaker 4: Okay, so it basically advises NASA. Hey, look back in
Speaker 4: nineteen sixty NA. So you're going out and outer space,
Speaker 4: you might find some stuff once you start landing on
Speaker 4: these planets.
Speaker 3: I'm paraphrasing here. If you happen to come across any.
Speaker 4: Artifacts or ruins or signs of an ancient civilization, you
Speaker 4: might want to think twice before you tell the public,
Speaker 4: because if you tell the public, they might freak out
Speaker 4: cause panic and society it's elf might crumble. So this
Speaker 4: is you can there's a Wikipedia page about this thing, okay,
Speaker 4: and this is directly related to what we believe NASA's
Speaker 4: playbook is. I've spoken with the people who've been studying
Speaker 4: this stuff and who've been working on this stuff for decades,
Speaker 4: and they said, basically, this has been institutionalized. They have
Speaker 4: reason to believe that this playbook has been institutionalized, and
Speaker 4: they're still running.
Speaker 3: This playbook today. So now, if I'm.
Speaker 4: Trying to be fair here, if I'm in charge of
Speaker 4: the country or the world, do I want mass chaos?
Speaker 2: No?
Speaker 4: I mean I enjoy my peaceful life. So do I
Speaker 4: want to be responsible for totally disrupting paradigms and causing
Speaker 4: the world to go into turmoil. No. However, at some
Speaker 4: point we have to be honest with what with the public,
Speaker 4: with what we're finding up there, and I now, in
Speaker 4: the wake disclosure now becoming popular and hip and fun.
Speaker 4: I argue that NASA, that SpaceX, that the Mars Society,
Speaker 4: that these Mars focused organizations, I argue that they should
Speaker 4: adopt Mars disclosure and their messaging to the public because
Speaker 4: I do think, like the Space race, that would galvanize
Speaker 4: public support to get more funding to go to Mars quicker. Okay,
Speaker 4: not just for colonization purposes. Mars is a crime scene, Okay,
Speaker 4: it's we've got to figure out exactly what happened. We
Speaker 4: have a good idea about what happened. But you know,
Speaker 4: when you have a crime scene, what do you do?
Speaker 4: You study it first before you you know, say okay,
Speaker 4: all clear, you can start using the space again. So
Speaker 4: until we do that, I don't I really don't think
Speaker 4: we can just say, hey, let's put boots on the
Speaker 4: ground and start planning flags. We really got to go
Speaker 4: there and investigate further what we are already looking at
Speaker 4: with remote landers, rovers and orbiters. You know, we'll get
Speaker 4: into the details here. So I do think it's okay
Speaker 4: now for them to take a different approach because NASA
Speaker 4: has NASA traditionally speaking, has not been in.
Speaker 3: The business of disclosure. They want to be.
Speaker 4: They're a mostly trusted organization that people feel safe.
Speaker 3: Talking about.
Speaker 4: NASA doesn't want to get into the weeds about any
Speaker 4: of this disclosure stuff, and it as it relates to
Speaker 4: Mars disclosure specifically, imagine the most horrifying aspects of UFO disclosure.
Speaker 4: TI that all the terrible things that Stephen Greer talks about, Okay,
Speaker 4: abductions and things like that, trafficking blah blah blah blah blah.
Speaker 3: That's like the deep end. Okay, that's the terrible shit
Speaker 3: that we hear about.
Speaker 4: There's a whole lot of terrible shit with Mars, and
Speaker 4: if people knew what that terrible shit was, they might
Speaker 4: freak the fuck out. You think they might because it's terrifying.
Speaker 2: Okay, tell me what's terrifying about it?
Speaker 4: Well, top level here, the planet used to be blue
Speaker 4: like Earth. It was it was like Earth before Earth
Speaker 4: was like Earth.
Speaker 2: Right, so lush, it had atmosphere, greenery, water, Yes, Okay,
Speaker 2: it's not that anymore so something and obviously there's evidence
Speaker 2: of a huge fucking tear on the front of it.
Speaker 4: Yes, what happened to the planet okay, and what happened
Speaker 4: to it is terrifying.
Speaker 2: Be a war.
Speaker 3: Well, I didn't want to spoil it, but.
Speaker 2: Well, didn't they find zion one there?
Speaker 3: Yes, the sphere okay.
Speaker 4: So there's NASA's narrative which makes everybody feel safe. But
Speaker 4: then there's their data which suggests something completely differently, which
Speaker 4: does explain the scar and explains the weird nuclear isotopes
Speaker 4: in the atmosphere and if it was once blue tie
Speaker 4: with oceans, lakes and rivers and a breathable, thick atmosphere
Speaker 4: which gave rise to life and arguably intelligent life.
Speaker 3: And I've got a little bit of a show and
Speaker 3: tell here which I can show you.
Speaker 4: Then that means there's an entire humanoid civilization, a global
Speaker 4: civilization that was wiped out right next door, and.
Speaker 3: That there are there.
Speaker 4: Maybe they were us, maybe they were just related to us,
Speaker 4: Maybe they were just they were right next door. So
Speaker 4: you know, when I talk about what disclosure is in
Speaker 4: movie terms, I like to put it this way, like,
Speaker 4: I think disclosure is a mix between Star Trek, Star Wars,
Speaker 4: you know, Men in Black, right, But you know when
Speaker 4: Star Wars opens up and we have Darth Vader annihilating
Speaker 4: alder On. The evidence collected by NASA and I have
Speaker 4: vetted this, I have looked into it.
Speaker 3: John Brandenburg has published on this.
Speaker 4: The evidence thus far only points to one thing, and
Speaker 4: that the atmosphere was ignited. This is Oppenheimer's worst fear.
Speaker 4: For those of us who watched Oppenheimer has that scene
Speaker 4: with Matt Damon, because they were before the Trinity test,
Speaker 4: remember this, They were like, what are the chances you're
Speaker 4: going to ignite the atmosphere annihilate all life on Earth?
Speaker 3: It's not zero near zero?
Speaker 2: Right? Uh? Well it's not zero either.
Speaker 4: That is what happened, and it was not a natural event.
Speaker 4: So when I say terrifying, I don't know about you,
Speaker 4: but when I read this in John Brandenburgh's book, I
Speaker 4: kept I couldn't sleep for three nights tys and I
Speaker 4: felt compelled to do something about this. Now, if NASA
Speaker 4: knows this, do they want to come out to the
Speaker 4: public talking about this? Look, I mean, this is a
Speaker 4: lot right off the top of the show. I usually
Speaker 4: try to save this for later.
Speaker 3: You brought it up. Who can talk about it? No problem?
Speaker 3: But NASA knows this.
Speaker 4: I have talked to nuclear weapons experts about this. I
Speaker 4: have vetted this. I NASA refused to sit down with
Speaker 4: me for an interview. JPL refused to sit down with
Speaker 4: me for an interview. Lawrence Liverpool Or National Laboratory refused
Speaker 4: to sit down with me. NATO refused to sit down
Speaker 4: with me. Georgia Tech Steve Bugowski nuclear physicists, nuclear weapons expert,
Speaker 4: refuses to sit down with me. But he did communicate
Speaker 4: with me over email, and I have not yet seen
Speaker 4: anything that tells me otherwise. There's a lot of detail
Speaker 4: involved with this because it sounds nuts.
Speaker 3: Believe me.
Speaker 2: I know.
Speaker 3: This is why I wanted.
Speaker 4: To make sure that this was absolutely water tight before
Speaker 4: I messaged on it.
Speaker 3: And as far as I can tell, it is.
Speaker 2: Who That's a yah. I mean, admittedly that is a
Speaker 2: terrifying notion, because what that signals is that, I mean,
Speaker 2: at any moment we could we could light we can
Speaker 2: light this candle and there's no going back, no going back.
Speaker 2: And I mean yeah, I mean so when you say
Speaker 2: the atmosphere, I mean it ignited. I know we might
Speaker 2: be getting into some speculative territory here, but what does
Speaker 2: John say that cause the ignition? Is this warring factions?
Speaker 2: Is this a civilization that got too greedy? You know what?
Speaker 2: What what was his thesis on what that could be?
Speaker 2: I know, there's no way we can definitively know, but
Speaker 2: what was kind of the consensus?
Speaker 4: We can entertain a few ideas. There's never gonna be
Speaker 4: any certainty on this. We'll rather until we go there
Speaker 4: and start collecting more data boots on the ground. All
Speaker 4: we have is speculation, but one of three things at least, Okay,
Speaker 4: number one, they did it to themselves. Okay, we could
Speaker 4: do it to ourselves. However, it's not just nuclear holocaust.
Speaker 4: It is atmospheric ignition and to do that. The only
Speaker 4: reason why Oppenheimer wasn't able to ignite the entire atmosphere
Speaker 4: of Earth was because there wasn't enough energy output from
Speaker 4: that bomb. In order to create enough energy, you need
Speaker 4: as much atomic weapons that would fill the empire state
Speaker 4: building this God damn, Okay, that's how much you need.
Speaker 4: John Brandenburg did the calculations, all right, This is and
Speaker 4: this is one to two orders of magnitude more powerful
Speaker 4: than the media that is credited for killing the dinosaurs. Okay,
Speaker 4: it is so so much, all right, So if they didn't,
Speaker 4: I don't I would think they didn't do that to themselves.
Speaker 4: But if we're entertaining a couple other ideas. Brandenburg, doctor Brandenberg,
Speaker 4: who has been the only one, by the way, who
Speaker 4: was published on this, and he's still with us today.
Speaker 4: He doesn't give it get enough credit. He has never
Speaker 4: been asked to sign an NDA. He brought this information
Speaker 4: to the Pentagon. They told him to publish. If they
Speaker 4: would have told him not to, he would have said okay,
Speaker 4: But no, they instructed him to publish that.
Speaker 3: He says. They want this out there, they just don't
Speaker 3: want to talk about it. Okay.
Speaker 4: I'm like, all right, but he posits that, well, aliens
Speaker 4: will just say Aliens are a lot like us. There's
Speaker 4: some good and some bad, right, Yeah. Maybe maybe the
Speaker 4: bad guys came and they just wanted to wipe everybody
Speaker 4: out in this age of AI.
Speaker 3: Maybe it was AI. This is all speculation. I don't
Speaker 3: really try to sign.
Speaker 4: Anything here, okay, because I might lose people.
Speaker 3: All I really want to do is talk about the
Speaker 3: nuts and bolts.
Speaker 4: And what the nuts and bolts say is that there
Speaker 4: are three radioactive hotspots on the surface of Mars okay,
Speaker 4: where two large explosions went off, the shockwave wrapped itself
Speaker 4: around the planet and then collided with itself. And then
Speaker 4: there's another hot spot on the exact opposite of the planet.
Speaker 3: Okay.
Speaker 4: These hotspots are radioactive with thorium and potassium, and thorium
Speaker 4: is interesting because if you add thorium to an atomic weapon,
Speaker 4: it boosts the output, Okay, and it makes a whole
Speaker 4: lot more xenon one twenty nine, which is an isotope
Speaker 4: of xenon Okay, And the only other thing that makes
Speaker 4: this level of xenon one twenty nine is a supernova.
Speaker 4: But a supernova didn't go off and place a bunch
Speaker 4: of xenon one twenty nine on Mars and nowhere else
Speaker 4: in the Solar system. That's ridiculous. It would have blown
Speaker 4: everything up. So clearly something happens, specifically with Mars. Now,
Speaker 4: there's a lot more that we could go over because
Speaker 4: there's a lot of speculative there's there's a lot of skepticism.
Speaker 4: There's a lot of skepticism as a relations to this,
Speaker 4: but it's only because people don't understand the details. And
Speaker 4: I understand all these details which would bore some of
Speaker 4: these people. But this is why I want to try
Speaker 4: to get nuclear weapons experts engaged in the discussion, because
Speaker 4: they want to point to.
Speaker 3: The country of.
Speaker 4: Gabone, which is a country in Africa which has a
Speaker 4: uranium mine that millions of years ago, they figured out
Speaker 4: that water seeped into this uranium mine and it started
Speaker 4: a natural nuclear reaction.
Speaker 3: Okay, but there's just one problem that type.
Speaker 4: Not all nuclear reactions are created equal, and that type
Speaker 4: of nuclear reaction is similar to what happens in a
Speaker 4: nuclear power plant. The neutron absorption from one nucleus to
Speaker 4: another is slow. What they call it s process for slow. Okay,
Speaker 4: what happens inside the physics that happens inside of a
Speaker 4: thermonuclear weapon is our process rapid neutron absorption. Okay, so
Speaker 4: it's not the same thing, and that's the best they got.
Speaker 4: They can't counter with anything else. So it leads me
Speaker 4: to believe that Brandenburg really knows his stuff, and then
Speaker 4: everybody else just wants to pretend like this data doesn't exist.
Speaker 2: Jesus, So let's go to some of now, because I
Speaker 2: know you said that that was like a little bit
Speaker 2: more advanced. Let's go let's kind of take it, take
Speaker 2: it from the top and give me some entry level, Like,
Speaker 2: let's do this the way you kind of anticipated. I
Speaker 2: threw you for a wrench there. Let's go back and like,
Speaker 2: all right, how would you if I was someone who
Speaker 2: had never ever talked or understood or have looked into
Speaker 2: anomalies on Mars and craft being seen in the atmosphere
Speaker 2: of Mars or not in the atmosphere of Mars. What
Speaker 2: little atmosphere there is? Where would you take me? How
Speaker 2: would you take me down this path?
Speaker 3: Yeah?
Speaker 4: Well, ty, for someone like you who's hip to all
Speaker 4: this disclosure stuff, I mean, we'd probably we could start
Speaker 4: with UFOs, which is I'm sure what a lot of
Speaker 4: your listeners would like to see, because there's.
Speaker 3: UFOs on Mars, which will show you.
Speaker 4: But for the uninitiated, the general public, delay person, you know,
Speaker 4: I start with water. Do you know there's water on Mars?
Speaker 4: They keep putting out these news stories. Hey, NASA found
Speaker 4: water on Mars. Guys, this is yesterday's news. This is
Speaker 4: last century's news. Right they confirmed this fifty years ago?
Speaker 4: Okay with Viking. Now Viking was It's something that most
Speaker 4: people don't even know about today. But it was this
Speaker 4: monumental mission to Mars, and in fact, it was a
Speaker 4: double mission Viking one and Viking two, sort of like
Speaker 4: Voyager one and Voyager two. Right, They sent Viking one
Speaker 4: and two to Mars, and each one of them had
Speaker 4: a lander and an orbiter, So there's two landers and
Speaker 4: two orbiters. The landers went down, they just landed, they
Speaker 4: can't move, and they collected soil.
Speaker 3: Samples and did biology tests.
Speaker 4: They did atmospheric measurements, collected a lot of data on
Speaker 4: the ground.
Speaker 3: The orbiters photographed a lot of cool stuff.
Speaker 4: So from all of that data we're able to derive
Speaker 4: some information and some knowledge about this interesting planet right
Speaker 4: next to us. And long story short, they did three
Speaker 4: biology tests and all three of them returned results consistent
Speaker 4: with microbial life active microbial life. So to distill this down,
Speaker 4: NASA discovered microbial life in nineteen seventy six.
Speaker 3: Now, why don't most people know that.
Speaker 2: Right, because that seems like an important discovery.
Speaker 4: It is, and the reason why most people don't know
Speaker 4: it is very stupid. Here it is, they sent three
Speaker 4: biology tests. They also sent one organics test. Okay, there's
Speaker 4: a difference between active life and organic material. When you
Speaker 4: think organic material. You think when a leaf falls from
Speaker 4: a tree and it decays. Okay, when you compost stuff
Speaker 4: all that organic material, it's not alive, but it's the
Speaker 4: building blocks, right. They didn't find any organic material in
Speaker 4: the soil of Mars in nineteen seventy six because their
Speaker 4: test wasn't good enough.
Speaker 2: Ah, the old we didn't do well.
Speaker 4: They found organic material later when they got better equipment
Speaker 4: and they started sending rovers curiosity rover found organic material.
Speaker 3: They still find organic material.
Speaker 4: You go back a month ago, they're making news headlines
Speaker 4: about finding organic material all over the surface of Mars.
Speaker 4: The organic material is in there. And this is the
Speaker 4: difference between soil and regolith. Regolith is dirt without any
Speaker 4: organic material in it. Soil has organic material in it.
Speaker 4: So we don't have regolith on Mars. We have soil
Speaker 4: on Mars. But NASA in nineteen seventy six got positive
Speaker 4: life test results but negative organic so they said, ah,
Speaker 4: we're not sure what to make of this.
Speaker 3: This is ambiguous data.
Speaker 4: It wasn't the home run that they were expecting, so
Speaker 4: they really really weren't sure what to say. So they said, well,
Speaker 4: our life test results are inconclusive. Now In all fairness,
Speaker 4: I understand why they did that, but I got to
Speaker 4: hold their feet to the fire here because when they
Speaker 4: eventually found the organic material later, they should have revisited
Speaker 4: this result.
Speaker 3: Then they did.
Speaker 2: Ah, I see what you're saying.
Speaker 3: And they have not done that.
Speaker 2: Huh.
Speaker 4: So you have the designers of there's one that the
Speaker 4: first test was called the labeled release experiment. All you
Speaker 4: do is you scoop up soil, you feed it some nutrients,
Speaker 4: and you see if any gas comes out.
Speaker 3: Okay, Organisms eat food, they make gas. That's it. Okay.
Speaker 4: And this particular test was run over four thousand times
Speaker 4: here on Earth. It was designed by a sanitation engineer,
Speaker 4: a PhD, who had to test soil and water samples
Speaker 4: to see if there's any pathogens in it okay.
Speaker 3: And he produced this.
Speaker 4: This homemade test essentially that he used for his job
Speaker 4: this before he worked for NASA. And it was run
Speaker 4: over four thousand times and it never produced a false
Speaker 4: positive nor false negative. It was a perfectly designed test.
Speaker 4: So at a cocktail party, Gilavin said, hey, he meets
Speaker 4: the NASA administrator at a cocktail powdery party in DC
Speaker 4: and he says, hey, I heard you going to Mars.
Speaker 4: Are you guys looking for life? And the administrator says, yes,
Speaker 4: we're looking for life. He's like, well, cool, I got
Speaker 4: justice thing for you. I got a test that can
Speaker 4: test soil and see if it has any Mie crobs
Speaker 4: in it and tests down to like, you know, ten
Speaker 4: parts per million or something. Ridiculous. It's so sensitive it
Speaker 4: It was a perfectly designed test. So they sent that
Speaker 4: on both landers, on two different sides of the planet,
Speaker 4: both of which found life multiple times. And that should
Speaker 4: have been it. They should have popped the champagne then
Speaker 4: and there, but they didn't. So now we're here. Here
Speaker 4: we are fifty years later. The man has gone to
Speaker 4: his grave and even his cod designed are the person
Speaker 4: who helped helped him adapt it for Viking that to
Speaker 4: make it smaller or physically get it in the thing.
Speaker 4: They're both dead now, and they both been marginalized by
Speaker 4: their communities. Their communities thought that they were crazy because
Speaker 4: they were advocating that they found life, and they did.
Speaker 4: So that's where the story starts, is microbes, and it's
Speaker 4: a tragic story. But I am trying like hell to
Speaker 4: try to get these people more recognition because I think
Speaker 4: their story deserves to be told, and I consult with
Speaker 4: the modern day scientists, guy named doctor Stephen Benner, who
Speaker 4: was an award winning biochemist in Florida who actually invents
Speaker 4: new forms of DNA. He knows the Viking biology experiments
Speaker 4: inside and out better than anybody on the planet. I've
Speaker 4: spent considerable time with him, and a lot of what
Speaker 4: I'm telling you now is stuff that he is published on,
Speaker 4: and he is trying to get his entire astrobiology community
Speaker 4: to understand that NASA's narrative of no life on Mars
Speaker 4: is completely wrong. So that's that's where we're starting with ty,
Speaker 4: you know, and most people have no idea, and going further,
Speaker 4: since nineteen seventy six, NASA has actually discovered other evidence
Speaker 4: for microbial life on the surface. So I cover this.
Speaker 4: This is what compelled me to make this documentary. It's
Speaker 4: what you know. I learn new stuff like you learn
Speaker 4: their stuff. New stuff comes to me, and I continue
Speaker 4: publishing videos on this. I still cover it on my
Speaker 4: YouTube channel because we're learning new and new things. And
Speaker 4: you know, there's there's people all over the world who're
Speaker 4: studying this stuff that nobody knows about.
Speaker 3: Relatively few people know about.
Speaker 2: Wow, So we're starting with life, microbial life already existing
Speaker 2: on Mars. I mean as a starting point. That is
Speaker 2: that like for me, that's like the gate right. If
Speaker 2: we're finding if there is microL be a life or
Speaker 2: even a potential for it, I mean that that should
Speaker 2: be the ticket. That should be the one way ticket,
Speaker 2: right or not?
Speaker 4: Well, that's even microbes aren't sexy like flying saucers. But
Speaker 4: but it would still be paradigm shifting information. And if
Speaker 4: people only knew that NASA scientist doctor Carol Stoker, who
Speaker 4: in two thousand and two published an abstract saying her
Speaker 4: experiment aboard one of these landers found evidence for chlorophyll,
Speaker 4: then we might be having you know, most more people
Speaker 4: knew that, then we might be having a different story today.
Speaker 2: Didn't we come from? Am I wrong about this? Because
Speaker 2: now I know this is you know, not your field
Speaker 2: per se, But didn't we? Don't they? If you're subscribing
Speaker 2: to the whole idea that we, like, you know, came
Speaker 2: out of the ocean, But you know, weren't we once
Speaker 2: microbial life? That's where it started.
Speaker 4: So you're looking at it from a purely evolutionist perspective.
Speaker 2: Sure, right, So why why is it not sexy? Because
Speaker 2: what that signifies is that that this primordial soup that
Speaker 2: that they tell us about, that if it happened here
Speaker 2: and it resulted in us eventually, if there's microbes out
Speaker 2: there on Mars, that's almost like a confirmation that life, inevitably,
Speaker 2: given time, gets to the point that we got to.
Speaker 2: And if it's happening a couple a planet over, I'm
Speaker 2: exponentially growing my number of places that it's happening through
Speaker 2: the universe. Uh.
Speaker 3: Yes.
Speaker 4: And in my discussions with the many experts I've spoken to,
Speaker 4: I am of the firm I have the firm position
Speaker 4: that what you're alluding to here is not just evolution
Speaker 4: but panspermia.
Speaker 3: Yes, we have proven pan spermia.
Speaker 4: There's a whole most of the scientific community has no
Speaker 4: knowledge of the things that I cover. I have spoken
Speaker 4: with experts who shall whose credentials shall not be questioned.
Speaker 4: We have beyond a reasonable doubt proven panspermia. So I
Speaker 4: agree that mycrobial life should be sex scene.
Speaker 3: And maybe I'm just characterizing it wrong.
Speaker 4: I'm just saying relative, you know, it doesn't Well, let's
Speaker 4: just put it this way, Todd, do you ever see
Speaker 4: these headlines where it says scientists are looking into Scientists
Speaker 4: use the James Web Space telescope to look at the
Speaker 4: atmospheres of these planets millions of miles away orbiting other stars,
Speaker 4: and they'll say scientists have found biosignatures in the atmospheres
Speaker 4: of Exo.
Speaker 3: Stuff like that. Okay, do you know what they're looking
Speaker 3: for specifically? That makes them think that?
Speaker 2: Isn't it? The Uh? Shoot?
Speaker 5: True true?
Speaker 2: Uh put me on the spot here, and that's going
Speaker 2: to make me fucked up. But I just tell me
Speaker 2: because I know what it is.
Speaker 4: Yeah, it's a it's a tongue, it's a mouthful. It's
Speaker 4: something called dimethyl sulfide.
Speaker 2: Divet thank you sorry, and that is only produced by life. Correct, Yes, Okay.
Speaker 4: So guess where they also found thy methyl sulfide. Mars
Speaker 4: Curiosity rover found it. When it found the organic material,
Speaker 4: it also found thy methyl sulfide. Jesus, So I think
Speaker 4: this is a big deal. Sounds like you think it's
Speaker 4: a big deal. This is why I I cover this
Speaker 4: because most of the world doesn't know this. NASA collects
Speaker 4: the information, they publish it, they just don't.
Speaker 3: Report on it. So at least me an opportunity to do.
Speaker 2: So why Okay, Okay, my mind is already fried.
Speaker 3: We haven't even got the heat, I.
Speaker 2: Know, and I'm gearing myself up. Well okay, so what
Speaker 2: what huh? What comes next?
Speaker 4: What?
Speaker 2: What some? What is the what? What's the next step?
Speaker 2: Now we've gone through that microbes exist, that there's water there.
Speaker 2: We see on Earth, that life life, it doesn't just
Speaker 2: find a way. But in places that like it's it's
Speaker 2: involcanic area, it's in It not only thrives, I mean
Speaker 2: it not, it's not only there, but it thrives in
Speaker 2: the places we would least expect life to thrive. So
Speaker 2: life finds a way, I mean it always does. So
Speaker 2: there's these microbes, there's evidence of of of even something
Speaker 2: else on Mars. There's Zon one twenty nine, which is
Speaker 2: indicative of you know, either nuclear war, you know whatever?
Speaker 2: What what what? What's your next big thing? What's the
Speaker 2: next thing that you want to talk about?
Speaker 4: Well, but before we get that, one has to ask
Speaker 4: why hasn't NASA gone back and tested again for microbial
Speaker 4: life like they did nineteen seventy six and nineteen seventy six.
Speaker 4: Ninety seventy six was the only time NASA ever sent
Speaker 4: any biology experiments to Mars. We know that they send
Speaker 4: rovers there and they keep telling us they're looking for life,
Speaker 4: but none of these rovers, nothing since nineteen seventy six,
Speaker 4: has had a biology test on it. We think that
Speaker 4: they just want to avoid another public relation's mishap. They
Speaker 4: just don't They've already set the narrative now here we
Speaker 4: are decades later. They don't want to own up to
Speaker 4: their mistake. This would be so simple to do, and
Speaker 4: there are tests, and I'm in touch with the Steven
Speaker 4: Benner and his team down in Florida who are actually
Speaker 4: designing a life detection that can detect the difference between
Speaker 4: known and unknown forms of DNA and would put put
Speaker 4: this thing to bed overnight. We have the technology, Why
Speaker 4: doesn't NASA want to send it there? Why doesn't SpaceX
Speaker 4: want to send it there? Logic would dictate you might
Speaker 4: want to figure out if there's any pathogenic material on
Speaker 4: Mars before we starts any astronauts there.
Speaker 2: Well, someone said it in the chat that those microbes
Speaker 2: might even kill us when we get there.
Speaker 4: That's what I'm saying, right, But they they don't want to.
Speaker 4: They don't want to do this stuff anyway. So you know,
Speaker 4: we could talk about that all night long. But to
Speaker 4: advance the conversation here, where do we go from microbes? Well,
Speaker 4: if if if Mars was like Earth, it was a
Speaker 4: blue planet, it had microbes, did any did any multicellular
Speaker 4: life arise from that?
Speaker 3: And the answer is the answer is arguably yes and not.
Speaker 3: I'll just you know, not only.
Speaker 4: Do we have photographic evidence for fossils, Tye, we have
Speaker 4: a handful of fossils, we actually have evidence for what
Speaker 4: appeared to be machine like artifacts, debris, things that just
Speaker 4: don't look like rocks photographed by the rovers, and large
Speaker 4: megalithic structures as photographed by the orbiters. Most people have
Speaker 4: not seen any of this stuff. They know the face
Speaker 4: on Mars and that's it. But Tie, we've got a
Speaker 4: whole lot more stuff. Sorry, Mike was off.
Speaker 2: The face on Mars is arguably the most well known.
Speaker 2: Is that in the Sidonia region.
Speaker 3: Yes, okay, so.
Speaker 2: I've heard a lot about other structures on Mars. Remote
Speaker 2: viewers the best of the best. When it comes to
Speaker 2: remote viewers, we're asked to look at Mars. Yes, in
Speaker 2: the past. I mean, whether you believe in remote viewing
Speaker 2: or not some of the things that they've talked about.
Speaker 2: I mean, so introduced. Pretend I'm the layman, talk to
Speaker 2: me about So what do you mean structures on Mars?
Speaker 2: Are we talking monoliths? Are we talking ruins of temples?
Speaker 2: Are we talking paridolia potentially? Where you know? I mean,
Speaker 2: we know that there's no right angles that are naturally
Speaker 2: forming typically in the universe. It's not to say it
Speaker 2: can't happen. It's just ninety nine point nine nine nine
Speaker 2: percent of the time doesn't happen. It's very very it doesn't.
Speaker 2: It just doesn't really happen. Not it doesn't happen naturally.
Speaker 2: But you know, if the Mars rover runs something over
Speaker 2: and then it looks like a right angle, I mean,
Speaker 2: you know we're up there now, right, we're doing things.
Speaker 2: So I think we do need to be careful when
Speaker 2: you know, we do see something, we definitely need to
Speaker 2: analyze it. But okay, what do you mention? So what
Speaker 2: is there architecture to this stuff? Is what is going on?
Speaker 4: Ty? What everyone needs to understand is that there are
Speaker 4: these independent researchers that NASA takes all these photographs and
Speaker 4: then they just publish them online with no commentary, no fanfare,
Speaker 4: no press release whatsoever. The independent guys out there who
Speaker 4: spend their free time looking at this stuff. They have
Speaker 4: day jobs, but they spend free time looking at this stuff.
Speaker 4: They sift through hundreds, if not thousands, of these images,
Speaker 4: and they'll stuff that just doesn't look natural. They'll publish
Speaker 4: it to the Internet and open it up for discussion.
Speaker 4: And there are a few of them that I'm in
Speaker 4: touch with who I'd like to highlight today. One of
Speaker 4: them is his name is Jean Ward. He's in South Africa.
Speaker 4: Another guy, Gary Ligier, he's in Colorado. There's someone who
Speaker 4: I think was watching might be tuned in here. Carrie Stebertson.
Speaker 4: She just got in the game. She's from Norway.
Speaker 3: These are the researchers.
Speaker 4: Out there, just just a few of them. There's more, okay.
Speaker 4: Joe White is another one who they I don't agree
Speaker 4: with everything that they find, but these are my These
Speaker 4: are my These are my heroes here, because these are
Speaker 4: the guys who were and ladies who are actually finding
Speaker 4: this stuff.
Speaker 3: And I'm going to show you here just a second,
Speaker 3: all right. They're finding all sorts of things, and it
Speaker 3: would there's too much to show you all of it.
Speaker 4: So I just kind of want to show you the
Speaker 4: best of the best half dozen or so examples, and
Speaker 4: what I think most people need to see first are
Speaker 4: the very large structures that, in my opinion, do not
Speaker 4: appear to be natural.
Speaker 3: And Carl Sagan.
Speaker 4: Has this very famous quote, extraordinary claims.
Speaker 3: Require extraordinary evidence?
Speaker 2: Does it though? Do they? Do they though? Or does
Speaker 2: it just require evidence? Because evidence is evidence, plain and simple.
Speaker 4: He's got the quote everyone loves, I don't post posting
Speaker 4: that every time we you know, there's all this that's
Speaker 4: what skeptics want to go to first, to which I
Speaker 4: would respond with another quote by Carl Sagan which he
Speaker 4: made in his Cosmos TV series in his Cosmos book,
Speaker 4: which is intelligent life first reveals itself through the geometric
Speaker 4: regularity of its constructions.
Speaker 3: What is he talking about?
Speaker 4: He's saying, if you're an alien in a spaceship looking
Speaker 4: down on a planet like Earth, how would you first
Speaker 4: know that there's intelligent life there? You'd start seeing things
Speaker 4: like city grids, large pyramidal structures, straight lines, things like this,
Speaker 4: things that just don't appear to be naturally created. And
Speaker 4: one can reason that if we start to see.
Speaker 3: Pyramid shapes.
Speaker 4: We can discern the difference between a pyramid in a volcano,
Speaker 4: can't we tie? We know the difference, sure can.
Speaker 3: You're flashing something up here.
Speaker 4: This is an interesting structure here which is actually twelve
Speaker 4: miles away from the face, which is one of the
Speaker 4: things that they originally photographed in nineteen seventy six called
Speaker 4: the DNM pyramid, named after its discoverers Deep Petro and Molinar.
Speaker 2: One of the things I wanted to ask you about
Speaker 2: this and why I flashed it is because obviously, top
Speaker 2: down it just looks like a hill, right, but this
Speaker 2: is actually like if you were on the surface, this
Speaker 2: is fucking crazy big.
Speaker 3: Yes, it's two and a half miles long.
Speaker 2: Like I think that's where people get a lot of
Speaker 2: misconceptions about Mars, because like we're looking top down and
Speaker 2: you don't get that always that depth. But yeah, present
Speaker 2: some of the stuff that you want to show us.
Speaker 4: Of course, that one's a complicated one because that's actually
Speaker 4: a five sided structure and it requires a little bit
Speaker 4: more explanation than I want to get into tonight.
Speaker 3: I want to stick with simpler stuff.
Speaker 4: Yeah, fair, because I just think it might be a
Speaker 4: little bit easier to grasp for people who have never
Speaker 4: seen any of this stuff.
Speaker 3: But first, ty, can.
Speaker 4: You tell the difference between if you're looking top down
Speaker 4: satellite imagery?
Speaker 3: Okay?
Speaker 4: Do you think you're the type of person you can
Speaker 4: tell the difference between a pyramid and a volcano? Yes,
Speaker 4: I appear a pyramid in a mountain, yes, a pyramid
Speaker 4: in a hill. Yes, Okay, I think most people have
Speaker 4: enough common sense to be able to tell the difference. Now,
Speaker 4: what how would you define what a pyramid is? If
Speaker 4: you were explaining what a pyramid is? What is a pyramid?
Speaker 2: Like? Like the definition of what? Yeah? Like?
Speaker 3: How would you describe its shape?
Speaker 2: A pyramid is a I mean it's a it's a
Speaker 2: three dimensional essentially, it's a geometrical triangle that well, now
Speaker 2: I'm gonna I'm gonna sound like an idiot.
Speaker 3: But something with four sides, four sides?
Speaker 2: Yeah? What four sides?
Speaker 3: Were sides?
Speaker 2: Four equal sides that rise up and form a point
Speaker 2: at the top the the the base is always wider
Speaker 2: than the than than the point, of course, uh sure? Yes?
Speaker 2: For uh for equid equal yeah, yeah, four equal size
Speaker 2: triangles that come to a point. Yes. Okay, So sorry,
Speaker 2: I sounded like an idiot. I tried to sound smart,
Speaker 2: but then I sounded dumb.
Speaker 3: You you know what it is. You know it when
Speaker 3: you see it, right.
Speaker 2: Absolutely now.
Speaker 4: I when when we in the Mars disclosure community post
Speaker 4: images of these structures online, we'll oftentimes get people saying, oh, no,
Speaker 4: we have natural looking pyramidal shapes here on Earth, and
Speaker 4: they'll post an example of a photograph taken at ground
Speaker 4: level looking at the side of a mountain. Okay, and
Speaker 4: sometimes they just look like a perfect triangle. But when
Speaker 4: you take a look at the orbital photograph of that
Speaker 4: same structure, it's asymmetrical. It doesn't there's no equal sides,
Speaker 4: there's none of that. Okay, they just got lucky on
Speaker 4: one ground level shot. It kind of looks like a triangle.
Speaker 3: Okay.
Speaker 4: So when we're discerning the difference here, I we have
Speaker 4: the great fortune of having an abundance of orbital satellite
Speaker 4: photography which demonstrates this symmetry and geometric regularity that Carl
Speaker 4: Sagan is talking about. And I'm going to show you
Speaker 4: stuff that, in my opinion, is undeniable. And I don't
Speaker 4: think most people have ever seen this stuff, which is
Speaker 4: why I get so excited. My mind is blown as
Speaker 4: to why we're not all talking about this more. But anyway,
Speaker 4: so instead of talking more about it, let me just
Speaker 4: show you. May I present my screen?
Speaker 2: Please do, my friend?
Speaker 3: Okay, so let's see is this here? Share screen?
Speaker 2: Here?
Speaker 3: Let's do this here screen? Okay, sees it's green? Two?
Speaker 4: Yes, here we go. Okay, tie, tell me what you
Speaker 4: see here? These are pyramids?
Speaker 2: Jesus Christ.
Speaker 4: Do they look like pyramids though? Be honest, No, that's right,
Speaker 4: But guess what they are in Egypt?
Speaker 2: What the fuck?
Speaker 4: These are certified pyramids in Egypt. Okay, I'm showing you
Speaker 4: this first before we show you the other stuff because
Speaker 4: I want to make a point.
Speaker 2: What the fuck?
Speaker 4: These things are mostly reduced to rub You wouldn't know
Speaker 4: these things are a pyramid unless we got boots on
Speaker 4: the ground and knew the history, right because none of
Speaker 4: these appear to be pyramidal in shape, not top down. No, okay,
Speaker 4: yet we still accept these as pyramids?
Speaker 2: Okay, right? Right, I know all of them.
Speaker 4: This is what they look like from the top down. Wow,
Speaker 4: all right, they don't look like much.
Speaker 2: The only one that really does is the Hawara. Yeah,
Speaker 2: and that's like, that's really not even like. I wouldn't
Speaker 2: really like that would stand out to me either, though.
Speaker 3: It's not impressive, is it? No?
Speaker 2: Not even close? No, I feel like so I feel
Speaker 2: so dumb right now.
Speaker 3: It's okay, It's okay.
Speaker 4: This is my trick question up front sort of thing,
Speaker 4: because I want to get people acclimated.
Speaker 2: That's an off factor clip that.
Speaker 4: I gotta get people acclimated to what they're about to see,
Speaker 4: because as it relates to Mars, this concept of there
Speaker 4: being pyramids on Mars is so unsettling for people that
Speaker 4: they just want to reject it out right, Well, NASA
Speaker 4: hasn't said there's pyramids on Mars. I'm not going to
Speaker 4: believe you, person who I've never heard of, even despite
Speaker 4: it looking exactly like what a pyramid should look like.
Speaker 4: I'm going to do the mental gymnastics in my head
Speaker 4: to make myself believe that what I'm seeing isn't true. Right, Okay, right,
Speaker 4: we can Okay, So here's an here's have you seen
Speaker 4: this before?
Speaker 3: This is on Earth? Yes? This is.
Speaker 2: Wait a second, where are we here? One? Two, three, four?
Speaker 2: Is this is this a step pyramid?
Speaker 3: This is on the other side of the world in Mexico.
Speaker 2: Yeah, this is part of the Okay, this is South America.
Speaker 4: The area known as Taotiacon. Yes, okay, Oh do we
Speaker 4: lose it?
Speaker 2: No, it's there. You there, ty, Yeah, I'm I'm here.
Speaker 2: I can still see it. Can you guys hear me? Chat?
Speaker 2: Can we uh? Oh?
Speaker 3: Here we go? Here we go? Can you see me?
Speaker 2: Yeah? Who? Just who glitched?
Speaker 3: I don't know.
Speaker 4: Sorry, I don't know who. I don't know what happened.
Speaker 4: Nothing happened here. It's just kind of frozen.
Speaker 2: Chat. Let me know. Let me know. Was it him
Speaker 2: or me? Because I just want to know for my sake?
Speaker 3: Spooky stuff? Having it again?
Speaker 5: Yeah?
Speaker 2: Was it? I know, guys, we have I know someone glitched,
Speaker 2: but which one was it? Was it him or me?
Speaker 2: But god? Continue? Oh it's him?
Speaker 3: Okay, okay, sorry about that. I don't know what's happening.
Speaker 2: Well, I wasn't trying to put you on the spot
Speaker 2: or anything.
Speaker 3: Yeah that's okay, Yeah, no problem.
Speaker 4: So Ty, This this is the pyramid of the Moon.
Speaker 4: In the ancient area of Mexico known as Taoti Wakon.
Speaker 4: There's pyramid of the moon, a pyramid of the sun.
Speaker 4: This is the Taeoti Wacon site. Now, what do we
Speaker 4: see here? We see a obviously four sided pyramid structure.
Speaker 4: But what's interesting is that we also have what's connected
Speaker 4: to it. Here is this this front part, I don't
Speaker 4: know what you want to call it, but this front
Speaker 4: stepped part. Right, So it's this giant pyramid with this
Speaker 4: front stepped part. Now, if you were to imagine what
Speaker 4: this would look like with let's say five hundred million
Speaker 4: years of dust blown on top of it, you might
Speaker 4: imagine that the edges won't be so sharp, correct, right,
Speaker 4: It might be a little rounded off. It's not going
Speaker 4: to be in pristine condition. We just saw the Egyptian pyramids,
Speaker 4: which are only thousands of years old, which or nowhere
Speaker 4: near good shape. Okay, so we don't have any vegetation
Speaker 4: problems on Mars that would cover this up and make
Speaker 4: it look like a hill, you know, as unexcavated pyramids
Speaker 4: tend to look like. But if we just imagine dust accumulation,
Speaker 4: there's still a little bit of wind that blows around
Speaker 4: dust and grains of sand everywhere on Mars. So if
Speaker 4: you just imagine what that might look like, well, is
Speaker 4: it inconceivable that.
Speaker 5: This, holy shit, holy shit.
Speaker 4: Would be a pyramid. Holy shit, Now how big do
Speaker 4: you think that is?
Speaker 2: Well, that's my problem with these top down shots. I
Speaker 2: really have no reference frame, so just I mean, it
Speaker 2: looks small. But but do you know what I mean
Speaker 2: though it.
Speaker 3: Looks I know, I know it's I know.
Speaker 2: That the scale is so much bigger than what we like.
Speaker 2: Our eyes play tricks. So tell how big is this
Speaker 2: thing on the left?
Speaker 3: Okay, first of all, what do we see here?
Speaker 4: We see we see a square shape, all sides are equal.
Speaker 4: We see four triangular faces, all rising to an apex.
Speaker 2: All rising to an apex. And we even have a
Speaker 2: little bulge in the front right.
Speaker 3: Exactly. Okay.
Speaker 4: This was discovered by South African Jean Ward. Okay, and
Speaker 4: this this comparison. I have another buddy, George Hasshu, who
Speaker 4: linked these two. So shout out to those guys. This
Speaker 4: is two and a half miles wide.
Speaker 2: You guys fucking kidding me? Are you serious?
Speaker 4: It's clearly not a volcano. Volcanoes don't have four equal, flat,
Speaker 4: triangular sides. It's not connected to any other mountain range.
Speaker 4: It's stand alone. And that's the other thing. These things
Speaker 4: are stand alone. They're not connected. It's it's sometimes you'll
Speaker 4: have a mountain peak that peaks and it looks like
Speaker 4: a pyramid at the very peak. But then if you
Speaker 4: look at the total landscape, it's people like to show
Speaker 4: this thing in Antarctica all the time and like, that's
Speaker 4: clearly a mountain peak from a round mountain range. This
Speaker 4: is not volcanoes on on Mars. Look a lot like
Speaker 4: volcanoes on Earth. They're round with a caldera at the center.
Speaker 2: Yeah right, very clear, and and and and volcano. Yeah
Speaker 2: I agree.
Speaker 3: Okay, So.
Speaker 4: This is a NASA photograph and we've published on this,
Speaker 4: we cite the sources. You can go and look at
Speaker 4: this for yourself. Okay, this this is the incredible work
Speaker 4: of this community. They're finding stuff like this, NASA publishes it,
Speaker 4: they don't talk about it.
Speaker 3: Leave it to the input.
Speaker 4: Okay, So next, unless you want to have any other
Speaker 4: questions about.
Speaker 2: This time, no, no, no, please, okay, I'm.
Speaker 3: Just showing you the best at the best here.
Speaker 4: Yeah, here's an example of another rover I'm sorry, another
Speaker 4: orbiter photograph.
Speaker 3: Okay.
Speaker 4: The satellite is up and outer space and it's looking
Speaker 4: straight down. Now you might notice.
Speaker 2: Something in directly in the center.
Speaker 3: It's not too hard to see, is it?
Speaker 2: My eye goes directly to it because it stands out
Speaker 2: so fucking much, because it's the only fucking thing in
Speaker 2: the picture that has a shape exactly like a shape,
Speaker 2: meaning a shape that is recognized.
Speaker 3: It's a geometric shape.
Speaker 2: And you can see the dust drift, yeah, you know
Speaker 2: what I mean, you can see those things that look
Speaker 2: like ripples. Randall Carson talks about this. You know, we
Speaker 2: get that one with dust and sandstorms, but we also
Speaker 2: get it with high velocity water.
Speaker 4: Right like sand dunes or ripples right all over the place.
Speaker 4: These are all a morphous.
Speaker 2: And then there's just a there's just a perfect what
Speaker 2: is that?
Speaker 3: So?
Speaker 4: How many sides does it look like it has?
Speaker 2: Genuinely looks like it only has three sides, which is
Speaker 2: throwing me off.
Speaker 3: Which that's right.
Speaker 4: So not all pyramids on Mars have four sides.
Speaker 3: And if we take a closer look at this tie.
Speaker 2: God damn it, man, what what the.
Speaker 3: Now?
Speaker 4: Skeptics we'll push back on this, especially NASA geologists, and
Speaker 4: they'll say, well, it's not in pristine shape like our
Speaker 4: pyramids are here on.
Speaker 3: Earth, so therefore it's therefore it's natural.
Speaker 4: Now, I wonder what wind or water or geological process
Speaker 4: would make a three equal sided tetrahedron in the middle
Speaker 4: of nowhere, connected to nothing else. You can see the
Speaker 4: sand here, look at the sand dunes. The wind is
Speaker 4: blowing a certain way. I don't see how it makes
Speaker 4: this out of nothing, out of out of you know
Speaker 4: what I mean.
Speaker 2: Dude, what the fuck I my mind is I I've
Speaker 2: seen some of this stuff before, but I can't wrap
Speaker 2: my head around this.
Speaker 4: This was actually discovered a quarter century ago, and uh,
Speaker 4: you know, just most people haven't seen it because there
Speaker 4: hasn't been enough attention on Mars, which is you know,
Speaker 4: I'm trying to change that, and you know, thanks to
Speaker 4: you giving me this time to demonstrate this, because these
Speaker 4: guys need more.
Speaker 2: We need there's no doctoring in these at all.
Speaker 3: Right.
Speaker 2: Where are we obtaining these photos?
Speaker 4: I'm downloading them directly from NASA's websites. They have a
Speaker 4: multiple different websites depending on what instrument they're using. I
Speaker 4: source everything. Everybody can go look at this for themselves.
Speaker 2: I was gonna say, so I could independently pull this
Speaker 2: image and it was exactly like this.
Speaker 4: And if yes, if you can't find a link on
Speaker 4: my web page or YouTube or something. You can just
Speaker 4: contact me on Twitter, email me, and I'll be happy
Speaker 4: to provide that to you. I do my best every
Speaker 4: time I publish something up. We were totally transparent about this.
Speaker 4: We're publishing the source url and go and look at
Speaker 4: this stuff up for yourself. So all right, interesting, all right,
Speaker 4: next one ready. Oh, here's just a different shot of
Speaker 4: it and the same thing, same thing, just a different
Speaker 4: angle of it.
Speaker 2: Okay, are we still top down for the most part.
Speaker 4: Yeah, it's it's not a it's not precisely above. You
Speaker 4: can see it's at a slight angle here, and it
Speaker 4: obviously is an out in pristine condition. But NASA tells
Speaker 4: us tie that Mars lost its water three and a
Speaker 4: half billion years ago, which I assume means whoever was
Speaker 4: living there.
Speaker 2: Didn't live much longer than that, much.
Speaker 3: Longer than that.
Speaker 4: So if I'm taking their timeline, these things are over
Speaker 4: three billion years old now, And again I.
Speaker 2: See where you're going with this. This is three billion
Speaker 2: years of like dust storms and you know, outside impacts
Speaker 2: and you know, kicking shit up, and I mean, right,
Speaker 2: this is kind of what you'd expect, like the geeze
Speaker 2: a pyramid to look like if we disappeared tomorrow and
Speaker 2: the next people came along three billion years after.
Speaker 3: Or even let's just say conservatively fifty million years.
Speaker 2: Yeah, right, right, right, even fifty million years. Like, look
Speaker 2: at something like ummm, look at something like go Beckley
Speaker 2: Tepe or any of the Tepeys.
Speaker 3: Right, you're only talking about ten fifteen thousand.
Speaker 2: Years completely buried. Guys, Chickens start going missing, disappearing through
Speaker 2: a hole in his wall, and then pop they find
Speaker 2: an underground.
Speaker 3: City, right exactly.
Speaker 2: Like, guys, is it really that hard to wrap your
Speaker 2: fucking heads around?
Speaker 4: So we have the great fortune tie of Mars. Essentially,
Speaker 4: the surface of Mars is essentially preserved because there's very
Speaker 4: little weathering and erosional force that can happen, because the
Speaker 4: atmosphere is so thin that all I can really do
Speaker 4: is have dust devils and blow around sand and find particles.
Speaker 4: But still there's going to be some amount of accumulation
Speaker 4: that happens on these structures and some amount of erosion,
Speaker 4: especially over eons of time. So I'm not bothered that
Speaker 4: these are not in pristine condition. Obviously, there's enough symmetry
Speaker 4: and geometric regularity here that you can rewind the clock
Speaker 4: in your mind, use your imagination to figure out what
Speaker 4: this might have looked like before, and understand that, at
Speaker 4: least here on Earth, no natural process creates such structures.
Speaker 3: Right, got a few more ready for the next one?
Speaker 2: Sure?
Speaker 4: Okay again, here's an orbiter photograph. All right, Now, this
Speaker 4: this is actually a compositive multiple photographs. You can kind
Speaker 4: of see where the outlines of them are stitch together
Speaker 4: based on multiple This is covering a very wide area.
Speaker 4: And I think you know something like this we capture,
Speaker 4: you know, Google Earth. The Google Earth pro program actually
Speaker 4: has a Mars setting. You can actually analyze Mars the
Speaker 4: same way you would with Earth, so to get.
Speaker 2: These top pole Mars, right.
Speaker 4: Yeah, so this is this is probably taken from that program,
Speaker 4: which is why you see these stitch together things. But
Speaker 4: this is all NASA is doing. Okay, I didn't do this.
Speaker 4: NASA put this together. But again it should be obvious
Speaker 4: just at a glance, like what do we see here?
Speaker 3: Ty, what do we see? We see this landscape, it's
Speaker 3: got metior impacts all over the place.
Speaker 2: Right, Yeah, so I was gonna say, but they also
Speaker 2: oddly don't seem to be deeper or shallower than any
Speaker 2: of the ones around it.
Speaker 4: Yeah, I mean maybe I don't really go into the
Speaker 4: depth of these these meteors, but you can obviously see
Speaker 4: the ejecta right, Yes, there's a there's an impact and
Speaker 4: the ejective goes out.
Speaker 3: You can see this everything that's been splashed out of it.
Speaker 2: Right, So the like these kind of seem like pock
Speaker 2: marks where they're you know what I mean, they're hitting
Speaker 2: and there's uh yeah, exactly. So.
Speaker 4: Uh if a meteor comes down tie and makes an
Speaker 4: impact crater two and a half miles wide, uhh, that's
Speaker 4: a big explosion. You would think that anything directly adjacent
Speaker 4: to that impact.
Speaker 2: Would be destroyed, wiped out.
Speaker 4: So can you see anything next to a crater that, yes,
Speaker 4: does look like it should be there? Yes, okay, we're
Speaker 4: going to zoom in. It's right there in the center.
Speaker 4: Yes to this thing?
Speaker 2: What the fuck? Come onidding me?
Speaker 5: This look?
Speaker 2: Come on?
Speaker 4: Come on, I know, man, I know this has some
Speaker 4: interesting history to it. This is known as simply crater pyramid.
Speaker 4: This is a high contrast visual. I have a I
Speaker 4: have a better visual coming for you in just a moment.
Speaker 4: But this, this crater is two and a half miles wide,
Speaker 4: and this structure is one point seven miles wide.
Speaker 3: Now already you can.
Speaker 4: Kind of see we've got triangular sides here, equal flat sides.
Speaker 3: It is a bit round here.
Speaker 4: But again, what does a million or five hundred million
Speaker 4: years worth of sediment deposits look like on a perfectly
Speaker 4: you know, organized structure. The logic being how this thing
Speaker 4: existed before this impact, it would have been annihilated.
Speaker 2: Annihilated it.
Speaker 4: It doesn't have a colder at the top, It is
Speaker 4: not conical, it has sides to it.
Speaker 3: It is not a volcano.
Speaker 2: And hold on, mm hmmm, what are you saying came first?
Speaker 4: Well, logic would dictate that the crater came first, and
Speaker 4: either mother and either Mother Nature decided it wanted to
Speaker 4: spring up a symmetrical, four sided pyramid structure right on
Speaker 4: the lip of it, or somebody had the idea that
Speaker 4: they wanted to build something on the lip of it and.
Speaker 2: Make it a sacred place sort of some sort that
Speaker 2: that how could you not and you and building that
Speaker 2: like that, you would have to be able to appreciate
Speaker 2: what it looks like top down right, like you'd think
Speaker 2: that whoever was looking at that would be like you know,
Speaker 2: I want to create this, and we see this in
Speaker 2: our own pyramids, right, the precision that mathematically they are
Speaker 2: mirroring cosmology and mathematical precision. This seems like one of
Speaker 2: those kind of things where it's it's built not because
Speaker 2: I mean, it's not built next to but it's built
Speaker 2: because of right.
Speaker 4: And I've got my own idea about why it's so
Speaker 4: damn close to this thing, and I'm inspired by the
Speaker 4: work of Jeffrey.
Speaker 2: It does look like the Signs logo.
Speaker 4: Do you know Jeffrey Drum of the Land of Kem, Yes, yes, Okay,
Speaker 4: he's talking about the Egyptian pyramids being these chemical factories.
Speaker 3: Yeah, okay.
Speaker 4: His main one of his main thesis is that the
Speaker 4: Great Pyramid needed to be in close proximity to a
Speaker 4: water source because it had Right, what would this crater
Speaker 4: have been filled with back when.
Speaker 3: It was a blue planet? Oh, that's what I like
Speaker 3: to go with.
Speaker 4: I don't spend a whole lot of time messaging on that,
Speaker 4: but I'm like, well, if I'm going to borrow something
Speaker 4: from that logic, that makes sense to me. All right,
Speaker 4: let's let's take a close bet. We got a better
Speaker 4: This was taken a quarter century ago. Let's take a
Speaker 4: better look. They reimage this with better resolution cameras.
Speaker 5: What the fuck?
Speaker 3: Okay?
Speaker 4: And you can see the sides better here. It's a
Speaker 4: better contrast, all right. And it is right on the
Speaker 4: lip of this crater, and you can see there's no damage.
Speaker 4: There's no damage to this thing. And I'm seeing one, two, three,
Speaker 4: four sides, straight lines rising to an apex.
Speaker 2: How is this? I mean, do you think they've had
Speaker 2: rovers go up to these and confirm this and they're
Speaker 2: just not telling us?
Speaker 4: No, I don't think they're they're purposefully avoiding these locations
Speaker 4: with the rovers.
Speaker 3: Now, interestingly enough.
Speaker 2: We have come on, come on, Brian, Brian, you're gonna
Speaker 2: tell me you think that they are not doing absolutely
Speaker 2: everything they can outside of the public eye to find
Speaker 2: out what the fuck that thing is.
Speaker 3: I don't think they need a rover to figure that out.
Speaker 2: Well, agreed, like some sort of secret space initiative.
Speaker 3: It is certainly possible.
Speaker 4: Again, ty, I try to keep my messaging to the
Speaker 4: nuts and bolts, you know, fair enough, all right? And
Speaker 4: the the interesting thing about this is you. You you
Speaker 4: talked about you, you you mentioned the remote viewers.
Speaker 3: Okay, Joe mcmonagall right, and Ingo Swan. He had a team.
Speaker 4: Okay, this is the Stargate program and they were talking
Speaker 4: about remote viewing Mars.
Speaker 2: Right, yeah, well I think one what was it one? Well, yeah,
Speaker 2: million years BC or something like that.
Speaker 4: Joe mcmonagall to clarify, Joe McGonagall was tasked to view
Speaker 4: Mars one million years BC. Okay, and then most people
Speaker 4: miss this part. But then his monitor asks Joe mcmonagle says,
Speaker 4: I'm seeing the after effects of a cataclysm here, and
Speaker 4: then his monitor says, well, go back to the time
Speaker 4: before the cataclysm, and then that's where his you know,
Speaker 4: viewing picks up from. But regardless of yes, it's a
Speaker 4: long time in the past.
Speaker 2: Just didn't he say that he saw beings there and
Speaker 2: one of the beings saw him.
Speaker 4: Yes, he did. But the pyramid that he saw was
Speaker 4: this one. This he was talking about.
Speaker 3: Whoa this specific one way.
Speaker 4: And if you go on YouTube, you can find a
Speaker 4: clip of Joe mcmonacle giving a presentation showing this same
Speaker 4: exact pyramid, talking about this telling you everything I'm telling you.
Speaker 2: Now and if where to believe what he saw was real,
Speaker 2: then he saw beings inhabiting that area.
Speaker 3: Perhaps perhaps again, I don't know if it's.
Speaker 4: This area or another area, but he he remote viewed it.
Speaker 4: Then he got the coordinates and went to JPL and
Speaker 4: found he calls them negatives, but he found the photographic evidence.
Speaker 4: And what he looked at before was you know, the
Speaker 4: one I showed you just a second ago, this thing,
Speaker 4: but this is a later This is later image, but
Speaker 4: it is this precise one that he and Ingo Swan's
Speaker 4: team remote viewed and they all reported the same thing.
Speaker 4: Large megalithic structure one point seven miles wide and four
Speaker 4: Oh here's here's the best part. NASA has actually commented
Speaker 4: on this.
Speaker 3: This one here, and what they say.
Speaker 4: Is that they consider this to be something a geological
Speaker 4: term known as a came k a m E all right,
Speaker 4: or a knob another word of another word that they
Speaker 4: use k n O B. Knob is a more common
Speaker 4: way of saying came These are geological terms, but they
Speaker 4: are both used to describe essentially what amounts to a
Speaker 4: glacial deposit. Glaciers deposits. Glaciers pick stuff up when they move,
Speaker 4: and then when they melt away. This is all the
Speaker 4: stuff that's left after they melt away. Now, I don't
Speaker 4: know how mother nature would pick up a bunch of
Speaker 4: rocks and debris, loose rocks and debris form a symmetrical
Speaker 4: pyramid with four equal flat sides one point seven miles wide.
Speaker 4: I don't know how glacier does that. That to me
Speaker 4: sounds like bullshit. But that's the best that NASA has.
Speaker 4: NASA wants to frame everything into geological context. Clearly, that's nonsense.
Speaker 2: I agree. I couldn't agree more.
Speaker 3: All right, just a few more here.
Speaker 2: Oh, I'm loving this.
Speaker 4: Okay, same kind of thing, big landscape. This is a
Speaker 4: composite of multiple images. But you can see these giant
Speaker 4: craters here. You know, this crater here is probably eight
Speaker 4: miles wide, let's say.
Speaker 2: And then directly in the middle. Again, what do you
Speaker 2: see a fucking pyramid?
Speaker 3: Something just just doesn't look.
Speaker 2: Something I spy with my little eye. Something that doesn't
Speaker 2: fit the surroundings.
Speaker 3: Yep. So if we especially.
Speaker 2: When it's contrasted with a bunch of fucking circles.
Speaker 3: Yep, it's it's not. Do you see any mountain ranges
Speaker 3: in here?
Speaker 2: Not that I would be of an identify.
Speaker 3: Wait, you know what a mountain range looks like?
Speaker 4: You look at Google maps often enough to be like
Speaker 4: the Colorado Rockies, right, you know what a mountain range
Speaker 4: looks like.
Speaker 2: Yeah, I don't see any elevated, any elevated landscapes that
Speaker 2: that would indicate.
Speaker 4: That there was something here, Like this is elevated, clearly,
Speaker 4: but that's like a morphous hill or mesa or something
Speaker 4: like that. But it's clearly geometry or rather geological. But
Speaker 4: this thing here in the center, immediately we can tell
Speaker 4: there's something different about it.
Speaker 3: So what zoom into that? Shall we?
Speaker 2: Shall? We?
Speaker 3: Okay? That thing? Yes, that thing right there?
Speaker 2: Yeah right, yeah, right.
Speaker 4: Bro imagine if it's five hundred million years old, conservatively
Speaker 4: speaking from one side to another, each side on perpendicular
Speaker 4: sides is one point eight miles. We have four flat
Speaker 4: triangular sides, all rising to an apex. We have opposing
Speaker 4: ninety degree angles. It is not part of a mountain range.
Speaker 4: And if you notice ti there's craters all over the place,
Speaker 4: but not really on this thing.
Speaker 2: Yeah. Can you you zoom out a little bit?
Speaker 3: Yeah?
Speaker 2: So see this, uh this like it almost looks like
Speaker 2: the line continues up and down to the land. Yeah, yeah, exactly.
Speaker 2: I wonder what that is?
Speaker 3: Good question?
Speaker 2: Maybe like water runoff where there was like a little
Speaker 2: bit of a lake or something. Again, so assuming that
Speaker 2: you know these things are near water at one point
Speaker 2: to some degree, Uh, that one, I'll admit, this one
Speaker 2: is probably the one I'm gonna have the most hard
Speaker 2: time with. So yeah, I just I don't know why.
Speaker 2: I just I can't exactly explain why, But I can't
Speaker 2: deny that there are four distinct triangular shapes pointing to
Speaker 2: an apex with no discernible mountain range or elevation around,
Speaker 2: and in fact it's the opposite. It looks like it's
Speaker 2: been checkered with with with impact comparison for that looks
Speaker 2: a lot.
Speaker 4: Now, it looks like it's eroded or damaged or something here.
Speaker 2: But right, this could be the worst one look wise,
Speaker 2: you know, sure this could be the one that took
Speaker 2: the most damage.
Speaker 3: We don't know, right, Uh.
Speaker 2: Interesting this, this, this makes me feel better about it
Speaker 2: right now?
Speaker 4: How do know why I'm gonna I'm gonna bring up
Speaker 4: we actually have a tool that lets us uh view
Speaker 4: this in three D tie which I have to show
Speaker 4: you because ummm, just bear with me one moment while
Speaker 4: I while I bring that up.
Speaker 2: That's fine, guys, what in the chat. What do you
Speaker 2: guys think? What are you guys thinking of these? Uh
Speaker 2: of these structures on Mars. I really want to know.
Speaker 2: You know, this is for me. Uh oh, wait one second,
Speaker 2: this is really for me and and me asking. But
Speaker 2: you know, we haven't even got He showed me this
Speaker 2: one picture of something in the the atmosphere of Mars,
Speaker 2: which I can't wait till we get to. But with
Speaker 2: these essentially, you know, one of the things I've had
Speaker 2: a tough time with over our ancient civilizations. What we
Speaker 2: were taught in school is that most of these cultures
Speaker 2: did not have any contact with each other because the
Speaker 2: distances were too great. Yet they all built the same
Speaker 2: exact structure. Now you could hypothetically say, you know, the
Speaker 2: hundredth monkey. Right Once that knowledge is there, it's there
Speaker 2: for everyone to grab. That's why when someone breaks a
Speaker 2: world record, someone breaks that record right after that, and
Speaker 2: then again after that, and then it might get held
Speaker 2: for some time. But it seems that and that's exactly
Speaker 2: why you know, a monkey halfway across the world who
Speaker 2: learns to smash a coconut with a rock. It happened simultaneously. Now,
Speaker 2: of course we're talking what we're most likely referring to
Speaker 2: here as some sort of quantum quantum field that we
Speaker 2: can't see. Whether you call it the ether, the source,
Speaker 2: the muse, I don't know what it really is. But
Speaker 2: it seems that once it's unlocked, even going back to
Speaker 2: the biological five pointed being right, once that works, once
Speaker 2: it works everywhere. Uh, And that's what it seems to be.
Speaker 2: So these pyramids that we see all over our our
Speaker 2: every continent, every single continent has these has these structures.
Speaker 2: Is this just the best way to build some tall,
Speaker 2: big bass coming to an apex potentially? Potentially? But tell
Speaker 2: me how they did it. They did not. They certainly
Speaker 2: didn't do it with wet sand and rollers placing a
Speaker 2: block every one minute for twenty years straight. Get the
Speaker 2: fuck out of here with that. Stop acting like I'm
Speaker 2: a child. I'm not dumb. That's not how those were made.
Speaker 2: But if I'm sorry, let me just finish this one point.
Speaker 3: Yeah, if.
Speaker 2: We start confirming that there are pyramids on other celestial
Speaker 2: objects in our solar system, the implications of that alone
Speaker 2: of what this could be. This could be some sort
Speaker 2: of global, not even global, I'm sorry, interplanetary system of
Speaker 2: free energy who knows but isn't doubt what life is
Speaker 2: chasing those fucking mysteries. Why are we letting science dictate
Speaker 2: what we look at and what's why do we let
Speaker 2: these fucking people tell us what's what's true or not?
Speaker 2: This is incredible. Let's go out and fucking stop pretending
Speaker 2: that we're not spinning on a fucking rock, hurtling through
Speaker 2: space and not taking this breath. The next one and
Speaker 2: the next one isn't a miracle in itself and it
Speaker 2: shouldn't happen. We just we stop pretending. Just because you
Speaker 2: fear the unknown doesn't make it less real. So sorry,
Speaker 2: that was my little tangent.
Speaker 4: Oh that's cool, Thank you for I had to find
Speaker 4: the link I was looking to give you. Yes, thank you, Okay,
Speaker 4: cal Tech actually has mapped all of this imagery onto
Speaker 4: a three dimensional model.
Speaker 3: You can go look at Mars and PD and manipulate it.
Speaker 4: So we have we're zooming up on the same thing
Speaker 4: here and I just want to show you what this
Speaker 4: looks like. And by the way, this was discovered. This
Speaker 4: was found by a gentleman in Colorado. His name is
Speaker 4: Gary Lagier. He does great work. I've highlighted him on
Speaker 4: my YouTube channel. He is a great YouTube channel too.
Speaker 4: So I want to give a shot up to the
Speaker 4: You know, I'm not the person who discovered these things,
Speaker 4: but there are independent researchers out there who do.
Speaker 3: I just want to mention that.
Speaker 4: So, but if we look at cal Tech's three dimensional
Speaker 4: rendering up this tie, look at what happens when we
Speaker 4: start to look at this thing from the side.
Speaker 3: There's nothing else like it in the area. Might be
Speaker 3: a little bit.
Speaker 4: Damaged on one side, but if you start to look
Speaker 4: at it in context, does Mother Nature do stuff like this?
Speaker 4: Put up something? Now, what they're basing this is they're
Speaker 4: they're using the shadows and the lights to try to
Speaker 4: render a three dimensional thing. I think you're on mute,
Speaker 4: so there.
Speaker 2: Yeah, yeah, they're they're they're essentially doing what a visual
Speaker 2: effects artists would do, and they're but they're they're pulling
Speaker 2: from real still images and they're using mathematical formulas to
Speaker 2: create the depth and what you know, so this is
Speaker 2: probably this is the most accurate representation I would say
Speaker 2: that weren't going to get.
Speaker 1: So.
Speaker 4: Look, you can see, based based on the craters, the
Speaker 4: wind is blowing in one direction here.
Speaker 3: Right wind.
Speaker 2: There's no am I mistaken in saying this? Is there
Speaker 2: no tectonic shifting.
Speaker 4: Yeah, Mars isn't tectonically active like Earth is.
Speaker 2: And so I mean it's not pushing mountains and ship
Speaker 2: up right.
Speaker 4: Well if it, even if it were tie we'd see
Speaker 4: entire mountain ranges.
Speaker 2: Well, that's what I'm getting to. So but but there's
Speaker 2: none of that.
Speaker 4: I don't know what makes something like this in nature
Speaker 4: that is nothing, it's not connected to anything else that's
Speaker 4: in the middle of nowhere. How does it just spring
Speaker 4: up like that? And O by the way, again, we
Speaker 4: have another rare moment where NASA comments on this, not
Speaker 4: by any public acknowledgment like a press release, but by
Speaker 4: what they title it on their website.
Speaker 3: Can you see this?
Speaker 2: Wait? What is this?
Speaker 4: This is where you go and you unload this image
Speaker 4: from the University of Arizona had the high rise camera okay,
Speaker 4: is on the Mars reconnaissance orbiter, and the University of
Speaker 4: Arizona runs this okay, So for all intents and purposes,
Speaker 4: this is this is where you download The NASA imagery
Speaker 4: is from the University of Arizona's website for this particular mission. Okay,
Speaker 4: and this is what look NASA, JPL, Caltech, Universay, Arizona.
Speaker 4: This is what they call it. So you just mentioned
Speaker 4: the P word. You mentioned the P word a few
Speaker 4: minutes ago, the paradolia. Are we just seeing things? Well,
Speaker 4: clearly we're not seeing things. Even NASA says, hey, this
Speaker 4: looks like a pyramid. Right, there's no other way to
Speaker 4: describe it. That's their words, exactly. Their their words is
Speaker 4: pyramidal mound. Now they are kind of doing a conundrum
Speaker 4: there by saying pyramidal mound. I see what they're doing there,
Speaker 4: but it's almost like they're putting it in your face
Speaker 4: and then it almost like lets them sleep at night.
Speaker 3: Right, Yes, there is no such thing as a pyramidal mound.
Speaker 2: Yeah, it doesn't. That doesn't work like that. I'm sorry.
Speaker 2: But so putting those things together, it's like it's like
Speaker 2: they're they're telling you, but they have to call it
Speaker 2: a mound because they can't have a pyramid.
Speaker 4: They have to try to contextualize it using geology to
Speaker 4: make everyone feel better.
Speaker 2: Right, because again going back to that fear of the unknown,
Speaker 2: because if we say these are pyramids, the immediate next
Speaker 2: question is from.
Speaker 4: Who from who built them exactly from who I got
Speaker 4: one more pyramid and then we can go to UFOs.
Speaker 2: Fuck yeah, man, by the way, might be the best.
Speaker 2: I don't want to guys stay for the UFO stuff.
Speaker 2: Might be one of the ass UFO shots I've ever
Speaker 2: seen because there's nothing that's supposed to be there.
Speaker 4: So all right, continue, Okay, I want to give a
Speaker 4: shout out again to Gary Lagier in Colorado. He's the
Speaker 4: one who found this next one.
Speaker 3: Here we go. This is just a quick comparison.
Speaker 4: China has a bunch of these pyramids with the large
Speaker 4: flat top.
Speaker 3: They're all over the place in.
Speaker 2: China, so it's like a regular pyramid. It's just that
Speaker 2: the point de part is kind of like chopped off.
Speaker 4: Right, and they've got dozens of these things just scattered
Speaker 4: all over the landscape.
Speaker 3: China doesn't really like to acknowledge this or talk.
Speaker 4: About it, but yeah, they won't admit it, right right, So,
Speaker 4: but they exist, and in our opinion, this find here
Speaker 4: matches closely this sort of thing here that we see
Speaker 4: in China. Again, we have opposing ninety degree angles. This
Speaker 4: is this is over two miles long. I don't know
Speaker 4: what in nature makes two miles long, opposing ninety ninety
Speaker 4: degree angles for equal flat triangular size leading up to
Speaker 4: an apex which is flat. I don't know how you
Speaker 4: look at this and say there's nothing to see here.
Speaker 4: Now what you notice here off in the corner is
Speaker 4: that there's an impact crater again.
Speaker 3: Okay, now, maybe this one came.
Speaker 4: Maybe this side is damaged a little bit or eroded.
Speaker 4: I don't It's hard to tell, but.
Speaker 2: I would say if we d because if we drew
Speaker 2: a line right from from the other side down that
Speaker 2: that would come pretty close to the lip of that.
Speaker 2: And that seems to be a theme or that these
Speaker 2: things are built near these these. Yeah, I mean, it's
Speaker 2: an interesting detail. I don't know what to make of it,
Speaker 2: but it's an interesting detail.
Speaker 4: But this, in my opinion, all these are much better
Speaker 4: conditioned than these.
Speaker 2: Which this is fucking crazy to me. This one on
Speaker 2: the top, by the way, the Hyaya Hawaiia Hawara pyramid,
Speaker 2: that one reminds me very I mean, is there any
Speaker 2: way we can compare the Hawara to the last pyramid
Speaker 2: you showed me on Mars, because I think those ones
Speaker 2: look the most similar.
Speaker 3: Sure, let me just get another.
Speaker 2: I don't want to make you do it off the cough.
Speaker 2: But I think Kawara and that last pyramid, those are
Speaker 2: like they almost look like carbon copies of each other.
Speaker 5: Not the.
Speaker 2: Not this one, the second last one, oh the one
Speaker 2: that's in the middle of nowhere. Yeah, we had the
Speaker 2: three D rendering of Look at that. Look at those
Speaker 2: two things. Even the divots look similar.
Speaker 3: Oh yeah, look at that.
Speaker 2: Look even the divots look close, very fucking close to
Speaker 2: each other. So that's why when I saw that last one,
Speaker 2: I kept I was like, oh God, those really looked close.
Speaker 4: That's a that's a good thing. I didn't notice that before.
Speaker 4: How about that?
Speaker 2: Yeah, those the way the lines form and the way
Speaker 2: that they divot down and stuff, it give me very
Speaker 2: similar vibes.
Speaker 4: So all I'm saying is that, look, if we're accepting
Speaker 4: that these Egyptian degraded pyramids are in fact pyramids.
Speaker 3: Why is it so hard to.
Speaker 4: It's because that it's it's on Mars, and that's scary.
Speaker 4: Why are there pyramids and where there shouldn't be pyramids
Speaker 4: on Mars? NASA told us it's just rocks and wind.
Speaker 2: It's not. I don't think it is. There's the I
Speaker 2: think I think there is if if if court, if
Speaker 2: if the courts are accepting of I hope you use
Speaker 2: that in your presentation going forward because those those two things,
Speaker 2: because you could show someone all right, he trick them,
Speaker 2: make them believe that that's the Hawara is the one.
Speaker 3: On Mars, right, Oh, that's that's good.
Speaker 2: Yeah, and then switch it and be like, no, no,
Speaker 2: it's actually this one in this one.
Speaker 3: T buy me some time I can just I gotta
Speaker 3: go to the bathroom real quick.
Speaker 2: Yeah. So I don't know if anyone could tell me
Speaker 2: that that is not exactly what we're seeing here. Look
Speaker 2: at that. Uh yeah, so this is okay, so this
Speaker 2: is a pyramid on Mars. This is a structure on
Speaker 2: Mars that is top down on uh uh pyramid on
Speaker 2: Egypt in Egypt, why you know, and that's obviously the
Speaker 2: Geeze a pyramid. But I pointed out that this is
Speaker 2: the that I was like, oh, these look very very similar,
Speaker 2: but don't pay attention to that. But these two that
Speaker 2: one's on Mars ones on Earth, and they look like
Speaker 2: so it's it's we accept that. We go, okay, we
Speaker 2: know that's a pyramid that was built as a pyramid,
Speaker 2: but they won't concede that this thing on Mars could
Speaker 2: potentially be a pyramid. I think I find that to
Speaker 2: be crazy. Right, we're actually live right now, so sorry
Speaker 2: I was explaining it, guys, This is I mean again,
Speaker 2: I I've always said this thing about the cosmos reflecting,
Speaker 2: just reflecting from a macro to a down to the micro.
Speaker 2: And I forget who showed me at this one time,
Speaker 2: but have you ever looked at the Giza pyramid top
Speaker 2: the whole complex, the great pyramid like complex, and when
Speaker 2: you look at it top down and then look at
Speaker 2: a circuit board or like a circuit, it looks very similar.
Speaker 2: And I've always kind of, you know, thought about that,
Speaker 2: and uh, you know, wondered, wondered deeply. But okay, Brian,
Speaker 2: you're back. Now, We're onto the good, the goods.
Speaker 4: Okay, at a glance, at a glance, you guys, you guys,
Speaker 4: everyone here knows the gimbal Ufo footage.
Speaker 3: This was leaked by Alexondo, right.
Speaker 2: Alexando, Chris Mellen and uh then to the New York
Speaker 2: Times it went, and yes, but the video have been
Speaker 2: online prior, but it was never It was in like
Speaker 2: obscure sits and no one could really ever find it, Like,
Speaker 2: no one ever knew if it was real or not.
Speaker 4: So we have what a disc shape with a bulblesmid
Speaker 4: section essentially rotates, which rotates right and at a glance,
Speaker 4: here's just a sampling of this of similar shapes found
Speaker 4: in the sky of Mars.
Speaker 2: Wait are you Are you saying that everything that's on
Speaker 2: the side frames is in the atmosphere has been caught
Speaker 2: in the atmosphere of Mars. Yes, you gotta be you're joking.
Speaker 6: So this is this is Are you sure it's not
Speaker 6: like Saturn? I can show you the photo, we can
Speaker 6: go through each one of these. It's just at a glance,
Speaker 6: this is this is what gets me so excited and
Speaker 6: what whoa why why Total Disclosure tie should include.
Speaker 3: Mars because we're seeing these same shapes.
Speaker 2: Listen, man, That's why I named the show Total Disclosure,
Speaker 2: because I'm not fighting for just one truth m but
Speaker 2: all truth. Right, So Mars Disclosure is my disclosure too.
Speaker 2: We're We're in this together, brother, That's why I talk
Speaker 2: to people. You know, even my producer gets upset with
Speaker 2: me when I do the nine to eleven shows. But dude,
Speaker 2: I'm because you know, he's a Patriot. I'm actually sitting
Speaker 2: on his side of the the studio tonight because I
Speaker 2: wanted to watch the Ghosts that way. Anyone who knows
Speaker 2: the show will get that reference. But uh yeah, huh.
Speaker 2: I told Brian that he had to pretend he didn't
Speaker 2: hear that joke because I said it before the show.
Speaker 2: He laughed on cue is pretty good. Good, good job man.
Speaker 2: But he gets mad at me for doing those shows.
Speaker 2: But I'm like, dude, I'm not I'm not fighting for
Speaker 2: just one thing, like I'm fighting for like what happened
Speaker 2: to JFK, what happened to MLK? What happened to what? What?
Speaker 2: What's going on with Mars? What's what? Like? Because if anything,
Speaker 2: what it is is it shows you the playing field
Speaker 2: and the the the vice, the grip that those in
Speaker 2: power have on the population that they're able to keep
Speaker 2: all this ship from us. Like the people in the
Speaker 2: UFO field keep thinking, oh, well, look at their their
Speaker 2: Look what they're hiding from us. It's like, dog, that's
Speaker 2: only one facet. Like all of our lives are essentially
Speaker 2: this fucking fake reality, this like pop up world for
Speaker 2: the Deep State to run cover. It's like it's sad
Speaker 2: but it's look at it. We go to work nine
Speaker 2: to five and we waste away at a job we
Speaker 2: typically hate. That's what ninety percent of us do. Luckily
Speaker 2: me and him know we found our calling. More people
Speaker 2: need to do that, but like, wake up, like seriously,
Speaker 2: wake the fuck up. Sorry, continue.
Speaker 4: I want to give a shout out to Jean Ward
Speaker 4: in South Africa and another gentleman by the name of
Speaker 4: Joe White who found all of these that we're looking
Speaker 4: at today. And I don't know if Carrie is still
Speaker 4: watching Kry and Norway, but since I published my YouTube
Speaker 4: video on this, she's found a half dozen more just
Speaker 4: like this, so she's doing a great job of finding
Speaker 4: even more. But it's this disc shape with a bulbles
Speaker 4: mid section that that catches our eye. And if we
Speaker 4: were to go through and look at these all in context,
Speaker 4: Kai Ti, then we could We could view them in
Speaker 4: context and explain why, explain away the conventional explanations as to.
Speaker 3: What people might skeptics might claim that they are.
Speaker 2: Well because ninety percent of that would be things that
Speaker 2: can't exist there.
Speaker 4: So here here's typical rovert photograph. But if you have
Speaker 4: a keen eye.
Speaker 2: Yeah, I can already see something that see very clearly
Speaker 2: between me the cat well us the camera. Yeah, and
Speaker 2: that elevated range. There's something hanging below the horizon, above
Speaker 2: the surface, right.
Speaker 3: So if we zoom in here.
Speaker 2: Dude, you gotta be fucking kidding like, you gotta be
Speaker 2: kidding me.
Speaker 3: Man, this is an unadulterated raw image.
Speaker 2: You got to be kidding me.
Speaker 4: But what do we see? We see a disc shape
Speaker 4: with a bulbous mid section. Okay, now I want to
Speaker 4: be clear here. We have the great fortune of having
Speaker 4: raw images in and just by themselves are able to
Speaker 4: demonstrate the anomalous aspect of the photo, which is what
Speaker 4: draws our eye to begin with. Okay, some of these
Speaker 4: people working with these images just so happen to be
Speaker 4: imaging experts and can help improve the quality of the
Speaker 4: image by using a process known as deconvolution.
Speaker 3: Are you familiar with deconvolution?
Speaker 2: I don't think so. Can you enlighten me.
Speaker 4: Deconvolution is a process where they'll take an image that
Speaker 4: looks slightly blurry or out of focus and make it
Speaker 4: in focus.
Speaker 3: Okay, NASA has used this, so.
Speaker 2: It's is there any But what are we doing to
Speaker 2: to achieve.
Speaker 3: That, so it it.
Speaker 4: Okay, there is modern day software right now called gigapixel,
Speaker 4: which is made by a company known as Topaz Labs.
Speaker 4: All Right, I know, Okay, NASA uses this software to
Speaker 4: deconvolute imagery that they take of, you know, from from
Speaker 4: their telescopes and such.
Speaker 2: So I would assume what they're doing is they are
Speaker 2: collecting on a base level the pixels right, looking at
Speaker 2: the pixelation, and then kind of smoothing smooth, smoothing that
Speaker 2: part out here.
Speaker 3: Can you see this? Oops? Can you see this crater?
Speaker 2: Ah?
Speaker 4: Okay, this is this was taken long before any AI
Speaker 4: tools existed, all right. They trained the computer software to
Speaker 4: help resolve the image quality a little bit better. So
Speaker 4: this this is from Look, this is a Wikipedia article
Speaker 4: on deconvolution. This stuff was invented in the seventies. Okay,
Speaker 4: they started doing this fifty years ago, and this is
Speaker 4: an old photograph. So NASA uses this on their own
Speaker 4: images because they understand that it can resolve these images,
Speaker 4: essentially enhancing the quality. But it's not mischaracterizing what it
Speaker 4: is that we're seeing. Does that make sense very much?
Speaker 2: So, like it's not taking too much, it's it's it's
Speaker 2: taking far met less liberty than I anticipated, even with
Speaker 2: I mean, I'm not gonna lie, Like in the bottom corners,
Speaker 2: it seems to accentuate some of the bulges a bit
Speaker 2: like in the like the not not not in the
Speaker 2: main image, like not in the main center of the image.
Speaker 2: But the further you go out towards the edge, unless
Speaker 2: the the unless the crop ratio i'm seeing is different,
Speaker 2: like the the little circle towards the bottom right, it
Speaker 2: seems far bigger than what it looks like in the original.
Speaker 2: I don't know if that's just my eyes getting messed with,
Speaker 2: but is this the same exact ratio?
Speaker 4: Yeah, I'm not sure what you're seeing. I just see
Speaker 4: the side by side here.
Speaker 2: Yeah, okay, but it's I guess it's too hard to
Speaker 2: point out.
Speaker 3: You see a crater here?
Speaker 2: Yeah? No, that the the one to one on that
Speaker 2: is is I think, Okay, it doesn't take liberty. It doesn't.
Speaker 2: It doesn't. It's not adding things that it shouldn't, right, right,
Speaker 2: it's a very very very very very good enhancement.
Speaker 3: Yeah, okay.
Speaker 4: So the point I'm trying to make here is that
Speaker 4: this is something that NASA themselves use. They see this
Speaker 4: as a legitimate form of enhancing the quality of the
Speaker 4: images that they take with their own instruments. All right, Now,
Speaker 4: what I'm telling you is that these independent Mars researchers
Speaker 4: use the same exact tool that NASA does to enhance
Speaker 4: the quality of the images. Because, believe it or not,
Speaker 4: the rover photographs are not high resolution, They're quite low.
Speaker 4: So what we are presented with there's a lot of
Speaker 4: this grain and pixelation that happens when you zoom weigh
Speaker 4: up on these things. Okay, I'm telling you this now
Speaker 4: because what I'm going to show you are deconvoluted images
Speaker 4: when we zoom into the uh, I'm gonna I'll zoom
Speaker 4: into it. I'll show you the before, but then i'm
Speaker 4: gonna show you the after once we've deconvoluted.
Speaker 3: Does that make sense?
Speaker 2: That makes total sense? All right for anyone. I just
Speaker 2: want to take this time. I should have said this
Speaker 2: at the top of the show. I can't believe I'm
Speaker 2: saying it two and a half hours in. For anyone
Speaker 2: listening to this, you should come to YouTube and this
Speaker 2: is a highly Actually you know what, I don't even
Speaker 2: know if I'm gonna put this on the but no,
Speaker 2: I will I'll put it on the audio platforms, but
Speaker 2: this is a very visual episode and just yeah, head
Speaker 2: over to YouTube link in the description. Uh you gotta
Speaker 2: see this stuff, man, I know, right, you gotta because
Speaker 2: if you had told me that this is Arizona, right,
Speaker 2: this picture that we're looking at right now, I would
Speaker 2: say that that might be a balloon, a bird. I
Speaker 2: might say a balloon, a bird, a plane, right, all
Speaker 2: those things they're on Mars. Impossible, right, So I what
Speaker 2: the what is that?
Speaker 3: I know?
Speaker 4: All I'm saying is that it looks awfully similar to
Speaker 4: the Gimbal UFO.
Speaker 3: That's all I'm saying.
Speaker 4: So if we're having congressional hearings over the gimble uf
Speaker 4: FO footage and saying that's a UFO flying saucers type deal,
Speaker 4: so I think we need to be taking a serious
Speaker 4: look at Mars.
Speaker 3: So so again this is where it starts.
Speaker 4: We got some good show and tell here, Okay, but
Speaker 4: if we zoom in and deconvolute the image, we can
Speaker 4: kind of get a better quality of it.
Speaker 3: Okay, you know what I mean.
Speaker 2: But did it also not put grass?
Speaker 3: Yeah?
Speaker 4: I mean it's not going to be perfect here, you know.
Speaker 4: So there's it has to resolve it somehow.
Speaker 2: But do you see that's what I meant, That's what
Speaker 2: I meant. The yeah that that that takes.
Speaker 3: But does it change the overall shape of this dramatically? What?
Speaker 2: What does not? I agree it does not.
Speaker 4: Even the raw image we can we can make out
Speaker 4: disc bulbous center, right, so coming in through here, that's.
Speaker 3: What we're looking at it.
Speaker 4: It doesn't really take too much livery like you're saying,
Speaker 4: all right, so that's that's that one.
Speaker 3: Next one, whoa, whoa?
Speaker 2: That is way too close to that hill. What the fuck?
Speaker 2: That looks like a amona? You ever heard of the
Speaker 2: ancient description of a of a of a? I can't
Speaker 2: even speak of a mana. This looks either this is
Speaker 2: like a triangular craft that we are seeing from like,
Speaker 2: you know, back end, maybe a little tilted upward because
Speaker 2: we're at where we're lower in elevation, so we're kind
Speaker 2: of seeing underneath it, but we're also seeing the backside
Speaker 2: of it. Unless that's what we're seeing. I mean, this
Speaker 2: looks like an upside down pyramid, yeah kind of right,
Speaker 2: or or a gimbal craft like you said, but yeah,
Speaker 2: right that.
Speaker 4: Wow, But clearly it's an anomaly, and you know, we
Speaker 4: can address the what people might call the conventional explanations
Speaker 4: as to why I don't think any of them apply here.
Speaker 2: No, what could that possibly be in the Mars?
Speaker 4: You know this, it's just a clear image here. Well,
Speaker 4: people want to go to it's dust on the lens.
Speaker 4: Oh okay, which, if you know anything about photography, that
Speaker 4: doesn't hold any water because dust on the lens does
Speaker 4: not present as these precise shapes. At best, it might
Speaker 4: blur the image a little bit, but the camera is
Speaker 4: focused so far out that anything directly on the lens
Speaker 4: you really don't even see.
Speaker 2: Yeah, the depth perception, it wouldn't show. It would not
Speaker 2: show the depth that when you zoom in the pixelation
Speaker 2: of the actual that's how you can tell that that
Speaker 2: is something that's actually in camera, Because the closer that
Speaker 2: you zoom in, the more pixelated it also gets. So
Speaker 2: a piece of dust that was closer would start to
Speaker 2: look like a like a circle, like it would start
Speaker 2: to look like a blur. Right, Yeah, that is not
Speaker 2: happening here.
Speaker 4: And for those I have it in that my video
Speaker 4: that I did on this, I demonstrate this by recording
Speaker 4: the whole video with a lot of dust on my
Speaker 4: camera lens, so and you can't see it at all. Okay,
Speaker 4: I've got two hundred specks of dust over the whole lens.
Speaker 4: I didn't bother to clean it off, and I took
Speaker 4: a photo of it so you can see it in
Speaker 4: the video to see what I recorded with you don't see,
Speaker 4: you're not aware of it.
Speaker 3: So dustin lens doesn't hold water.
Speaker 4: Dead pixels also doesn't hold water, because if it's a
Speaker 4: dead pixel, it's one pixel and it's there forever in
Speaker 4: every single photograph. And the thing about these things are
Speaker 4: they'll take a series of images. It's let's just say,
Speaker 4: they'll take twelve images in a row, and it only
Speaker 4: appears in let's just say one of them, okay, and
Speaker 4: these images are all twelve seconds apart.
Speaker 3: That's how the NASA rovers do it.
Speaker 4: So it's not a dead pixel, otherwise it would be
Speaker 4: there forever on every single image.
Speaker 3: Is it a it's known as a camera artifact.
Speaker 2: No.
Speaker 4: I can show you what a camera artifact looks like.
Speaker 4: That's later in this presentation. But we know it's not
Speaker 4: that either. There's a distinct difference between these things here
Speaker 4: and what a camera artifact renders has. And the only
Speaker 4: other explanation that people want to try to throw out
Speaker 4: is that it's something called a cosmic ray burst. And
Speaker 4: I know it's not that either, because I could show
Speaker 4: you what that looks like and you can see that
Speaker 4: it doesn't look like this either. So let me cycle
Speaker 4: through some more of these tie then I'll get to
Speaker 4: those last two in just a second.
Speaker 3: That's deconvoluted.
Speaker 4: Okay, wow, right, Wow, this one's funky.
Speaker 3: It's got a little tail, wow in the sky.
Speaker 2: Wow.
Speaker 4: Oh, here's what I'm talking about. Here's a series that
Speaker 4: that was the deconvoluted. But here's the raw image. Okay,
Speaker 4: and it's not there right, next one, not there, next one,
Speaker 4: Now it's there.
Speaker 3: A series, a series of three images. Okay.
Speaker 4: It's not a dead pixel, otherwise all of them would
Speaker 4: have that same thing there.
Speaker 2: And it's also not a piece of dust, because again
Speaker 2: we'd be looking very similar.
Speaker 4: Right, not dust, not a dead pixel. It's not a
Speaker 4: camera artifact, and it's not a cosmic ray burst.
Speaker 3: Okay.
Speaker 4: This is an object in the sky. And that's the thing.
Speaker 4: That's the other thing I wanted to mention too. All
Speaker 4: these things. You don't see this little shape render anywhere
Speaker 4: that's on the ground, and all these things I will
Speaker 4: show you. It's they're all in the sky. Okay, Why
Speaker 4: if this is.
Speaker 2: What it is, and I have a hard time figuring
Speaker 2: out what it could be, why is NASA releasing this?
Speaker 3: NASA? Really, you know?
Speaker 2: This is it? Right?
Speaker 3: Like? This is this is the thing.
Speaker 4: While there's so much there's so much pressure from the
Speaker 4: public pressuring the administration, NASA, Congress to release more and
Speaker 4: more UFO data. Right, we've been getting some of that. Meanwhile,
Speaker 4: very few people are paying attention to what NASA is
Speaker 4: actually doing with Mars. They're just releasing this stuff. It's
Speaker 4: not classified. They're just releasing on their website and saying
Speaker 4: nothing about it and hoping no one will notice. Right,
Speaker 4: there are people noticing it, which we but they don't
Speaker 4: even care.
Speaker 2: Because when you start saying, are going to five phone
Speaker 2: a UFO on Mars, right, check out and glaze their
Speaker 2: eyes over.
Speaker 4: Right, they're not gonna take you serious. They're gonna think
Speaker 4: you're a looney bin.
Speaker 3: Right.
Speaker 4: So this is this is why I'm trying my best
Speaker 4: to rewrite this narrative that there's nothing interesting on Mars.
Speaker 4: There's a whole lot of interesting things on Mars. No
Speaker 4: one's paying very few people are paying attention. So we've
Speaker 4: got the great Mars Disclosure has receipts, and we're going
Speaker 4: we're looking at a lot of them today, all right,
Speaker 4: so let's keep going. All right, So again, just a
Speaker 4: typical river photograph, and you might think, oh, that's just debris,
Speaker 4: blah blah blah blah blah.
Speaker 3: But here's the thing about this image. This shows us.
Speaker 4: Okay, we have it's not the best example, but right
Speaker 4: disc shape with the bulbous midsection. And I don't know
Speaker 4: what you want to make of these other two things.
Speaker 4: Maybe those are just weird little artifacts. I don't really know.
Speaker 4: But what I want to draw you attention to is
Speaker 4: this shape right here. See this here, this precise shape
Speaker 4: appears in multiple photographs on different days, and it appears
Speaker 4: in the same location and its exact same shape. This
Speaker 4: is a camera artifact. Okay, we've nicknamed this the booger,
Speaker 4: all right. This will appear in multiple photographs across different days.
Speaker 3: All right.
Speaker 4: This is a camera artifact that is not something that
Speaker 4: imaged in the sky. All this other stuff, different story.
Speaker 2: So that's see what the difference looks like.
Speaker 4: So we're ruling out camerat effects. We know what camera
Speaker 4: artiffects look like. That's a camera art effect.
Speaker 3: All right, this is.
Speaker 2: Kind of mind blowing. That looks like that. That is
Speaker 2: the closest thing I've seen to I mean, what the
Speaker 2: fuck is that?
Speaker 3: Dude. Here's the next one. This is odd because it's
Speaker 3: in a different orientation.
Speaker 2: Yeah, but again remember remember the footage.
Speaker 3: It was moving.
Speaker 2: Holy, it was rotating, rotating right right. So, and Bob
Speaker 2: Bazaar famously said that these things had to fly belly first,
Speaker 2: they would point towards their destination and rotate and then
Speaker 2: and multiple other people have seen these things take off
Speaker 2: and rotate and then move, you know, pretty silently, but
Speaker 2: very very fast, instantaneous acceleration, right, And that could explain
Speaker 2: why they're there in one picture, gone in the next,
Speaker 2: right exactly, because even the frame rate can't capture it.
Speaker 4: No, these photos are generally taking twelve seconds apart.
Speaker 2: That's so much time, guys, guys, let's all right, ready
Speaker 2: start that's what twelve seconds sounds feels like. That's a
Speaker 2: UFO blink gone exactly forty five times over.
Speaker 4: So this one, again, it's a disc shape with a
Speaker 4: bulbous mid section. I don't know about you, Tie, but
Speaker 4: I've seen enough photos in my life to know that
Speaker 4: cameras just don't produce that kind of weird glitch in
Speaker 4: a photo. Like have you ever looked at a photo
Speaker 4: and said, hey, look, there looks like a disc with
Speaker 4: the bubbles midsection? And any photos that you take with
Speaker 4: any camera ever, why is it just with NASA rover
Speaker 4: photographs that we're seeing this funky thing and in the military.
Speaker 2: Photog why is it always in the sky.
Speaker 3: It's in the sky, it's not down here.
Speaker 2: Exactly, never located like if it is an artifact, why
Speaker 2: is it consistently above the horizon, just in the air,
Speaker 2: over the surface, like unmistakably over.
Speaker 3: The every single one of these two.
Speaker 2: Yeah, why isn't it at the bottom left corner, Like.
Speaker 4: Here's the raw image of that one. This is the
Speaker 4: raw one on that one. Okay, So just all.
Speaker 2: Transparency, Like, why isn't that Why isn't that camera right exactly?
Speaker 2: Why is it where that purple thing is? What?
Speaker 4: What?
Speaker 2: Why is it only happening in places that you know
Speaker 2: it seemingly is in the it's in the I say air,
Speaker 2: but you.
Speaker 3: Know, yeah, right, it is.
Speaker 2: It's it's the sky in the sky of Mars.
Speaker 4: Okay, here's another one clearly rover here just just you know,
Speaker 4: disc shape, bulbous mid section.
Speaker 2: And there's no way that that's like a planet, right, No,
Speaker 2: that's not Saturn with a ring.
Speaker 3: No that we the rover navigation camera. All this is.
Speaker 4: Now you cannot resolve something like like that just from
Speaker 4: one of the You need a telescope, uh for for
Speaker 4: Saturn or even Mars's moon to show up and something
Speaker 4: like that. Okay, okay, uh it's clear image. Okay, So
Speaker 4: this one's funky because it's in white, right you know what,
Speaker 4: disc with bulbous with the tail going upwards just just
Speaker 4: kind of funky. And here we have the same kind
Speaker 4: of thing, but in white. These are all this is
Speaker 4: a raw image right here. You could download this from
Speaker 4: NASA's website today. We provide all the source rls. You
Speaker 4: zoom up on it. What do we see? Disc shape
Speaker 4: with a bulbous midsection. I don't know why it's white
Speaker 4: and not black like the other ones. I don't know.
Speaker 4: But see what NASA calls this. They'll say that NASA
Speaker 4: will say this is a cosmic ray burst. Have you
Speaker 4: heard that before.
Speaker 2: H yeah, but only only in the context of like
Speaker 2: like from the like in the sun in the I've
Speaker 2: never heard it used outside of that, like I didn't
Speaker 2: know was something that happened in our atmosphere.
Speaker 4: Well, okay, what a cosmic ray burst? This is a
Speaker 4: cosmic ray burst. Can you see it?
Speaker 2: Oh? Oh, okay, So it streaks like in the sky.
Speaker 4: It is a photon of light that was captured from
Speaker 4: the sun in the camera here, and how it renders
Speaker 4: in the CCD as as it's captured by the camera,
Speaker 4: it just renders as this basically one pixel wide streak
Speaker 4: of light.
Speaker 3: Okay, and NASAs.
Speaker 4: There's an astronaut, Donald Pettitt, who just so happens to
Speaker 4: be a photographer. He photographs these things in outer space
Speaker 4: all the time and he documents them, and they just
Speaker 4: are thin streaks of light, and that's it. A thin
Speaker 4: streak of light is not any of this stuff. These
Speaker 4: are not thin streaks of light. So to say it's
Speaker 4: a cosmic ray burst is nonsense.
Speaker 2: Even if it's long exposure, it would be in just
Speaker 2: a longer line. It wouldn't have any bulbous right, it
Speaker 2: would just be a longer streight line because it's again
Speaker 2: long explode long exposure. You know, it's just going to
Speaker 2: extend that that photon beam into a longer beam. This
Speaker 2: has definition, this has shape to a degree that I
Speaker 2: just I don't buy. I don't buy that answer.
Speaker 4: So here's Donald Pettitt. He's an astronaut and he tweets
Speaker 4: the stuff from time to time. He's real specific about
Speaker 4: what cameras he's using. Look, this is a cosmic what
Speaker 4: he is saying. It's hard to see here. This is
Speaker 4: a meteor streak and this thing. Can you see this
Speaker 4: really thin streak here? Yeah, that's a cosmic ray. He
Speaker 4: photographs these things. Here, here's a better image of it. Okay,
Speaker 4: you can see it's going through the red, green, and
Speaker 4: blue CCDs of the camera. Okay, that is what a
Speaker 4: cosmic ray is. That doesn't look like anything that I
Speaker 4: just showed you. No, not even when they say it's
Speaker 4: cosmic ray.
Speaker 3: That's nonsense.
Speaker 4: But people don't know because they don't know what a
Speaker 4: cosmic race was to look like. So they just accept
Speaker 4: NASA's explanation.
Speaker 2: And again, you guys, see this long exposure, the lines
Speaker 2: that it creates on everything else that you we would
Speaker 2: see that in the photos of Mars as well, if
Speaker 2: if if, if it was again, and I'm just kind
Speaker 2: of this is like technical stuff, but like I'm sorry,
Speaker 2: that doesn't that that that doesn't hold water, that doesn't
Speaker 2: hold weight, that these are cosmic rays. Yeah, I think, wow, wow.
Speaker 3: I do have one more for you.
Speaker 2: I mean, and just while you skip to that next one,
Speaker 2: like you know, uh, you know these remote viewers they're
Speaker 2: talking about that there are these beings that that are
Speaker 2: still there on Mars and or were there on Mars.
Speaker 2: And you know, if UFOs and if we are to
Speaker 2: believe that they're coming to Earth, I would have to
Speaker 2: assume that they're gonna have wave stations to whatever degree
Speaker 2: that that would mean for an alien civilization or interdimensional civilization.
Speaker 2: But we see the same architecture, the same structures in
Speaker 2: the in the moon, in Mars and on Earth. Is
Speaker 2: it a coincidence?
Speaker 1: No?
Speaker 3: Okay? Ty? Can you see this here? All right? It
Speaker 3: says dead pixels don't move? Do you see that?
Speaker 2: Ye?
Speaker 3: Let's do viewing slide show presenter. Okay, can I make
Speaker 3: maximize this all right? Can you see that maximize screen?
Speaker 3: Now here we go?
Speaker 4: Yep, all right, So here the source you rls for
Speaker 4: the series of images. What we have here, ty is uh,
Speaker 4: we have motion in this series of images. Now it's
Speaker 4: hard to see. You see this little dot right there?
Speaker 4: Can you see that dot? I Okay, it's not much.
Speaker 3: But that's what a dead pixel would look like.
Speaker 4: Okay, it's just a pixel, right, But twelve seconds later
Speaker 4: after this shot was taken, that pixel is no longer
Speaker 4: there because it's over here.
Speaker 3: Huh.
Speaker 4: Okay, not so much of a big deal. It's just
Speaker 4: a little tiny pixel, big deal. But then twelve seconds
Speaker 4: that twelve seconds after this shot was taken, that shot
Speaker 4: was taken.
Speaker 3: Dead pixels don't move. Oh my god, it's hard.
Speaker 2: It's like laugh about this point, right, Really, I don't
Speaker 2: I don't know what to make of that, dude. I mean,
Speaker 2: you've you've convinced me.
Speaker 4: That Mars has some strange stuff going on there, and like, look,
Speaker 4: we don't have time to get into the rest of it.
Speaker 3: But I've got a whole too.
Speaker 4: We've we've got fossils, and we've got artifacts, and we've
Speaker 4: got ruins.
Speaker 2: Which I I want to ask you one thing. Every
Speaker 2: major you know, ancient culture, from the Egyptians to the Maya,
Speaker 2: you know, they were completely kind of like, yeah, I
Speaker 2: guess we can use the word obsessed with Mars. They
Speaker 2: often associate it with you know, warfare or destruction, even creation.
Speaker 2: I think at some points, what do you think of
Speaker 2: our anset? Like did our ancestors simply look at that
Speaker 2: red dot in the sky and make something up? Or
Speaker 2: do you think that they were inheriting firsthand knowledge of
Speaker 2: something else.
Speaker 3: I think it's a combination of two things.
Speaker 4: And I'll admit that I am not deeply knowledgeable about
Speaker 4: either one of these, but I know enough just to
Speaker 4: give the one on one version.
Speaker 3: Yes, we have this deep history, these stories that have
Speaker 3: been passed down.
Speaker 4: From ancient times, some would say mythological stories and such
Speaker 4: that do talk about humanity starting on Mars and coming
Speaker 4: to Earth. So there's that aspect of it, which you know,
Speaker 4: requires a different field of study to really interpret correctly.
Speaker 3: But I want.
Speaker 4: To call attention to something else, more nuts and bolts.
Speaker 4: There is sufficient evidence to suggest that our solar system
Speaker 4: in the ancient past was not always in the stable.
Speaker 3: Positioning that it is right now.
Speaker 4: In other words, the planets and their orbits right now
Speaker 4: were not always where they were, and there that scar
Speaker 4: on Mars that you were talking about.
Speaker 3: Okay, that is.
Speaker 4: We'll have to get into this later, but that is
Speaker 4: an electrical discharge scar and it either happened by the
Speaker 4: Sun having a bad day and taking it out on
Speaker 4: Mars like a roar borealis on steroids sort of thing,
Speaker 4: or two planets came in close enough proximity to one
Speaker 4: another that had opposing charge magnetic charges electrical charge, and
Speaker 4: if they get too close together, they would discharge between
Speaker 4: the two. Sort of like your high school science teacher
Speaker 4: showing you what electrical discharge looks like with a Vandergraft generator,
Speaker 4: those two big electrical balls with a little tiny spark
Speaker 4: going between the two of them. Okay, it's it's the difference,
Speaker 4: you know, the electrical difference between your hand and the
Speaker 4: doorknob and the winter time when you get a shock
Speaker 4: on the door handle when you're when you open up
Speaker 4: the door, with the difference in the sky and the ground,
Speaker 4: which is why we have lightning discharge. We'll imagine if
Speaker 4: two opposing planetary bodies of different charges came close enough
Speaker 4: in contact with a discharge between the two and the thunderbolts.
Speaker 4: Channel does a lot of work on talking about the
Speaker 4: ancient history of our Solar System and how what they
Speaker 4: saw in the sky was the planets physically being closer
Speaker 4: to Earth, not really requiring you to have a telescope
Speaker 4: to see them. They were more visible, like our moon
Speaker 4: was visible, and our moon is visible to us right now.
Speaker 4: The early Solar system was a lot more unstable and chaotic,
Speaker 4: and planets were moving. So I don't have a whole
Speaker 4: lot more information, but there is sufficient evidence to suggest
Speaker 4: that that was the case, and that what they saw
Speaker 4: as Mars attacking somebody was a discharge between Mars and
Speaker 4: another planetary body that was happening to go by.
Speaker 2: And and one of those planets could have been the
Speaker 2: one that it ends up coming in contact with, like
Speaker 2: fully cut hitting it, and that, you know, that is
Speaker 2: what creates the asteroid belt, and that that that impact
Speaker 2: also throws the planet, the every you know, all the
Speaker 2: planets into a new, maybe more stable orbit, and that's
Speaker 2: where we find ourselves today. That impact pushed us all
Speaker 2: a little further out just enough where now you know,
Speaker 2: I'm just you know, thinking out loud here, But you know,
Speaker 2: is that crazy to think about? Am I crazy? I
Speaker 2: don't know?
Speaker 4: Here, Look just here's an image just for those it's
Speaker 4: just easier to look at this.
Speaker 3: Okay, this is what we're talking about.
Speaker 2: Yeah, that would be like the ship that they would say.
Speaker 3: Zoo did the Yes.
Speaker 4: Now, there is actual evidence here tie, which we'll have
Speaker 4: to say for another time that reproduces that same scar
Speaker 4: that you see on Mars. They've reproduced that same exact
Speaker 4: morphology in the laboratory using plasma discharge. Yeah, believe it
Speaker 4: or not, that same scar we Earth has one.
Speaker 2: Oh oh wow.
Speaker 4: The exact same morphology. I'll have to we'll have to
Speaker 4: save that for part two.
Speaker 2: Yeah, part two in person, Jesus Christ, that would be
Speaker 2: a scary fucking sight though.
Speaker 3: I know.
Speaker 4: And there's so either Mars discharged with Earth or discharged
Speaker 4: with Venus. There's lots of evidence suggests Venus wasn't exactly
Speaker 4: where it was, so anyway.
Speaker 2: Is haunting haunting? Haunting thought? Yeah, oh gosh.
Speaker 3: Imagine being on the planet when that happened.
Speaker 2: Right, No, just kill me.
Speaker 4: And remember what does every single Mars rover photograph have
Speaker 4: in common?
Speaker 3: What does it show you? What do you what do
Speaker 3: you see in Mars river photographs.
Speaker 4: All over the place, just shards of rock, rocks just
Speaker 4: freaking everywhere. Okay, that scar on Mars is a giant
Speaker 4: canyon the size of the United States. What we're talking about,
Speaker 4: tie is instantaneous excavation of crustal material three thousand miles long.
Speaker 3: Where did it go? Everywhere else on the planet? Is
Speaker 3: what is Mars? Covered with craters everywhere?
Speaker 2: Right?
Speaker 3: That was a bad day on Mars.
Speaker 2: Yeah, and it could have kicked up a lot of
Speaker 2: the rusty dust that well. No, I guess it depends
Speaker 2: when it happens. But I was gonna say, never mind,
Speaker 2: I've never mind. But yeah, that that tracks, man, that's
Speaker 2: that's Oh god, that would have been a terrible day.
Speaker 2: That would have been a terrible day. I know.
Speaker 3: Man, Mars has me hooked. Dude. There's just so much
Speaker 3: cool stuff about it. You think that's it?
Speaker 4: Uh, you know, I'd I'd have to get I don't
Speaker 4: know that.
Speaker 2: That might be paradolia. I could see that being paradolia.
Speaker 4: I try to stay away from the rocks that look
Speaker 4: like faces, because we already have enough problems with the paradolia.
Speaker 2: Yeah, yeah, yeah, too too much, too much leeway there.
Speaker 4: I suppose if I knew the source, I could get
Speaker 4: Jeanne to upscale that and see what it looked like.
Speaker 4: But you know, I don't. I don't really try to
Speaker 4: like entertain those sorts of things.
Speaker 2: Love it. Thank you, dude, Thank you so much for
Speaker 2: doing this again. I'd love to do art to maybe
Speaker 2: bring you up to Boston or down to Boston and
Speaker 2: you know, be able to do it in studio. Where
Speaker 2: can people find you and where can people keep up
Speaker 2: to work with your date? Where can they watch the
Speaker 2: documentary Blue Planet Red? You know hit me with it?
Speaker 3: Yeah? Well sure, oh let me let me. Can I
Speaker 3: show the movie poster?
Speaker 4: Yeah, yeah, yeah, let me show the movie post and
Speaker 4: I'll talk about it here. I really am happy with this,
Speaker 4: the way this came out, the artist who did it
Speaker 4: for me. Here's the movie poster. You can find all
Speaker 4: of my work on the website blue Planet Red dot net.
Speaker 4: I'm on YouTube at Brian Coreydobbs on Twitter at Brian
Speaker 4: Corey Dobbs. The documentary Proper, It's a two hour documentary
Speaker 4: talks about all of this stuff. I interview two dozen
Speaker 4: people from academia to aerospace industry to NASA. I got
Speaker 4: a retired NASA astrobiologist who talks a lot about pennspermia
Speaker 4: and microfossils. We've got micro fossils photographed in the documentary.
Speaker 4: Independent researchers Abby Low, Robert Shock, John Brandenberg, Mark Carlotto
Speaker 4: and a bunch of other cool guys in the documentary.
Speaker 4: You can find it on Amazon Prime. There are also
Speaker 4: other streaming networks. You can get it on your cable box.
Speaker 4: Verizon Exfinity Spectrum. You can pull it up on video
Speaker 4: on demand there, as well as Documentary Plus and a
Speaker 4: few other international streaming networks. You can go and watch
Speaker 4: it there, but I usually just say it's on Amazon.
Speaker 4: It's on Amazon UK as well, but not all territories.
Speaker 4: So anyway, So but watch the documentary first, because then
Speaker 4: the YouTube is really the continuing series of the documentary.
Speaker 4: The documentary was what started it all off, and then
Speaker 4: the YouTube I go into more detail and you know,
Speaker 4: new discoveries, things I've learned since making the documentary.
Speaker 2: That is awesome, man, And I really love that. You
Speaker 2: do great work and I can't wait to, you know,
Speaker 2: have you back on and and dive even further into mars.
Speaker 2: I mean, we just did three hours and uh we
Speaker 2: That's what I love because I can I like to
Speaker 2: jump down and uh, I always leave room for more. Uh. So, yeah,
Speaker 2: I can't wait to have you back. Brother. Uh I was.
Speaker 2: I will admit I was a little bit more high
Speaker 2: energy than I thought I was gonna be, because yeah,
Speaker 2: I got really into this. Actually, and again I'm not
Speaker 2: feeling well. It took some take will so sorry if
Speaker 2: I annoyed anybody, But uh, this that ship blew my mind. Man,
Speaker 2: that shit this has been I'm surprised that this isn't
Speaker 2: being talked about more. And it's a shame that it isn't.
Speaker 2: It kind of show that the public awareness, the lack
Speaker 2: of public awareness is a huge problem. There's so many
Speaker 2: distractions in the world. There's so many you know, materialistic
Speaker 2: behaviors that have been created through you know, the the
Speaker 2: this this reality that we've we've we've created. Uh And
Speaker 2: you know, I feel like there's what our ancestors, at
Speaker 2: least at least had over us, was their connection with
Speaker 2: the celestial surroundings, with the earth itself. So you know,
Speaker 2: we'd love to have more conversation with your brother. Keep
Speaker 2: keep up the great work to everyone listening to everyone watching, Uh,
Speaker 2: thank you so much. You guys are the reasons we
Speaker 2: can keep this show on the road. We do. We're
Speaker 2: trying to do a lot more in studio episodes. Uh.
Speaker 2: This one, obviously, uh is remote. We're doing this hybrid
Speaker 2: for the time being, but representative from the UAP Task Force.
Speaker 2: He took direction from Jay Stratton. Lenvol Logan will be
Speaker 2: in studio uh this week coming up. So that's gonna
Speaker 2: be a really great episode. We're gonna be diving deep
Speaker 2: into so you know, just just so much stuff with
Speaker 2: what he's been working on and you know, whistleblower protections
Speaker 2: and get this really like you know, you know, analytical
Speaker 2: side of things and and what the UAP Task Force does,
Speaker 2: what a government organization uh looks like when they are
Speaker 2: investigating the phenomena, what is the logistics? All of that
Speaker 2: will be diving deep into super fun uh. And then
Speaker 2: we have a bunch of episodes coming up, actually one
Speaker 2: with a remote viewer, Angela Uh Angela Ford, you probably
Speaker 2: know her. Yeah. So yeah, anyway, Uh, stay humble, stay kind,
Speaker 2: stay vigilant. We'll see you on the uh the other side.
Speaker 2: As they say, you know, what's weird the the screen
Speaker 2: right right as I was, because when you hit end stream,
Speaker 2: it plays the music when I clicked it the whole screen.
Speaker 2: Uh oh, it's just a glitch show. But anyway, yeah
Speaker 2: uh again, Something's like I feel like something's messing with
Speaker 2: me lately, just like technically, yeah, something's just messing with
Speaker 2: my Like it's like I'm gonna mess this up for
Speaker 2: you hah. But either that or I'm just finding a
Speaker 2: way to make an excuse to prolong it. All right now,
Speaker 2: we'll see you guys next time, and
Speaker 4: Everything everybody underta
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