THE SECRETS OF OUR MOON & UFOS| Hiding In Plain Sight| TOTAL DISCLOSURE

0:16 Speaker 1: Step right.

1:30 Speaker 2: Welcome back to Total Disclosure. I'm your host, Ty Roberts, and tonight we're peeling back some of the layers, like an onion of our closest celestial neighbor. Where joined by a researcher named Crow, who doesn't just study the sky, but he definitely tries to capture everything and all of the anomalies others look over, maybe miss He's best known for filming the legendary Lunar Wave and documenting the mysteries of our night sky in Shoot the Moon. He's here to help us decode the secrets of the Moon.

2:08 Speaker 2: And this is actually something I've been looking forward to a ton because you know, I think most people watching or listening will know that I have expressly had my eye on the Moon. I mean, like literally and figuratively, you know, my whole life. And I think I think we all look up at the Moon and it gives us that sense of wonder. It's the closest thing in our sky that we can see that just connects every single person on the Earth, you know, And it's the only one in the universe that at least I know of that is like it.

2:51 Speaker 2: It's perfectly far enough away and size and diameter to block out our sun. It's perfectly you know, shaped to a degree. There's so many anomalies. Ancient cultures talked about a time before the moon. So you know what's going on with our moon and what's you know using it? A Paulo astronauts you know, made comments about structures on the moon, even as recently as someone like Loue Alizondo who you know hate him or love him but is talking about it, has been talking about it, so that made the news recently.

3:29 Speaker 2: So with that being said, let's jump in tonight with Crow and talk about the secrets of our moon. Almost, uh, I almost brought in the I almost brought in a rose by accident, and that would have been a travesty because she just nothing but Crow. How are we doing?

3:56 Speaker 3: How we doing?

3:56 Speaker 2: Good?

3:57 Speaker 4: Good man? Thanks so much for having me. I think most people know me as Crow Triple seven.

4:01 Speaker 3: Even though Triple seven what a name.

4:04 Speaker 2: I will say so obviously again with someone who maybe doesn't know too much about you, too much about your work, I know you also did work with like solar stuff solar as well, so I want to hear a little bit about your background, maybe give us the elevator of how you got into the community, why you started pointing a camera up at the moon in the sky in general, and why it is something you're super passionate about.

4:38 Speaker 4: Okay, we run a podcast at Crow Triple seven Radio every Wednesday. But to get back to it. In twenty twelve, I had walked away from free lancing in the corporate world that had it up to my eyeballs, and I dusted off my telescope. We went to look at the super Moon in May of twenty twelve. I had my family over and my nephew, Holler's uncle Uncle. I see a black triangle going across the moon, and so I'm thinking that, lucky dog, I'll never see anything like that. But for a number of hours, myself, my brother in law, and my nephew saw black triangle after black triangle in between the end of my telescope and the moon.

5:15 Speaker 4: My brother in law even saw a formation of them. The next day, I ran out to get what I needed to put a camera on my scope, thinking I'll film for a million years and I'll never film anything. But very quickly I began to catch things and within a very short period of time at the fall Equinox on twenty twelve, I captured by accident the so called Lunar Wave. I held onto that footage for a year because I was unimpressed with social media. I had a mass of year's worth of footage other than the wave, and in twenty thirteen October I put it up and the world blew open.

5:49 Speaker 4: I was yanked onto the world stage. Everything changed then to make matters more complicated. Exactly thirty days after I posted that footage, the flatter of movement exploded and they were all using my footage. And so at that point everything had changed. All the footage was out there and I filmed for I don't know, five six years straight chemtrails in the day Moon at the night, I was putting in serious shifts and we have quite a bit of footage to share with you as well today.

6:22 Speaker 2: Yeah, I mean, I'm so excited to see some of this stuff because you know, what I think a lot of people are interested in with the Moon is that when you do start looking into it and looking at you know, just like let's just call it the lure of the Moon. Maybe the history of the Moon. I don't know, but there are so many instances and facts about our moon that like they all kind of point to this, like not cut and dry celestial body, satellite know of that that formed around our planet, you know, through millennia of.

7:07 Speaker 3: Gravitational pull on you know, dustin rock.

7:11 Speaker 2: Right, So, before we get into some of the footage, what can you tell us about the moon and why is it so interesting?

7:18 Speaker 4: The moon is the most mystery, mysterious thing you will ever see. I stared at it for six years straight, and I mean I was putting in sometimes eight or twelve hours in a night with an eight inch telescope that was high end equipment I upgraded over the time. And what I can tell you about the moon, well, I'll use this as the example. Somewhere along the line, one of these guys in our history tried to prove that the moon was in charge of the tides in our world. And that's where we get the phrase this is where reason goes to die.

7:49 Speaker 4: When I say the moon is mysterious, it is a mystery wrapped in enigma, surrounded by a riddle. As a matter of fact, from night to night, my wife and I, who had been staring at it endlessly, would notice that one night it would appear that the creators dipped in, and the very following night they looked like they bulged out like a little pop bubble that you could push with your thumb. And to be perfectly on the up and up here, I'll put right on the record, I have come to where I don't accept anything NASA offers, which is a big reason I do what I do.

8:22 Speaker 4: I want first hand observation because time after time I have shown that what I've been told is not correct. And by the way, when I shot the lunar wave, at one point, I had a mast over one hundred thousand followers, and I said, take that footage and take it to your local observatories. One observatory somewhere in the world responded and said, it's clearly atmospheric, and that was the size of it. And meanwhile, the rest of the Internet was going bonkers over this footage. People were saying, I thought I knew everything I needed to know about the Moon, and now this, And so what I'm here to tell you is, I think we all need to start using first hand observation and reassessing everything we've been told.

9:06 Speaker 4: Because truly, of all the things I have ever studied, the moon is just mysterious.

9:12 Speaker 3: Do you think that humans have landed on the Moon.

9:16 Speaker 4: I don't accept it. No, I don't.

9:18 Speaker 2: You don't accept it.

9:19 Speaker 4: I don't accept it. I described the Moon as a luminary. That's how much I don't accept it. What I have learned about the Moon leads me to believe that it is if I actually was told the absolute provable God's truth, I have a feeling my jaw would hit the flour floor and live there for a month.

9:40 Speaker 2: What do you mean by that?

9:42 Speaker 3: What do you think the actual truth may be?

9:44 Speaker 1: Is that?

9:47 Speaker 4: Well? I also have been filming the Sun with very high end tools, and right out of the gate, the world has told me, well, that's a nuclear furnace. What I have learned is what the electric universe people or saying or some version of that, that it's clearly electromagnetic. And I think there is a connection. I think the alchemists or the natural science back in the day knew it like anode cathode. There's that kind of connection somehow between those two luminaries, which is how I refer to them.

10:19 Speaker 2: And so when you said, uh, I've ever heard about Okay, wait wait wait, yeah, I'm not I can't skip over that part. So what what do you think that What do you think the Apollo mission's job was to do? It was just a trick the public propagandas beat the you know, beat the Russians, or at least end that because it could at that point, you think it would have to be something almost like mutual where they both agreed like, hey.

10:54 Speaker 3: This has gotten out of control.

10:56 Speaker 2: We're both spending way too much money, Like one of us, well win, right that way, we can both kind of just ease back and kind of like let this go. Then you'd have to bring every other I think that's one of the problems that most people have with the theories that we didn't go is why isn't some other country that's now gone blown the whistle? And do you think that's because they're all under the boot of the United States and Russia and the you know, kind of like Big Three.

11:27 Speaker 4: Well, I think you're right on the money there. I think that all space agencies are in a club. And I can say some things that kind of demonstrate this. First of all, in what world do we in less than ten years with computers that don't even match anyone's wristwatch? Go to the Moon and then not go back for fifty years, telling everyone we lost the technology, and what world do we constantly catch the ISS astronauts on green screens and harnesses, among other things. And by the way, in what world do we have place is like China seaying we're on the Moon now, but we can't show you an HD feed around the clock.

12:05 Speaker 4: There's all these problems, and satellites are no different. When I first started filming all these things, I was thinking, oh, that's clearly a satellite. I got to look up satellites. Well. As I looked at the satellite trackers, it tells you right there, these are not just not accurate. This is ballparked at best. And if you begin to think about a satellite, you realize if you were even off by a few seconds orbit after supposed orbit, they would be so far away as to be useless in that way. And so then I said, well, why don't the astronauts in the ISS poke their iPhone and show us the third at that time thirty thousand satellites and they never have.

12:43 Speaker 4: There is no existing video of a satellite doing what a satellite does. And then we discovered Project Loon from Google where they're get caught putting them up on balloons all the time.

12:56 Speaker 3: What do you mean by that? I've never heard this?

12:58 Speaker 2: What is this?

12:59 Speaker 4: You can look up Project Loon. You must have seen the footage or a lot of people have where a satellite fell. It's even labeled, but there's a balloon still attached to it. But you can look up Project Loon where they're launching basically satellites on balloons.

13:14 Speaker 2: Like l oo N or l un for lunar lo okay and so okay, So what does that mean? What does that mean?

13:26 Speaker 4: So that I'll go back to your first question. It is my view that the space agencies are here to ensure we know very little about what's above our head for whatever reason. You know, I can guess like anyone else, what the reasons might be. Oh okay, But what I have done is used first hand observation. And at first, back in the nineties, I was learning all I could from NASA, and what intrigued me was those hubble shots. Man, those blew my mind, and that's what I wanted to do. Back then, I had an Olympic camera with film in it, which is very difficult trying to replicate what the Hubble did, and every time I kept thinking, well, I'm the idiot here, I'm making the mistake.

14:10 Speaker 4: But as time went on, I come to learn, well, first of all, the color palettes are just made up, and all those Hubble things, that's all fake color. Then secondarily, like the Earth shot, there is no picture of Earth from space, and you can actually go look up the artist who made it, who tells you I made this based on data the best I could do what I think it should look like. And that came about because people caught all the cloned clouds. So in the digital image there were all these clone clouds, so people started looking more carefully.

14:41 Speaker 4: What I came to understand later was there's an aircraft with the identical setup where told the Hubble space telescope has, and that aircraft is apparently taking all that imagery. But as I got into the photographic side of it, I began to realize quickly that the shape of what they're showing me is there, but all the rest of it is smoking curtains.

15:07 Speaker 2: Okay, So I think the obvious question becomes, why why go out of our way to fake the moon and fake fake the idea of this whole space space. I mean money obviously, like with the exception of the core evil of money being that they're at the center of everything. Why play this like elaborate hoax on citizens and the world every day and the world yeah, for all of history?

15:42 Speaker 4: Right, Well, let me ask a question to you. Do you feel like we've been losing rights very quickly over the past ten twenty years, maybe since nine to eleven, And shouldn't we be going the other way as we grow up as a species, And yet what we are is being more restricted. If you look at Europe, it's almost like that place has been decimated. They've just been flooded. Everything's a big mess over there. I think it's about control, and I can guess at the reasons they might do it. But what I can say for certain using logic is well, if we don't know where we are, actually for sure know where we are, then we have no idea where we can go for one thing, And if that was a control mechanism as our rights goal way, maybe that's part of the reason.

16:29 Speaker 4: But what I can tell you certainly is for those of us who have taken extended periods of time to use first hand observation and fantastic tools that are available. As an example later, you'll see my solar work ten fifteen years ago, an amateur could not have produced solar footage at that level. It just was not doable the price alone. Even if you had the money, you probably couldn't have got the tools we have now. But what we learned through firsthand observation is that we have been told doesn't really match with what we're seeing.

17:05 Speaker 3: It's you know, it's weird.

17:09 Speaker 2: I used to and I know this is gonna sound kind of crazy, but I mean I talk about aliens for a living, so I mean, I guess not enough sounds too crazy, right, you know?

17:22 Speaker 3: I but.

17:25 Speaker 2: You brought up you said you started this endeavor in twenty twelve. Yes, did so, you were because I was graduating high school, so I we were like very into the idea of like remember the Mayan calendar and like the end of the quote unquote end of the world, YadA.

17:46 Speaker 4: YadA, twenty twelve.

17:48 Speaker 2: Yeah, were you like, was that was that as big as I remember it? Or was that kind of just in like this niche area of people.

17:58 Speaker 4: It's still big for people who pay attention in my view, because what they're talking about is cycles of time, ages or eras. We know for certain that some of those calendars are mind bogglingly specific. And it's not just one calendar. It's like these gears one into the other. They had a cycle for the moon, for Venus, they had all these cycles that we don't even bother to track. We basically use the sun. We can't even be bothered to recognize that the moon, which was once a moonth right, that was once out we knew what a month was.

18:30 Speaker 4: It was a mooth and so we can't even bother to use the moon as it should be, to have a nice, even calendar where every day of the week is the same, and it's so much more elegant system to me that echoes control. Again, but look at daylight savings time right now.

18:46 Speaker 2: I was just that's crazy. You just said that. I was literally right. Came into my head as you were saying, right, I mean.

18:54 Speaker 4: I'm saying, this is what we're talking about right now. I think it is demonstrable that we are shifting the age, we are shifting the era. Everything is changing, and the mind calendar knocked at it twenty twelve. But if you look at twenty twelve forward the world has been changing at such a clip as to make you dizzy.

19:14 Speaker 3: And that's where I'm That's what I was.

19:17 Speaker 2: It's kind of interesting that you you actually chose those words. I've felt that ever since roughly that time. Something changed and I don't know what it is, but I remember like there was a way I viewed And I really don't know if this is just like something everybody goes through because I only have my you know, viewpoint to kind of reference out of, like you know, when you find out that's like every you know, some people like not everyone has a voice in their head that like that.

19:57 Speaker 3: You know.

19:57 Speaker 2: It's just these things that we only have reference for from ourselves, right, And it's only when we ask someone else, like, hey, you got this thing in your head right that, you know, when we kind of try to elaborate, it's like, well, that sounding too crazy. That's what I'm trying to do here, So I'm sorry if it's like sounds crazy, but I remember looking at the world and feeling the world a certain way before, and then after there was a different,

20:26 Speaker 2: something different. I can't quite put my finger on it, but.

20:29 Speaker 4: I agree I can help a little with that. So let me ask you this question. When you were little and say eight years old, and you looked up at the sun, do you remember it as being kind of yellow?

20:41 Speaker 3: I'm colorblind, Unfortunately a.

20:44 Speaker 4: Lot of people do. And what a lot of people say now is it's more pale now. The sun is the main arbiter in an era shift. As a matter of fact, it's the main arbiter of all time for us. It's how you know where the sun is. It works our months out our seasons. It's very important. But what most people don't consider is all of the energies we need to exist here. They come to us mostly through the sun. When the plants know to explode with the biggest energy release of any given year in the spring, that's because of what the sun is doing that luminary up there, and all the animals will have babies.

21:20 Speaker 4: It is the biggest release of energy that's been stored ever since the winter was going on like a battery. But many people notice the sun and the sun has changed. It is my point of view that well, I'll use animals as an example. When I was young, if I would have saw a bulldog grab a skateboard and jump into a pool and use it like a skateboard should be used. That would have been a galactically famous dog, and yet any many dogs are doing that. Now. This is what we're talking about. The age is shifting, consciousness is lifting, which directly speaks to what you were just explaining.

21:58 Speaker 4: You feel different. That's what this is about. We're going into a new era, and in the new era everything will be different. All the low vibrational systems we've known all our lives, those will start to go away now because where we're headed is at different age, a different era.

22:16 Speaker 2: Interesting, very very interestingly put and I almost feel a little crazy when I talk about it, because it's like it's this weird, you know, self experience that you're trying to put words to. It's like when I saw the UFO, It's like I can describe it in the language that I have available to me, but I will tell you that not all the language is there to be able.

22:49 Speaker 3: To replicate what I saw.

22:51 Speaker 2: Same thing with like DMT experience, the language doesn't exist to verbalize what I experience or what I've experienced on psychedelic psychedelic drugs. And you know, it's it's it is a little weird to talk about, but anyone that's done these, it is strange that you come out of it.

23:13 Speaker 3: With this like connection to the Earth.

23:16 Speaker 2: And some people say to the Sun, to the moon, whatever it is, but they just feel this oneness. So if those were artificial in creation or maybe not artificial, I don't I'm not sure if that's what you're trying to say. No, but I feel I still feel like they play a big part in people's lives.

23:41 Speaker 4: I would say everything I refer when when I first started talking about this with my telescope, I realized something very early. If I started talking about certain things, all the astronomers would leave the room. If I talked about other things, all the astrology people would leave the room. So, like you said, we don't have language for this. So I invented my own language, and I began calling all the luminators up there the skyclock, because now everyone can can recognize not only is this important, it is massively important.

24:13 Speaker 4: That is our skyclock. In the older days in India, they tracked Cali Yuga's back millennia back through massive ages. But you were about to say something.

24:24 Speaker 3: Do you think that, Well, I just saw this too, and it's kind of interesting.

24:32 Speaker 2: I mean, we know that, like people in the Northern States suffer statistically, on average, suffer from seasonal depression. Right very no sun, you know, for for a third of the year in Massachusetts. I think New England specifically has the biggest amount.

24:58 Speaker 3: And I don't know why that is.

25:00 Speaker 2: But right now what we're seeing is a yellow sky because the wildfires in Canada have drift caused this drift downward. So for the past three days, places like Maine, Vermont, mass Chusetts, it's been this pure. What I'm told is yellow again. I'm a little colorblind. What it looked like to me was like a warm filter was put on everything.

25:26 Speaker 3: Yeah, you know, the warm filter.

25:27 Speaker 4: Like I had it yesterday here in Rhode Island.

25:30 Speaker 2: Oh yeah, Oh you're not even that far away. No, okay, yeah, so you understand.

25:35 Speaker 4: I knew I saw it. I witnessed it. It felt like the quality of the light felt like it feels during a daytime solar eclipse before the total sun is blocked. And it did have a yellow etinge, but it kind of veered a little towards orange. Today we don't. We have a little of it, but it doesn't smell like smoke. That's the weird thing. Almost every time this kind of thing has been you can smell the smoke. It smells like a forest fire.

26:01 Speaker 2: Right.

26:01 Speaker 4: My friend Connecticut called me this morning and he said, they're still under orange skies, So three hours to my west, they're still experiencing what you described.

26:12 Speaker 3: Interesting.

26:13 Speaker 2: I saw pictures from like Maine, and it was it was like it literally looked like it was weird. Well, yeah, it just if anyone wanted a little like insight into the apocalypse and how it might look. There, you go, they.

26:30 Speaker 4: Should have been filming their zombie movies under that.

26:33 Speaker 2: Oh my god, I was saying that, I go, that's so, it's so many synchronicities with you. This is very weird. But I was. I literally was talking to a buddy and I said that, I go, dude, if someone was like set to film there, like you know, indie film, indie horror film right now, like they would have been, they would have hit the jackpot. The light right, consistent lighting right, No no changes in the sun could be seen or felt.

27:01 Speaker 3: No shadows were consistent.

27:03 Speaker 2: That was another thing that kind of creeped me out was the shadows when they don't move all day because it's just a consistent lighting the whole day. That does something to your brain because your brain's looking around for you know, your every day normal, like you know what normal is, and when something is off, you feel it.

27:24 Speaker 4: It was very off putting yesterday, and the fact that I couldn't smell the smell of forest fire made me start to do what I always do. I started to question the mainstream narrative. And one thing I know is that they are the most human beings in the United States where me and you are. If you look at that line in the center of this country and you go to the right of it on the east, that is by far the highest concentration of people. And as we know, whoever's pulling the strings in this world is corraling as quickly as they can right now with their flock cameras and their data centers and all of their kind of sky neet.

28:01 Speaker 4: Right, they showed us the same thing in skynet. The terminator showed us this game. They just called it skynet, and they used fantastic robots to show us.

28:11 Speaker 2: Right right right, it is.

28:13 Speaker 3: It is the flock cameras. It kind of crazy.

28:15 Speaker 2: People are. People are really like getting to the point where they're like, no, this is too much.

28:21 Speaker 4: Right, like that's that's happening here too.

28:24 Speaker 3: Like this is that's too much.

28:26 Speaker 2: And and I don't know if you've ever been in Massachusetts, but there's a place called and I think probably everywhere it kind of like skid row. Like you want to put that kind of shit there, that's one thing, but like on a street in a suburban area, like I I'm not for that, Like I you want to put it where, like you know, crime is statistically.

28:50 Speaker 3: And like like.

28:52 Speaker 2: Like there's a place in Boston called mass Ave or Methodo Mile, Like I understand why they would be used in those places because people are getting stabbed all the time, shot all the time, and like the cops can't be there twenty four to seven, So I get that. But like in the in the downtown, like you know, it's just like it's getting to feel a lot.

29:17 Speaker 4: More nineteen eighty four.

29:20 Speaker 2: And yeah, I was going to point to what you said earlier, Orwellian. Maybe you didn't even say.

29:27 Speaker 4: Orwellian, but no, that's what I would say though.

29:29 Speaker 2: Where things Ever since the Patriot Acted nine to eleven, it feels like every year we're getting closer to this, like this pinch point where we we truly can never come back from, and that worries me. Have you that being said, there's always something I've I've wanted to ask somebody for so long, and I know I'm going rapid fire because I know you have some footage you want to show.

29:55 Speaker 3: But have you ever.

29:57 Speaker 2: Read the texts I I'm kind of drawing a blank on which ones I've read that talk like this.

30:04 Speaker 3: But they talk about a time before the moon.

30:07 Speaker 4: Oh yeah, pree, like.

30:09 Speaker 3: A pre moon.

30:12 Speaker 4: I accept that is true, by the way.

30:15 Speaker 2: Okay, and so is it of your Also?

30:20 Speaker 3: I got it.

30:22 Speaker 2: What do you think if if something were to have brought the moon here?

30:27 Speaker 3: What do you think that that might be?

30:30 Speaker 4: So this is where it gets dicey, because, first off, I'll say, there are a number of books that covered this, but what got me were the indigenous accounts where they literally had tribes that were named after the fact from the time before the moon. But here's where it gets dicey. We have people listening right now who accept aliens are true. We probably have people listening that are very religious, and what they accept maybe slightly different. What I say is we got the moon because it was the invironment that we need.

31:01 Speaker 4: It is my personal view that the moon is intricately tied to what happens when we die. That is my feeling, and there are lots of places where you can start to get into this. What's for certain is the energies of the moon are very mysterious. Like on a full moon. You can ask anyone in emergency services. They'll say a full moon, people die, things happen. But that's also where we get the word. And this is a big deal to me. Language has meaning, and we get lunatics. Luna is the moon shit, right, So when we have language like that, it tells us this is not a pipe dream.

31:38 Speaker 4: This happened in antiquity and they named it to convey to you we know the energies of the moon are associated with this.

31:49 Speaker 3: A few times I've had my mind blown.

31:52 Speaker 4: We're not done yet.

31:54 Speaker 3: You just blew my mind a little, and the root word it was right there there.

31:58 Speaker 4: It is right. Language is so critically important in times like these. Back in the day, when they name things, that name kind of resonated with the object that was describing. That's why they still name everything, Like when they discover new species, it's still done in Latin. They tell us Latin is a dead language, but it's not. They never stop naming everything in Latin. Well, why is that? Because that language is set up to resonate and better describe and associate what it is they're trying to convey.

32:32 Speaker 4: Wow

32:35 Speaker 4: to the point, like other languages, our language is very strange because it's been completely stripped. If you just go to Spanish as an example, everything is either male or female, so they have a whole side of language when they're talking. And what is male or female? Well, the sun is male and the moon is female. Back in alchemy and the natural sciences, we knew these energies. And the metal for the moon is silver. The metal for the moon is gold, and that begins to tell us the importance and the energies that we're dealing with.

33:06 Speaker 4: Unfortunately, modern science, which has become a bit religious like scientism, has veered away from these older ideas. And as people get to post nine to eleven, where they're trying to control everybody as quickly as they can, it shouldn't be a mystery why the information has been kept from us on so many levels.

33:26 Speaker 2: So have you ever heard the story of Well, actually, you know what, I'll save this one because I think that would probably take us in a wicked, a really different direction. That is a very interesting point too, between silver and gold, like literal alchemic material that represents each.

33:50 Speaker 3: It's almost I would argue.

33:52 Speaker 2: And like you said, life and death, right, the moon having been tied to our death, the way the Sun is tied to our life.

34:02 Speaker 4: And provides for it makes it possible.

34:04 Speaker 2: Right, there is no life on Earth without the sun. No, there's no life anywhere without the sun.

34:12 Speaker 4: There's no movement. There's not even movement without the sun. Everything frozen solid, right, exactly so, But it's actually more than that because back in the day when the natural sciences, which were called alchemy, which is by the way, where chemistry stands on the shoulders of alchemy. Yeah, back in those days it was philosophically, so they could philosophically think with all these tools. But then they went into the laboratory and they proved it was true. As an example of this, they took a plant into the laboratory and they broke it down into three parts, body, soul, and spirit.

34:45 Speaker 4: And we know this is true because to this day, when we go to a liquor store, it says spirits on the liquor because the spirit of a plant is ethyl or methyl alcohol. So these things were true, they're proven true in a laboratory, but we have forgotten them. But what they did is they talked about the importance of the luminaries, and not just the sun and the moon, the other planets and the stars. Each one of those things gives off energy, which we automatically know because there's a color that's energy, there's a light that's energy, there's a vibration rate that's energy.

35:20 Speaker 4: So now in this era where everyone's waking up and dogs are using skateboards for crying out loud, everyone is looking up to the skyclock again, beginning to come out of a dream, almost recognizing there's more to this than we realized.

35:35 Speaker 2: Right right, And I mean, you know it's it's if I'll just come out and ask, do you believe is it of your belief that beings that don't originate on this earth exist in this in the cosmos.

35:57 Speaker 4: Absolutely every text you can get from any ancient culture talks about other beings. Even in meditation. There is not a meditation based spiritual path where they are not taught by other beings and they have words like diva or other things. What I do not accept is the way we think about aliens most of the time, because it is my view that the way we think about aliens was brought to us through television and film, and television and film is not here to tell us the truth. And so what I think other life forms are just naturally part of the overall spiritual reality that is this universe.

36:38 Speaker 3: Can you repeat that last part?

36:39 Speaker 2: I had to. I didn't realize.

36:41 Speaker 4: That other life forms are just part of the natural extension and progression of the spiritual reality that is this universe.

36:51 Speaker 2: Okay, so is it because there is two ways of looking at and okay, and this could just be limited thinking on the creation of the universe. But I find it odd that like science will say, oh, well, out of nothing came everything, the Big Bang, right, less than the size of a pin boom everything, And then religious people will say, no, God said let there be light. Are they not saying the same exact thing, but just looking through a different lens.

37:31 Speaker 4: Well, I would offer to you that when we're told about the Big Bang, if there are real physicists in the room, they tell you that that's hogwash because it violates one of the laws of thermodynamics. Now that's a law. A law means something. What a law means is not only can we predict what's going to happen, It's happened so many times over and over that we don't think it's going to happen. We know it's going to happen. So, when the laws of thermodynamics tell you that the Big Bang is nonsense, and then you recognize that the biggest TV show in the world further pushed that idea, being called the Big Bang theory, you can kind of see the programming behind it all.

38:09 Speaker 4: When you go over to the spiritual side, I think there's maybe a little more road to walk on there, regardless from my point of view, whatever spiritual path. Here's the thing about alchemy, when it demonstrated that everything can be thought of a broken down in spirit, soul, and body, that is a spiritual way to think about things. And so when we get to the point where we are now, if you look around at your friends, do you notice that consciousness is rising and all the people that you know in the world, do you notice that spiritual endeavors?

38:44 Speaker 4: And I'm not saying necessarily that they're reading the Bible. I'm saying that more people are becoming interested in a spiritual path. And to me a human being, a massive part of what it means to be a human being is to have a spiritual path. And it's been the same all the way through as back as far as we could look. And the skyclock played a big role in that.

39:07 Speaker 2: I agree. And you know what I think, counter to counter to what they wanted. I think, you know, things start with the Patriot Act, right this this tightening of the of the vice, if you will, and then COVID or let's just call it, that thing like the flu. I don't want to get to monetize I ioraity am. But that thing like the flu happened, and I think they wanted to tighten that vice a little bit more. And what it did was it gave people time to like kind of recalibrate. Some people went crazy, but a lot of people kind of needed the time off, like they needed to just be at home with their kids, They needed to just be My mom died on four three two one.

39:54 Speaker 2: I wouldn't have been able to be with her every single day. How did not been like that? I look at that shit like a blessing, because in any other circumstance of all time that I know, I would not have been free every single day. I mean I would have had to make myself free and it would have cost me money yet. Yeah, but in this situation it was and she didn't die from it. So if you know she arguably you know it didn't matter that that was happening. She you know it. Fate's a bitch, right, and I think she is.

40:34 Speaker 2: It was always going to happen on that date, like if you believe that kind of thing. So whether the plandemic was happening, I like that, yeah it was happening or not.

40:46 Speaker 3: She was gonna go from breast cancer. That was her fate.

40:49 Speaker 2: But I was able to spend day, every single day with her for months.

40:54 Speaker 4: I did a similar thing with my mother, who left in twenty two. But if we look broader at what you're saying, this happened one hundred years ago with the Spanish flu. People like Steiner wrote about how bad masks are for you to breathe your own exhaust fumes every day, And if you're aware of natural science, then you're aware that your spirit is your breath so you were asked to your your god given breath was supposedly being veiled. But when we ask questions, how many businesses were lost because of that?

41:24 Speaker 4: The whole world changed and it's not coming back. And so you begin to see the intention. And when you go back to the twenty twelve Olympics, what were all those hospital beds and demons doing in the startup? If you go back and look at the opening ceremony for the twenty twelve Olympics, yeah, the hospital beds. You can see the planning. So I think you used the right word when you described it. But I'm gonna move away from this because I don't want you to get in trouble on your platforms. If you're into it, we could shift to some footage.

41:57 Speaker 2: Yeah, let's let's shift, can I So I got a sponsor.

42:02 Speaker 3: I just gotta use a bathroom real quick.

42:04 Speaker 2: So I'll play the sponsor video and then we'll come back and we'll start to take a look at what you've captured. The little bit of I've seen is incredible. I have so much I want to talk about. I know that this is going to spark a lot of conversation. So anyone that's listening. I definitely, I definitely I wanted to go for a good amount of time talking and just get into No Crow. We're about forty two minutes in, but I'd probably head over to YouTube if I was you, because the you know, the rest Is show is going to have a lot of visual aid in visual reference, So the links are in the description blow for Crow's website as well.

42:49 Speaker 2: If you do want to just keep listening, I'll put all his links in the description so that you can click on it and peruse it at your own at your ownly. So with that being said, guys, stay almostay kind and we'll see you on the other side. We'll be right back. This episode of Total Disclosure is brought to you by Good Feels cannabis Seltzers, and I'll be honest, this is one of my favorite partners that we've ever had on the show. As I had given up alcohol. I'm very open about this on the show, and I think a lot more people choosing that same path.

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44:29 Speaker 2: Good Feels Cannabis Seltzer's replace the alcohol, keep the experience, stay in control. Now back to the ship.

44:39 Speaker 3: Oh that I gotta change that I keep forgetting.

44:42 Speaker 2: I uh when I say back to the show, I don't know what happened, but it sounds gone awful. What so, what are we looking at? Here mine.

44:50 Speaker 4: All right, there's the wave starting at the bottom. I'll describe it after it runs. There's the wave. It just caught up to the camera. There's going to be another wave behind it. I filmed this on accident, looking at a three and a half inch LCD window, did not realize the wave was starting. When it did, saw the second wave, and then thought, what everyone thinks, this is my camera's messing up, which I can prove that's not true. And I'll tell you how in a minute. A month or weeks later, I ended up deleting this clip because I was so convinced.

45:18 Speaker 4: And then that night I had the epiphany and it shook me because it proves that this is real. This really happened, and I filmed it. So what you'll notice that's another wave. The waves are coming from the top, so you see two waves completely every time it's two. This is jetwashed. Because people wanted to say, oh, that's clearly from an airplane. I filmed hundreds of airplanes going across the Moon. It's not the same thing. It's not even in the same job. It doesn't watch this. I'll describe this.

45:48 Speaker 4: Go down. The wave starts, the camera goes above the wave. Then the wave catches up to the camera, which is proof this is a filmed event. Not to mention, this has been filmed many many times in front of the Moon. It's been filmed in front of Saturn, It's been filmed in front of Jupiter, and last season I filmed it in front of the sun.

46:07 Speaker 2: What the is that?

46:11 Speaker 4: That's what I'm saying, That's why the world blew up in twenty thirteen?

46:15 Speaker 2: What the is that? I have?

46:20 Speaker 3: And I know cameras, what kind of camera using?

46:25 Speaker 4: This was a Canon T two I, But as we know, digital cameras do not fail with organic lines. Right, it's pixilation, it's hard edges.

46:35 Speaker 2: And it doesn't look anything like that. No, this is like a radial line. It almost looks like it's like wrapping.

46:45 Speaker 4: Yeah, that's what I thought for the longest time, until it was filmed in front of the other luminaries. I think it might be better described as a firmament wave, but it remains to be seen because we don't certainly know what causes it yet and people have been working on this for years.

47:01 Speaker 3: It almost looks like it's like the matrix re rendering.

47:06 Speaker 4: Me say that a lot of people say.

47:08 Speaker 3: That, like it's like it's like re rendering it.

47:10 Speaker 2: It's like a quick remember AOL and how it would load pictures and like like.

47:17 Speaker 3: You know a stage. Yep, it looks like it's that, but like in like real time.

47:22 Speaker 2: Yeah.

47:23 Speaker 4: Yeah, when this happened, I didn't have the language to describe this. So unfortunately, years ago I used the word hologram, which I wish I hadn't done, because people still think I think the Moon's a hologram. I do not think the moon is a hologram. The moon is a crucial, crucial part of the system we live in, and it is directly I don't know if I want to stay connected, but it is the female aspect to the male sun, and the energies that it provides fit the old alchemical procedures that would have defined it as such.

47:56 Speaker 2: Yeah, it's it's almost like it's if it wasn't so like perfectly over the atmosphere of it, it would almost look like it's like a shock wave that went through.

48:05 Speaker 4: Well watch this, I'll blow your mind. She's going to run it again. Pick a crater and when the wave goes by, it's going to displace that crater twice. See it. Pick one crater when the wave goes back.

48:17 Speaker 2: I got one.

48:18 Speaker 4: Okay, well wait it does it here, but wait for the other one to roll around again. It's a better example. That's the twenty twelve footage, which is the best I've ever seen.

48:28 Speaker 2: Right, So it'll.

48:29 Speaker 4: Start again after this. So watch pick a crater and watch how the wave displaces. Here we go. Got a crater here?

48:36 Speaker 2: I got one.

48:37 Speaker 4: Yeah, it's going to displace it. Boom what it displaces twice the entire image of the moon.

48:45 Speaker 3: Oh my god, it really does.

48:47 Speaker 2: Holy shit, it really does.

48:50 Speaker 4: So so the whole internet kind of changed back in the day, but that was before YouTube censored me.

48:58 Speaker 2: You now you didn't obviously didn't see that with the naked eye.

49:01 Speaker 4: No, I don't think I can.

49:02 Speaker 2: Yeah, I don't think I was gonna say, do you think you could have if it if it was a perfectly clear night?

49:09 Speaker 4: I mean, maybe someone with eagle vision, but I wouldn't. It wouldn't be the same because I've had people tell me they saw that. And the thing is, I'm looking through an eight inch telescope which can magnify with eyepieces to four hundred and something times, which what I this is not that, but it is magnified a number of times. The moon is full frame in the camera.

49:33 Speaker 2: Yeah it's I mean it's center stage that and it's very crisp like detail wise, which is it's really amazing. So that's how all your footage looks too.

49:45 Speaker 4: So I filmed it five times. Here's the thing, that thing, the waves. I filmed five different occasions. I filmed it once with a full spectrum. I filmed it during a lunar eclipse. But here's the thing. When when I released it, about half the people were saying I faked it, and the other half were blown away, like we are watching it again. I'm blown away every time I see it. But a year and a half later, I filmed the second known lunar wave and that really blew up. Oh he's faking and he's clearly faking it.

50:17 Speaker 4: But then over time I lost count when people had filmed it about forty times in front of the Moon. But by the time it's filmed at Saturn, Jupiter and then I catch it in front of the Sun. There's no denying this thing. It's there. It's just we don't know why for.

50:32 Speaker 2: Sure, right, And so have you ever have you ever asked NASA or anything. I know you say you don't trust them, but like just doing like the whole like citizen scientist thing.

50:46 Speaker 3: Have you ever been like NASA?

50:49 Speaker 2: Can you tell me? Well you get an official statement? What is this?

50:52 Speaker 4: Right? So here's what I did. It started to be that every time someone thought they filmed a wave, they sent it to me like I was the official arbiter of the world. And I didn't think that was the way it should go. So what I did is I told my one hundred and some thousand followers at the time on YouTube, go take this clip to your local observatories. Only one responded with a sentence that said it's clearly atmospheric. That was the only response that was given.

51:19 Speaker 3: And they're saying it's sort of our atmosphere.

51:22 Speaker 4: They didn't say they said it's clearly atmospheric. Interesting, they said very little. And then of course people have said, oh, well it's clearly a version layer. Well, clearly that's jetwash. Everyone has an opinion. There are people who I've interviewed on my podcast that goes out every Wednesday on Crow Triple seven Radio that have very good ideas that have to do with spiritual or energetic ideas that they use physics and other things. They're very good ideas, but at the end of the day, for something to become a law, it has to be described and then it has to happen every other time.

52:00 Speaker 4: That way, then we know it is what it is. There's no more guessing. Like thermodynamics shows us that the big band theory, we might as well play that song nothing from nothing leaves nothing, and I gotta have something if you want to believe in.

52:14 Speaker 2: Me, very very oh Man elegantly said so okay, So next up we have this is let me get the banner out of the way. What are we looking at here? Oh, this is a small orb. B. Look do you see where ever just crossed the field too?

52:41 Speaker 4: Yeah? So what this is? It's called an orb. We used to see them with our eyes. We never saw them when cam trails weren't present. We never saw them if cam trails weren't present. That is a chemtrail and it looks like a ball of plasma. Believe it or not, it's gonna drop down in this camp trail. The wind is pushing the chemtrail to the left. That orb is going to go to the right and it's gonna shoot two plasma beams. I'm not kidding. It's gonna shoot two plasma beams into the chemtrail. Now I'm gonna try to show you when it happens.

53:13 Speaker 4: But then we're gonna run like a slow mo redo frontwards and backwards. Keep your eye on it, and it's gonna happen right about here, somewhere right here there.

53:23 Speaker 2: WHOA.

53:27 Speaker 4: So the weird thing after I filmed this, there it is.

53:33 Speaker 4: We're gonna go frontwards and backwards, and we're gonna invert the color and do something so you can see. But after I posted this footage, we never saw these orbs with our eyes ever. Again.

53:43 Speaker 2: No way, here it comes.

53:45 Speaker 4: Keep your eye on it. Inverted there it is. It's shot twice. I mean, what's it doing? And by the way, when the orb goes over.

53:56 Speaker 3: That's not a balloon like you can't say no or something.

53:59 Speaker 4: No, it's it's like a ball of plasma. When it goes over the spot that it shot, the whole orb flares up and brightens.

54:07 Speaker 2: Bro this what is that other thing?

54:10 Speaker 4: There? There were so many in the air. Frontwards, backwards, frontwards, oh god, backwards, look at that? It does it twice. There's two little blasts and it flares when it goes over the spot. I always got the energetic sense that this was positive, that whatever they were doing was positive. But that's just me telling you I feel that way about.

54:32 Speaker 3: It because you're the one filming this. Yes, right, so you felt.

54:41 Speaker 2: It's not that I'm okay, it's not that I'm like, oh, hippy to be here, but I do like I That's one of the questions I asked people, when you saw what you saw, how did you feel? And you said that you didn't feel that there was a negative negative.

54:56 Speaker 4: I almost wanted to question, is it deactivating the m they're doing somehow or What I can tell you is the only time we ever saw one of these with no camp trails. We were trying to film it and it was going across the sky and then a plane laid a camp trail and it went straight to it. So they're directly related with whatever these planes were doing. There were times when we wondered if they were dropping them. I have other footage, but it's not these These look like literally look like a burning ball of white plasma.

55:28 Speaker 4: That's what they look like. They morph a little bit it's just I don't have the language to describe it.

55:33 Speaker 2: Yeah, and then something something ejects from it. Yeah, well certainly with no right there with no. And then the way you that inverted uh, that inverted one allows you to see it beautifully, beautifully that that actually is probably the best ORB footage I've I've seen to gain.

56:00 Speaker 4: So check this out on all the work that I do. So what happened in twenty seventeen YouTube deleted my channel with all this footage, and then they put it back three weeks later with twenty five thousand less Substill I still have a YouTube channel with two hundred thousand ish followers. But what they did is they put an algorithm to censor Crow, Triple seven and lunar wave, which is why you can't really search for it on Google products anymore. But on my website there's a two hour film called Shoot the Moon, and all my subscribers get free access.

56:34 Speaker 4: We put that out. It has all my lunar waves, it has footage that would blow your mind more than we've brought with us today. And it's got ten awards in the world. Now, the last two came from India. Jaipur, India actually gave us the Laurel wreath for our independent film, and so the world was ready for this, and that film has been protected on my private server, like all free speech. So everything I've ever done is protected on my private server, and subs get free access to everything.

57:04 Speaker 1: Interesting. Yeah, as a matter.

57:07 Speaker 4: Of fact, I would enjoy if you saw Shoot the Moon if you want to review it or something.

57:12 Speaker 2: So yeah, I'll definitely take I will definitely watch it.

57:15 Speaker 4: Email me, I'll give you a log in and you can have at it. Just try to do it on a big TV.

57:20 Speaker 3: Oh, brother, you don't even realize.

57:22 Speaker 4: There you go if you got the one hundred inch or you're gonna your eyes will boggle.

57:27 Speaker 3: I have an Imax projector.

57:30 Speaker 4: There you go, get the twenty three foot version.

57:33 Speaker 2: Yeah, yeah, dude, to be the biggest. Unless you've screened it at a cinema, this will be the closest.

57:39 Speaker 3: Ni yets. I can assure you of that.

57:42 Speaker 2: But real quick, wow, before we watch the next one, can you tell us about this?

57:52 Speaker 3: So what happened at mofon.

57:55 Speaker 2: There's something that happens at mofon and I want to make sure we tell the story all right.

58:01 Speaker 4: Well, people out there sitting comfortably in their homes. Don't think there's little spies everywhere. The story I'm going to tell you proves that that's not correct. So in twenty twelve, I started filming accidentally filmed the Lunar Wave film for a year, and I get so many just mind blowing pieces of footage. I did not want anything to do with social media. I didn't set that up till twenty thirteen. While I'm doing this, I finally go to a moof on meeting because I have all this footage. As I get there, this really old guy running the meeting says, you know, we have an agent in here a plant.

58:36 Speaker 4: And I said what do you mean? And he goes, you know, a plant and I kind of blew it off. Well, I get into the meeting. There's like five or six, maybe seven people, and they don't do anything. They trade books and they talk about UFOs and here I am a new guy with footage and they can't possibly figure out a way to show the footage. So I say, I'll tell you what. I'll come back one more time. I'll bring what I need, a screen and a projector, and I'll put up for everyone to see. Well I did that the next time around, and there was a guy there that people would recognize.

59:06 Speaker 4: I don't drop names, I don't bad mouth people, but everyone listening would know him from the UFOs circuit. And the moment I pushed play on the first clip, he started downing it, calling it everything but what it was. And he did this for the entire time that I was trying to show clips. Then at the end of it, tried to get my clips, and I realized very seriously that not only is there a plant, this guy's you know, he's paid to come be in this Moufon meeting and then derail anything that happens and probably report it to whatever's you know, whatever reason he's he's he's been on TV for crying out loud.

59:42 Speaker 4: What's he doing in a moufon with six people in it? So that is interesting, the Moufon story. And that's when I walked away from Moufon. And that's when I decided, guess what, YouTube's the word that the better of the two evils.

59:56 Speaker 2: Yeah, at least it's as open sources open source can be like as far as like, well, it's not, it's not really open source, but you know what I mean.

1:00:05 Speaker 4: So about about a year and a half after I posted the lunar wave, I got a notice back in the day from Google where they informed me they have rights to everything I ever uploaded on their platform and they can use it for anything they want to include commercials. So if you ever see a Cadillac commercial with a lunar wave, you'll know why.

1:00:24 Speaker 3: Oh okay, yeah, yeah, that makes sense.

1:00:26 Speaker 4: That's that's why I but that and the censorship and deleting, and they also delete my stuff without telling me, which is why I have the private server, which has been beautiful. My forums. People are polite. That's the one rule. And it's not like the cesspool everywhere else. People are polite in my forums. They get free access to everything and nothing has been censored.

1:00:48 Speaker 2: I love that, I really do. All right, So maybe I should just leave the banner down for this one. For this episode, So.

1:00:56 Speaker 4: We're gonna load the thruster clip. Watch the top of the moon. You're gonna see a craft come in that has three thruster engines. I shot this here. It comes It's real small, see it there no coming down center of the moon.

1:01:09 Speaker 2: Oh yeah yeah, oh so you'll see.

1:01:12 Speaker 4: The thrusters charge up. I shot this before it was fully dark. It looks dark because I had a city light filter in between the camera and the scope. You're gonna see it light up. That's the three thrusters and the clip. And in the film I break down some stills that absolutely show it almost looks exactly like you would expect the Apollo little capsule thing to look with three thrusters on it. So here we'll get some better views.

1:01:38 Speaker 2: And we know this is not a satellite of any type.

1:01:42 Speaker 4: Absolutely, there's no such thing as satellites and outer space, which have pretty much been proven as a matter of fact. The way they've described outer space is also nonsense. But people when they saw this immediately went out online trying to connect this to some launch somewhere, and they did it for a year, saying no one could ever connect this footage.

1:02:03 Speaker 2: The shape of it is odd too, if I mean, we're probably getting some sort of distortion from from the zoom in and the pixilation, but the shape of it kind of looks like it's like some like it's like you said, it's.

1:02:17 Speaker 4: Like it almost looks like a capsule with three nozzles thrusting at the bottom.

1:02:23 Speaker 2: Yeah, and it's like intermittently thrusting, which is another sign that this is being well.

1:02:31 Speaker 4: I timed it when I edited it, and when the thrusters kick on, it slows down a little bit.

1:02:36 Speaker 3: Did it just become translucent?

1:02:38 Speaker 4: Well, I've got I've got things inverted here so that you can see it better.

1:02:42 Speaker 2: Oh okay, okay, yeah, sorry, color blindness doesn't always see it. Wow, this is really something because.

1:02:50 Speaker 4: There's all three of them. You can see them.

1:02:52 Speaker 2: Yeah, you can see the detail of the craters around it, which gives it that separation again that you know is like we talked about earlier, so you cant you know, this thing is definitely there, So I was.

1:03:05 Speaker 4: The bad thing is when you have a telescope and you try to track something moving, it is so difficult. So I did the best I could. I can't remove it quite a while. Yeah, And it's reversed when you move. Everything is reversed in the image, so when you move, you know, it's it's very difficult. I eventually after a few minutes, lost it and I couldn't reacquire it. But I do have quite a long period filming it.

1:03:29 Speaker 2: Say, for anyone who's like, oh uh okay, grab a telescope for me and try to go film the moon right now with with a without you know, like like pick something to track and track it for me and let me see your results.

1:03:47 Speaker 3: Because it is fucking one of the hardest things to do.

1:03:51 Speaker 2: I cannot do it.

1:03:52 Speaker 4: I can't do it so difficult. I got good at it, but no end yep.

1:03:59 Speaker 2: That one that is very interesting because that seems intelligently crafted.

1:04:04 Speaker 4: I don't think there's any doubt that that's tech and that those are thrust or engines. I have stills in some of my other footage where I break it down and get good clean shots of it.

1:04:16 Speaker 2: If we didn't land on the moon, what are we doing right there?

1:04:19 Speaker 4: Lord only knows. I mean, we know how much surveillance they're doing right Like back then, I could film a week and film nothing. You can't do that now. If you go out and point a camera up, the sky is just full of what I assume are mostly you know, surveillance type things. Who knows what else might be in with them. I mean, I don't know, but I do know that there's a lot of tech up there.

1:04:42 Speaker 3: Right right, the moon is only half.

1:04:46 Speaker 4: A degree if you hold your pinky finger out at arm's length. That's half a degree. That's the moon. So watch the top of the moon here. This is the thruster. I had two here. It is right here, very quick. I had two cameras going, one in full specctrum, one in visual the full spectrum. Is this pink footage that the visual spectrum could not see this it's a vortex. Some craft or some portal or something made this vortex. And watch as I break it down here. So with two cameras, only the full spectrum could see it.

1:05:18 Speaker 4: The other camera couldn't see this.

1:05:22 Speaker 2: This is something opening and disappearing right, well, that does and that that is it's crazy.

1:05:31 Speaker 4: I here, it is very slow, frame by frame.

1:05:37 Speaker 2: This is that's like some Star Wars looking shit, right. It looks like a black hole is opening.

1:05:44 Speaker 4: Yep.

1:05:46 Speaker 2: Have you ever seen the images of a black hole? I have that Tell me that doesn't look exactly like that.

1:05:53 Speaker 3: Something.

1:05:54 Speaker 4: This happened so quickly. My wife was actually filming when this happened. And the fact that she even saw it, because when you see the live footage, it happens in a second, but it's clearly a vortex. It's clearly not seeable in the visual spectrum like our eyes use. And had I not had a full spectrum camera, we would have never known, ever.

1:06:13 Speaker 2: Known that that was there.

1:06:14 Speaker 4: That wow, pretty crazy piece of footage. One of my favorites.

1:06:19 Speaker 3: And that you know what that goes to say is how many things have you not captured? Lord only knows right with what you have captured? What haven't you?

1:06:30 Speaker 2: You know that that's that? That was crazy. That's so here. Okay, someone not see this stuff and go okay, we need to do some uh digging.

1:06:42 Speaker 4: You got to start observing and questioning what you've been told. There's clearly more going on. When when they come to their big disclosure and they tell me these are the good guys, I'm not only not going to accept it, I'm going to say, so wait a minute, the world's in the state it is, and you're friends with good aliens, and they let our world get into this state. You know, common logic tells me something else is going on here.

1:07:05 Speaker 3: Yeah, very much so.

1:07:07 Speaker 2: And I mean.

1:07:12 Speaker 4: And by the way, we get the biggest producer in the world to put out a film of the same name, which is clearly social engineering. He names it disclosure. When they're doing disclosure, that's a bit spot on for me.

1:07:24 Speaker 2: Yeah, it's again, it's it's and I've been saying this, uh for at least since Age of Disclosure came out and Disclosure Day and now, by the way, they just dropped a trailer for this, like it's it's like it's got all the normal like David Grush stuff in it, David Grush in it, the UFO whistleblower, but it's like all this all these like religious scholars in it, and it's framing it in the sense that like the church needs to take lead on this and the I forget what it's called, but it's like, dun't done religious disclosure, Like I'm making it up because I can't remember, but like religious disclosure.

1:08:13 Speaker 2: So again, it seems like they're trying to get that word disclosure in the public lexicon.

1:08:19 Speaker 4: Yeah, the disclosure definitely is. If you go back to a place like India, which has the by far the best long cycles of time tracking through the Yuga cycles, they tell us that we're coming out of the Dark Ages or the Iron Age or the Cali Yuga. But if you talk to them about other life forms, they'll list ones that will blow your mind. But it is all from a spiritual point of view, saints would go into meditation and their spiritual feeld and they would be taught by these beings. So it's a very different point of view than having Hollywood show you that a gray wants to antally probe you or whatever they're showing.

1:08:53 Speaker 2: This week, right, And I couldn't. I could not agree more with you. I know that when I did, when I when I've had some of the experiences I've had on certain things, uh, you know, I went to a different place and I saw something that wasn't a human I don't know what it wasn't a machine elf Like, yeah, well I was doing That's what I was doing. And because I was doing it with Paul Heinick, the gay Allen Heineck's son from Project Blue Book like the Air Force, the Air Force uh investigation into UFOs.

1:09:42 Speaker 2: His son is like a d M T Shaman like certified and wow, great dude and the best person to do GMT with by the way. Uh So I saw this being it was like at I can't really explain like where I was because again the language doesn't exist, but it's almost like the universe was surrounding me and there was this clear coating that I was walking on, but that separated me from falling into the abyss. But it was just there. It was all these amazing colors around me as well, and I'm colorblind, so I was seeing color, Oh what I've never seen.

1:10:24 Speaker 4: So don't you have to kind of ask? Were you physically there? Or did this all occur within your mind?

1:10:29 Speaker 2: These are all questions I've had to ask, and I've desperately tried to go back to this place, desperately because so I'm walking along and I remember so no words are spoken, not out loud at least, but something all of a sudden, I get the feeling that I shouldn't be here, like.

1:10:52 Speaker 3: Something was watching. And then I remember looking up and seeing this cloaked being.

1:10:58 Speaker 2: And when I look up and made contact with its face, it didn't have eyes. It was like it was more like a hood like typical grim reaper look.

1:11:09 Speaker 3: But it wasn't.

1:11:10 Speaker 2: I didn't feel like it was about to fucking ax me.

1:11:14 Speaker 2: It just it was formed. And as soon as I made like, I not eye contact again, that's not the right word. I got the sense that it was the one feeling that way.

1:11:30 Speaker 3: It wasn't me feeling that I shouldn't be there.

1:11:32 Speaker 2: That thing was thinking about me, saying you shouldn't, you shouldn't be here right now? And I got this like overwhelming kind of like like fuck you, who are you to.

1:11:43 Speaker 3: Tell me where I can and can't be?

1:11:45 Speaker 2: So I kind of like was aggravated with it, and I tried to walk by, and as soon as I got by it boom snapped right back into my body.

1:11:55 Speaker 4: Would you describe it as a spiritual experience or with very so? I think this is the big divide in what modern science has allowed. In many ways, modern science has left us two thirds blind. The old philosophical natural sciences recognized body, spirit and soul. Science only recognizes the body. So we're two thirds blind by that standard. And if you're going to describe your experience is spiritual, well there's no room for you in the paradigm on this side. But what we're waking up to is there is indeed a spiritual existence that we have not tapped into very regularly, which many, many people are waking up to.

1:12:35 Speaker 4: And it sounds like maybe in your own way, you did.

1:12:38 Speaker 3: Yeah.

1:12:39 Speaker 2: On three different occasions, I've had what I would describe as a you know, spiritual like spiritual, fundamental change, like an experience that fundamentally changed me. But you know, looking back on it, it's like you can see the shift in consciousness from one thing to the other, like the growing of mind, body, and soul from each event, you know, kind of pushing the ball forward, and you know, I hope I get another one.

1:13:12 Speaker 3: I really do.

1:13:13 Speaker 2: But you know, one of them came with my mother's death, So it's it doesn't always happen at the moments you think like these joyous like DMT moments. It's it's it was also like the most emotionally unstable moment of my life was holding my mother's hand as she left. And then you know, you know that like you know that line that you watched it go over the moon, the wave, Yep, it's like that.

1:13:41 Speaker 3: But ball a ball.

1:13:43 Speaker 2: It was like, you know, kind of clear, translucent, like light was bending around it. It wasn't emitting light, but light was bending around it. The softball size of that, like kind of like when you look up a highway on a hot day, that dispersion blur if you balled it up into like a soft ball size. My mom was alive in the bed. I see this thing across my field division. So it goes length of the room across the field division, and then width of the room and out the window, and then I lose it because it doesn't it's not emitting light.

1:14:17 Speaker 2: It's so then I just lose it with the surroundings of the outside. And when I look back, my mother's now gone. That moment worth this show.

1:14:29 Speaker 4: Oh wow, that's how you got here. But I would ask you, so as you sit here and pretend anticipation for this big disclosure, can you imagine the kind of spiritual experience you just described, which was first hand observation on your part having anything to do with the grays or reptilians or whatever it is that they're going to pull from a Hollywood precept and put fear in it. These are the bad guys or there. You know, that's what's always with it. And it occurs to me that if there are many other life forms, and that means they've been around for a long time and they had to learn how to live with each.

1:15:03 Speaker 2: Other, right existence. Yeah, it's necessary.

1:15:06 Speaker 4: When you talk to people about this place, like as an example, the alchemist described this as a very difficult, very dense material place going to so far as to even saying, like the angles, a ninety degree angle was described as an angle of sorrow. We all live in ninety degree angles in these boxes. All life was described as a cube. Here the idea of carbon was matched with a cube. That's all angles of sorrow. Then they taught us about the angles of joy. That's like a perfect triangle. Those are the angles of joy.

1:15:40 Speaker 4: If you take the corner of a room and you shoot energy down and it makes it to the corner, that energy crashes. But if you take like the letter why, the angles of joy, it converges and there is no collision of energy. And we never were taught in school about angles of sorrow and angles of joy. If you go to from Japan to this day, when you go to a street, it won't come to a corner where the two streets meet. It will be flattened off with a shishi dog that chases away evil spirits standing right there.

1:16:12 Speaker 4: Because they knew about the angles of sorrow. What are they describing? Why are they doing these things? And this is what I'm talking about. There is a spiritual side which is oh so important that we have literally nearly been robbed of because religion and spirituality are very different things. And this world, every religion I know of is a corporation. Even the word tells me a corpse, that's a dead body, and these bodies are given the rights of a person that is not spirituality at the level I'm interested in.

1:16:47 Speaker 2: Not me either neither. And I thought I brought out there. If you're pastor is flying around on a private jet and lives in a mansion, materialism, right, and then you know, begs for donations, and that's you know, ninety percent of the service is asking for donations, like these televangelists that have grown.

1:17:16 Speaker 3: I don't know how.

1:17:17 Speaker 2: I don't know how people can't see through that bullshit because they need.

1:17:21 Speaker 4: A spiritual life and we've been offered these.

1:17:24 Speaker 2: Why like that, like a real church that like it. You know, maybe they're just you know, I mean, I'm in Boston, so I kind of have to make the joke as I always have, but like we're the worst thing here is you know, you get touched by a priest, I mean that's terrible.

1:17:41 Speaker 4: But I'm just not Maybe that's a stepping stone, you know, maybe you have to slum to know how to get to a better neighborhood.

1:17:49 Speaker 2: It isn't it weird that like the priests, right, the priests, and like the boys, right, the kids, And then you look at like the Epstein shit and what they were doing, and I feel like people, yeah, exactly, it's pure fucking it's pure evil.

1:18:06 Speaker 3: And I feel like a lot of.

1:18:08 Speaker 2: People in the UFO community specifically, and like the paranormal communities, and you know, I just call it the phenomena. But all the people in these places they don't want to they don't want to connect things like that to this broader UFO thing or this broader like spirituality because they think it they think it taints it. It's like, no, it's the balance of good and evil. Like Epstein, what they were doing on that island, like the sexual stuff was.

1:18:38 Speaker 3: One part of it. But we have we need to ask why he was.

1:18:43 Speaker 2: Interested in what he was interested in, and why was he recruiting scientists from Los Alamos, Why was he interested in genetic engineering?

1:18:54 Speaker 3: Why was he you know, funding.

1:18:58 Speaker 2: Uh, certain science is in certain certain avenues, like Eric Weinstein's work. Why was he doing all this?

1:19:08 Speaker 4: It's evil And apparently there are a lot of people who think that in every era, shift there are times when evil makes a run for the whole Enchilada. If I asked you a question like, look at the biggest things that affect the whole world, Like a movie The Terminator that's good versus evil? How about a bigger one like Star Wars. Isn't the actual complete storyline about the dark side trying to take over everything? You can go over and over. You can go to Marvel movies. There's an evil. It's always this evil and what are they always doing trying to take over the world?

1:19:41 Speaker 4: And in the case of this last one that came out a year before the scam Deemick, it was called Endgame And what did they want to do? Remove half of everybody? What we had all just seen the guidestones that informed us they only want five hundred million of the eight point three billion they claim are here to pull it back around, ty, I want to make sure you get a shot at the remaining footage I have before I run out of time.

1:20:08 Speaker 2: Yeah, so let's we'll go rapid.

1:20:11 Speaker 4: So here's the boomerang.

1:20:13 Speaker 2: Oh say, this is a wing.

1:20:16 Speaker 4: So what you're gonna notice there? There's I think we have I hope we have the other boomerang. I'm not sure if we've only got one. There's two that I call boomerangs. There's another one that tips and pulls. But if you watch this closely, it's kind of rotating around and it seems like one part is almost connected but detached in some way. And we're gonna blow your mind when you see the level of solar filming we're able to do.

1:20:49 Speaker 2: Now, it's truly did you see what you're saying? Though?

1:20:52 Speaker 4: Almost feels like there's a portion of it that's connected but somewhere.

1:20:58 Speaker 2: Whoa that is?

1:21:00 Speaker 3: And this is oh good?

1:21:01 Speaker 4: Oh, here's some other objects that I filmed. And you got to realize the moon a full moon is half a degree of sky. So for me to film this many things and half a degree of sky, it kind of tells you there's a lot of things up there there must be.

1:21:14 Speaker 2: Right right, This is yeah, that's actually a really good point. Right, this is only one degree of sky, half half a degree sorry, not even a full degree of sky, that is you know, this is this is crazy.

1:21:31 Speaker 4: That I filmed so many of UFOs or whatever are that look like this. This one is coming from the right headed downwards, and I only included things that I can absolutely vet. You come to know when you're filming a bird or a bug or something else. These are only objects that I know certainly, are objects.

1:21:50 Speaker 2: Right that you've done? And are you I know you're you said that you can't really trust it, but you're you are?

1:21:57 Speaker 3: Like are you tracking satellites and where they are?

1:22:00 Speaker 4: And satellites don't exist as described. I think that what we would call a satellite are mostly on lighter than air in our atmosphere or on balloons in our atmosphere. I don't accept that anything goes beyond our atmosphere that is physical.

1:22:17 Speaker 2: Okay, So what is your then?

1:22:24 Speaker 3: With that being said, are these things non human?

1:22:28 Speaker 4: My go to is I can guess that what these are, like you can, and so.

1:22:34 Speaker 2: Of course, yeah, I think that many.

1:22:37 Speaker 4: Of them probably are some kind of tech doing surveillance. But I mean, the number of these little things that are up there will blow your mind. And this is all the way back in twenty twelve, twenty thirteen, twenty fourteen. If you go out now, the entire sky is full of drone looking things and other things, but it remains to be seen what they're I think to do a decent job we should assume that we know human beings make tech, so maybe that's what this is, but we don't know. It could be something else, right.

1:23:06 Speaker 2: Right, yeah, absolutely absolutely? Oh gosh, So how many how many hours of footage do you think you've a masked?

1:23:14 Speaker 4: Oh? Lord, I thousands of clips? I don't know.

1:23:23 Speaker 3: And this is the moon and the sun, or you just moon.

1:23:27 Speaker 4: Sun and sky, daytime sky. But how much time do we have? I don't want to I don't want to run out of time before I show you some of the solar stuff.

1:23:38 Speaker 3: We got about another twenty minutes.

1:23:41 Speaker 4: Okay, So you're looking at a looping prominence. Here, you see the electromagnetic shapes. If you take a magnet into a sandbox, it's the same shape made that you're seeing here when you pick up the iron filings with a magnet. This this is the limb of the sun shot in hydrogen alpha. Hydrogen alpha is a specific wavelength all the way over to the very edge of visual in the red the color red. Here. I speed it up so you can really get a sense of that electromagnetic swirling.

1:24:12 Speaker 4: Now I shoot this in black and white to get max detail. You're a camera gey, so you'll understand why that's true. The only thing that is not natural in everything I'm showing you is the color. I assign that, but every other thing is unedited. That's a coronal mass injection that I filmed in real time. This is a sun spot time lapsed over time. This is the surface of the sun and it looks like human tissue. The image is inverted to show the three D nature. And I have these prints because subs were requesting them.

1:24:44 Speaker 4: Some of them print up to fifty inches. It'd be good for your studio.

1:24:49 Speaker 2: Yeah, it really would be. This is it's just, you know, it's so weird seeing in the sun like this.

1:24:55 Speaker 4: This this is the surface of the sun shot in hydrogen outfit. It looks like issue, doesn't it?

1:25:01 Speaker 2: Issue?

1:25:02 Speaker 4: Does the sun is conscious? That is one thing I absolutely accept. Here's a blackout shot with the prominences, which are the flame looking things, and the little spiky things are called spicules. They live for about eight minutes.

1:25:17 Speaker 3: All right. So the little lines everybody draws on the sun.

1:25:20 Speaker 4: Right, yep, the little spiky daily whoppers.

1:25:23 Speaker 2: Yeah, so those actually exist. So you think that the sun is a conscious being?

1:25:30 Speaker 4: Absolutely? I ask a question, how could it provide in foster life. If it was dead, if it had no life, how could it offer what we need to be?

1:25:40 Speaker 1: Like?

1:25:40 Speaker 4: This is Rose's favorite shot. That's a close up of a sun spot showing the three D nature.

1:25:46 Speaker 2: What no now a sun spot?

1:25:48 Speaker 4: Right? What is a It's a hole in the outer shell. If you do a close up, you can actually see the little tentacles going down and sparking at their tips in there. It's really interesting.

1:26:02 Speaker 3: And are those bad or is that normal?

1:26:07 Speaker 4: I don't view anything about the sun as bad. Anything the Sun does, and my view, is supposed to happen. It's the only thing that allows us to be alive. It is literally providing everything we need to be alive. So if it does something we don't particularly care for, I still accept it because I accept that that's what needed to happen.

1:26:28 Speaker 3: Got you know what, that is actually a very fair point.

1:26:32 Speaker 4: So I put up all kinds of stills when people requested, but all of my solar work is exclusively at Crow triplesevenradio dot Com. I no longer put my work on platforms that censor it or claim ownership. So I have twenty videos that are only allowed for membership that cover my three years now of filming the sun with very high end tools. I saved ten years for the telescope that does this, and when I bought it, the guy told me only three like that have been sold in North America. Really those are sun spots.

1:27:09 Speaker 4: But yeah, I think your studio would look awesome. I someone painted printed this on glass and backlit it, and it's stunning.

1:27:18 Speaker 2: That would be amazing looking.

1:27:23 Speaker 1: This is.

1:27:24 Speaker 2: It's just crazy like little strands and yeah, yeah, it really does. It does look alive.

1:27:33 Speaker 4: It's alive.

1:27:34 Speaker 3: Why aren't more people seeing this?

1:27:39 Speaker 4: The sun is the most difficult thing to film. I can't even explain to you how difficult it is. When I do these moving shots. I have to film for a minimum of three hours. The data alone can be a terabyte of data to do what I'm doing here, not only that, to film something so bright out in the heat of the day. That's three different views of a filament on the sun. That's that's a prominence that you're looking straight down on that white line. The white is inverted, the black is as you see it with your eyes, and the color is as you see it with your eyes with color added.

1:28:13 Speaker 4: And I choose that color because your eye kind of expects the sun to be like that.

1:28:19 Speaker 3: Yes, I think that's a fair thing to do.

1:28:22 Speaker 4: Helps you, helps you digest it.

1:28:23 Speaker 2: Maybe, yeah, And I put there's a QR code up on the screen right now for anyone. It will bring you to crow Crow Radio where you can so crow Crow seven seven seven Radio with two rs.

1:28:39 Speaker 4: Yeah c r r ow seven seven seven radio dot com. And once you're a sub, you get exclusive access to everything, including the most polite forums and comments sections you'll ever find.

1:28:51 Speaker 3: I love it, so you know those.

1:28:54 Speaker 2: There are these videos that came out some I can't remember if it's like some years ago or a year ago, but it was like this craft and it seemed like it was pulling matter from the sun.

1:29:09 Speaker 4: Oh yeah, yeah, yeah, I remember that. It was a big ball. My problem now is that video is evidence of nothing because of AI and the length of time we know they've had it, because by the time we get anything, they've had it for years, decades, lord knows how long, half a century, who knows. But if you don't know who absolutely shot the footage, it's not evidence that matters. If you don't absolutely know who shot at it. If they are trustable and unfortunately, that is the state of the Internet.

1:29:38 Speaker 2: Now, right, yeah, very much.

1:29:40 Speaker 3: So it's not sourced, like it's nothing sourced.

1:29:44 Speaker 4: Well, I shot all this, and I swear to the Lord above that everything you're looking at, except for the color is as the creation exists. The color I assigned. All the rest of it is what's actually there in the hydrogen olphal wavelength. Another thing about the Sun is if you just slightly change the wavelength, the whole view changes drastically. It's incredible, right, just incredible.

1:30:10 Speaker 3: I mean, like.

1:30:13 Speaker 2: Right now looking at that, and then like looking down on the actual Sun, like the mass, the big mass, like with these like almost like like angel hair looking.

1:30:27 Speaker 3: You know, things that are moving and.

1:30:29 Speaker 4: Like filaments and prominence.

1:30:32 Speaker 1: It's just so.

1:30:35 Speaker 2: It's strikingly beautiful.

1:30:38 Speaker 4: There's no doubt in my mind that the Sun is conscious. There is no doubt in my mind that for a luminary to provide everything life needs to exist cannot come from something that is inert or dead. And if that is true, and I am correct, then we have been led very very far astray, and that we are missing a major portion of what it can mean to be a human being. I do what's called sun gazing, and I'll tell everyone, don't do it because you can damage your eyes. You would not give a holapeno to a baby.

1:31:13 Speaker 4: Don't go stir at the sun unless you know what you're doing. But I do it, and I can do it for long periods of time. I used to need glasses to drive my car at night because I have a stigmatism, which means my lens was throng shape. Solar looking at the sun fixed it. I no longer need my glasses at night. When I do that, it feels like my whole body is being recharged. It feels like I'm being healed and energized at the same time.

1:31:40 Speaker 2: WHOA.

1:31:42 Speaker 4: There was a man on the internet some years ago from India who is probably in his seventies, who claimed he had fifty years of never eating or drinking and no one believed him. So they put him in a clinical environment for weeks or something like that, and they said he never ate or drank, defecated, peden, none of it. And when they asked him how he did it, he said, because the sun gives me everything I need.

1:32:05 Speaker 3: WHOA Like photosynthesis, we know that's.

1:32:09 Speaker 2: That's possible, right, Plants, we know.

1:32:11 Speaker 3: That plants do it? We know that it's that, my God.

1:32:16 Speaker 2: That So if we found out tomorrow that the sun like I think that would be the biggest mind fuck.

1:32:24 Speaker 1: Is if.

1:32:26 Speaker 2: Instead of like a disclosure like we think right, like aliens are among us, but that the sun is a living being. I think that would fundamentally what the.

1:32:39 Speaker 4: Old Well, let's use language again. What's the old word for the sun? What's the Latin word for the sun?

1:32:45 Speaker 2: Soul?

1:32:46 Speaker 3: There you go, and now that's a fucking wow.

1:32:53 Speaker 4: There you go. Language has meaning and if you pay attention to it, you can learn things that you'll never be taught in school. Jesus, that soul up there is providing for your soul to exist.

1:33:10 Speaker 1: It is.

1:33:12 Speaker 4: What's the other word for the sun? It's sun? Right, What do you call your living offspring? That's a boy?

1:33:18 Speaker 2: Yes, the sun.

1:33:21 Speaker 4: And so life. When you create life, you call it a sun.

1:33:26 Speaker 2: God man, you are?

1:33:29 Speaker 3: You got a philosophical way of looking at things. I like it. We think similar in a similar way.

1:33:37 Speaker 2: Do you think are the ancient ancient civilizations were more Maybe they had less distraction and were more in tune with what these things actually were. Maybe that's why they built temples to the sun, temples to the moon, temples to the gods, And what if the gods are these lest beings and these objects.

1:33:58 Speaker 4: Well they are. I mean, you can see they named Zeus, was Jupiter, Saturn, you know they have the names just like those became our days of the week. That's how important they were. But yes, they were far ahead of us, and people might say, what, Well, let me try to explain myself. I got to a point in this world post nine to eleven, where I started to wonder is anything true or is this just all a fake, big game? And then one day I realized I'm surrounded by truth. And on that day a weight was lifted because I realized that I'm surrounded by nature, and all truth exists in nature and is proven by nature.

1:34:35 Speaker 4: And on that day I was joy filled because I can go have truth any day of the week. And when I learned something from nature, I know for a fact that I can take it to the bank, because nature doesn't lie to me. All truth resides in nature. These ancient cultures were so much more in tune with nature that we probably can't even think in the ways they did. If you took some of the native people that we call the Indians here in this continent. For them to go out into a forest, imagine the things they would have been able to do and know that we probably can't even fathom.

1:35:10 Speaker 4: I saw a movie called Black Robe where a Jesuit priest got lost in a forest and he thought he was going to die. And an Indian found him and he said, what's the matter with you? Didn't you pay attention to the trees as you walked in? And the Jesuit's looking him like, what are you talking about? There's a million trees here. What if I did, wouldn't have helped me? And the guy was looking at him like, my children know more than you do. That is the example. And what I have noticed is that authentic quality comes from nature and the stuff that is artificial is a knockoff.

1:35:44 Speaker 4: Anything artificial is not in the same quality range.

1:35:48 Speaker 2: Right. Like we think about like the brain as a computer, right and then we have our computers right there, Like our brains are like supercomputers on on the scale un hithered uh in comparison to the things that we have as what we call computers. You know, when we try to replicate what we see in nature, we we often make a cheap knockoff, and you know it's it's it's very evident. Yeah, that that that would I mean, do you think that it's possible that the Sun is God?

1:36:28 Speaker 3: Or that the universe is God?

1:36:30 Speaker 2: And I don't like to call things God, but because it does bring up a certain a certain I don't know why I just put a T on the end of certain, but it brings up a certain image in people's head when I say God. But the source, right, the muse, the whatever is at the center of all creation.

1:36:51 Speaker 4: Do you think let me let me, let me share this bit of information with you. So for our very low three D stuck in material meat suits as we are in the Angles of Sorrow. The sun is a crucial thing. But in the old writings you can find out that they didn't have the idea of orbits. They had spiritual hierarchies. So they used to describe from here to the Moon as the realm of angels, from the Moon to Venus as the realm of arch angels. From Venus to Mercury, the archive from Mercury to the Sun was called the powers of the Sun.

1:37:24 Speaker 4: Then when you went from the Sun out to Mars, it was the Mites as in Mighty. Then when you went from Mars to Jupiter, that was the spiritual hierarchy of the dominions. Then lastly, when you went from Jupiter to Saturn, that was the spiritual hierarchy referred to as the thrones. Beyond that where the cherubim, seraphim and starfields. In other words, they viewed it all as living spiritual spaces, not dirt and rock and orbits, like NASA has told us. So, do we have something to learn from them? When they were naming things that actually resonated with what they were naming.

1:38:02 Speaker 4: Do we accept them when they told us that sometime around the Renaissance we lost spiritual vision which we once had. Are their truths? There are there things we can learn from. For my part, anything old is valuable because it happens before the modern edit or to put that in another way, before the technocrats and the richest among us went to try to take over the world, which is what we're living through.

1:38:27 Speaker 3: Now right right, polluted it.

1:38:30 Speaker 2: And it's like it's almost like what they're doing is they're putting so much material distraction in front of you that you'll never be able to rise to your fullest potential as a human being, and with what consciousness is capable of. It's almost like the dumbing down of It's a consistent dumbing down, right, you know, of the populace spot unprovable.

1:38:57 Speaker 4: Look at the late eighteen hundred, Look at someone's handwriting or the furniture they made. Now compare it to now. We have young people that can't even read an analog clock or handwriting, which means they can't read the Constitution or the Bill of Rights. They can't read it. But to put a fine point on this, when you go back before the early nineteen hundreds, when the Rockefellerization happened to us, they had higher qualities. Yeah, it destroyed our hospitals and medicine, It destroyed you know, so many things.

1:39:32 Speaker 4: I mean, now our drugs are all made from petrochemicals and they don't heal anybody of anything. It was not always like this, And so I think we can demonstrate that we have been dumbed down. But the good news is the energies that are coming to us now are facilitating us lifting out of that. I described the eras we knew, our grandparents knew, and a millennium before that as service to self. The era we're going into is to others, and that is based on compassion, love and decency and truth, because the truth will set you free.

1:40:08 Speaker 4: So every time you watch daylight savings go away or files get dropped to admit just how bad people have been, it's because this is happening, and these older low vibrational systems have to go away. Now we have a front row seat to a new era that eventually, however long it takes, will be momentous. But as we know, the people in charge will destroy all they can until they're removed. This is the mind blower. This is my old footage from probably twenty fourteen or fifteen when I accidentally discovered the so called second son.

1:40:44 Speaker 4: This is my old solar equipment. Now watch the top. That's the sun we see with our eyes with my old telescope. Now watch the top of the frame. I started looking around and what's that? Something went by the top of the frame. The heck is that. Let's see if we can get that into the field of view. So there's the sun we see. Now there's a lens. Flare will happen when it moves, so that's legitimate lens. Well, what's that other thing up there? What is that? So there it is but here and now I'm going to blow your mind.

1:41:18 Speaker 4: When I discovered this, I didn't have much solar time, and the equipment as crap. As you can see. That's not even in the same universe as my telescope now. But I released it, didn't say much. But in twenty sixteen, the Slow Observatory released footage of them filming in hydrogen alfa the Sun because mercury was transiting the Sun. They were doing the stream for kids. Halfway through he said, I'll bet you're wondering what that other object is. That is the second Sun. NASA knows all about it. They don't want you to know about it.

1:41:52 Speaker 4: When I made a big deal out of this, there was a comment made that clearly he was joking, which I said, who in their right mind and streams the Sun so they can see mercury going across the Sun to children and then make a joke that there's a second Son But there's the first discovery of it right there.

1:42:11 Speaker 3: What the fuck?

1:42:18 Speaker 2: How can that even be explained?

1:42:21 Speaker 4: I imagine in the sun pretty much. I have spent the past years saving up for the good telescope I have trying to recapture that footage with high end tools, and I'm still trying. Many many people have filmed it. I think that either the Indians were right and we have a binaryum. What they say is there's a binary sun and when it gets close, we have a an age where everything goes up, all spiritual and consciousness goes up. That's one thing they say. Shot yes, so another in twenty sixteen replicated this, But you can go online and find all kinds of times when people filmed it at sunset and sunrise.

1:43:07 Speaker 4: The other possibility is that it's some kind of a reflection on the firmament. But as you can see, it almost looks like a duplicate sun.

1:43:17 Speaker 2: For all intensive purposes, it is a duplicate sun.

1:43:22 Speaker 4: It's the Indians who tracked the longest periods of time claimed that we have a binary sun and when it gets close to our sun, our consciousness and spiritual abilities explode. And that weird.

1:43:35 Speaker 3: What was going through your mind when you saw this? Like?

1:43:38 Speaker 4: How am I ever going to release this? Because I remembered what happened with the lunar wave. Now I'm going to tell everyone there's two sons and so I kind of released it quietly, and luckily someone else replicated it. But more has happened than that. When the other guy replicated it, more than once, he had someone with him with filters, and they did these filters tests, which proves that it's actually there.

1:44:00 Speaker 2: It's not it's not like no, not a lens.

1:44:03 Speaker 4: Flare or not a reflection. But supposedly because they used a polarity filter.

1:44:09 Speaker 2: Okay, because you can even see that, it looks.

1:44:13 Speaker 4: Well, what do you what do you call it? When your sunglasses polarized used to polarized in the same way when you put on your lenses. It removes the reflections and the glints. It proved that that's actually there.

1:44:29 Speaker 3: That has gotta be.

1:44:31 Speaker 2: Now, why do how how are we not seeing this?

1:44:36 Speaker 3: Damn?

1:44:36 Speaker 4: You can't see it most of the time with your eyes. The only time you seem to be it's it's quite a bit dimmer. For one thing, it's probably further away, if that's what it is. But there are certain times when there's a lot of smoke in the air when you can see it at midday. Other than that, the only other times I've seen it with eyes is at sunset and sunrise, when they're chemtrailing. They always cam trail the horizons.

1:45:00 Speaker 2: So I've actually seen a lot of videos and I just I just scroll past them because I think it's like bullshit, right, But it's like people filming two sons, Like I know, they'll show you the regular son or.

1:45:14 Speaker 3: The day to day son.

1:45:16 Speaker 2: I guess we'll call it, so yeah, and then they'll go, Okay, that's the sun. What's that? And then I just think it's like, but are you saying that there's actual precedence to.

1:45:30 Speaker 4: That, that it's not a lie. What I've showed you is real. Again, we got to prove, but maybe we would do better. To quote John Lennon, strange days, indeed most peculiar.

1:45:40 Speaker 2: MoMA, you've officially blown my mind a bit today tonight.

1:45:47 Speaker 4: There it is. We've achieved. We've achieved max density. That was the aim.

1:45:53 Speaker 2: You You realize what the implications of a second son mean, right?

1:45:57 Speaker 4: Yes, it means that the Indians could be right, and that our consciousness and spiritual abilities are exploding, and that we're headed to a place that we can't even imagine.

1:46:10 Speaker 2: Oh god, that's a.

1:46:15 Speaker 4: That's a big deal. But it needs to be proven. And that's why I got this telescope. I saved for ten years to get it. It's top end tools, and I have spent years now trying to get good tools on it.

1:46:28 Speaker 2: If you could get if you could recapture that footage in the detail that your new solar equipment looks, yeah, that would be the not only a discovery of like, that would be a fundamental discovery that changes the fabric of how we view our solar system.

1:46:49 Speaker 4: Well in some way, the footage you just saw does that. And of the slow observatory, you can go you can go to YouTube right now and look up the twenty sixteen Slow Observatory clip and see exactly what I'm telling you. And it's in black and white because he's filming live. I film in black and white, and you will see the second son, or so called second son is almost kissing our son. He couldn't get it out of frame to show the transit of Venus, so he finally said, I guess you're wondering what that is, and then he told us what I consider to be the truth.

1:47:20 Speaker 2: Right, it's it's always like it's always like that too. It's they it's they say it in this like absurd way or in this absurd manner. But then you know, it's it's almost like they have to tell us the truth.

1:47:33 Speaker 4: Yeah, but watch the footage because he's not joking. He's actually dead. Just like he's talking for the whole clip, he says, you're wondering what that is, Well, that's our second son. I'm not kidding. NASA knows about it. They don't want you to know about it.

1:47:46 Speaker 3: Meanwhile, matter of fact, he says it like, yeah.

1:47:48 Speaker 4: Yeah, children are watching this stream, So you tell me. Is that how you joke to children when you're trying to teach them? Absolutely Mercury, Yeah, right.

1:47:57 Speaker 2: No, because their children and they are suscepty the bull two.

1:48:01 Speaker 3: Because yes, all.

1:48:03 Speaker 2: Those children that watch that with you, they are they have a story about how they saw a second son.

1:48:12 Speaker 2: They will be forever be changed.

1:48:14 Speaker 4: Well if they remembered and kind of comprehended. I don't know what age they were. I want to say they might have been like fifth grade, but I'm not sure at this point. There it is, there's the footage. That's the son we see on the left, that's our other kidding me. Now, about halfway through he actually says, what I told.

1:48:33 Speaker 2: You, are you kidding me, you actually know Roes.

1:48:39 Speaker 4: Do you know the timestamp? If you do, can you put it in the chat? I don't know if she knows maybe and you can listen to it live.

1:48:46 Speaker 2: This is incredible. This is that's independently verified from from two other sources, from one.

1:48:54 Speaker 4: Being an observatory that had a solar telescope that would have been real. So she says she thinks that it was three hours and thirteen minutes. If you want to hear what he.

1:49:05 Speaker 2: Says, you've.

1:49:09 Speaker 3: Yeah, you did your job tonight, my friend.

1:49:12 Speaker 2: You've got me asking questions that I didn't really realize I had.

1:49:16 Speaker 4: Well, thank you. That is the name of the game and the reason I haven't had a vacation in over a decade.

1:49:21 Speaker 3: Well, I would love to.

1:49:24 Speaker 2: I'd love to see some of the stuff myself, especially that stuff moving across the moon. Yeah, so you're close enough where you know, we don't have to do a podcast or anything. Put your face out like, we don't have to do any of that. But I would love to see this stuff.

1:49:44 Speaker 4: So right now, this season, I've had five hours of skies good enough to use the solar equipment between chemtrails and all the crap in the sky and the clouds. It's just it's almost impossible to get focus. And then I have to say at the analoons, which I won't describe what that's all about, but if the opportunity arises, but when we're done, send us an email and I'll get you a log in because I would really appreciate if you would do a review. You know, you can watch the film and then maybe you can verbally do a review if you want about Shoot the Moon.

1:50:18 Speaker 4: You'll be fascinated because you enjoyed everything here and it's that times ten plus you get to see me.

1:50:26 Speaker 3: Yeah, yeah, I would love to. I'd love to. And that do you think they're like final question?

1:50:30 Speaker 2: Because the way you're saying that these chemtrail things, and I know there's a lot of controversy when it comes to that even but you know people label everything like, you know, a conspiracy from a conspiracy theorist, which is.

1:50:46 Speaker 4: You know, that's that's how you shut it down.

1:50:48 Speaker 2: Yeah, that's how you muddy the water, right, That's how that's how you that that's how you insert you insert the mud before the defense.

1:51:00 Speaker 4: It's the defense mechanism.

1:51:02 Speaker 2: The Yeah, the you you insert the deniability that the the ounce of like deniability to it prior and you know it's it's it's a whole thing, but it's it's it's how to sigh off one oh one. A lot of people in the Air Force OS I know what I'm talking about.

1:51:25 Speaker 3: Oh but.

1:51:30 Speaker 2: Geez man, So where can people listen to you?

1:51:35 Speaker 3: Find you?

1:51:35 Speaker 2: And I got the I got the QR code up if you want to say it one more?

1:51:38 Speaker 4: Okay, perfect? So all I do have a YouTube and I do have an X. I do not communicate in either place. There are many old clips on YouTube, but they're very hard to find because not only the censor they're old. But everything I do is free to subs. Once you become a sub, it's at c r R o W seven seven seven radio dot com. So the word crow with two rs crow triple seven radio dot com. Now, once you're there, you get access to everything. If you're interested in solar images, you can get those. Some of them print up to fifty inches.

1:52:13 Speaker 4: I really think you need some in your studio. But the film Shoot the Moon, it now has ten awards in the world, which is we thought that no one was even gonna pay attention because I'm saying, there's this footage you just saw is at the end of the film where I'm saying there might be two sons. We figured everyone would say you're crazy and walk away. No, they gave us ten awards, So the world is waking up to these possibilities. And again, shoot me an email. I'll get you a log in. Maybe you'll feel like doing a little talk about the film.

1:52:43 Speaker 2: I think I will. I absolutely will, and I would love to. I love to work with you in the future on something. I have a lot of aspirations in these various fields. And I think, you know, everyone's kind of just like just like you know, the moral of like the story of the Tower of Babble. Right, when we get too close to ascension, it seems that we're struck down and maybe separated.

1:53:16 Speaker 3: And I think that first of all, everyone has.

1:53:21 Speaker 2: A little piece to the puzzle, a little piece to the truth. The truth is inherently exclusive. It's not inclusive, right, So there is just the one truth. It's not something that can be changed altered. But what can be changed and altered is public perception or perception. Right, So even if the truth is one plus one equals two, if you convince enough people that it's three, you can sway public opinion.

1:53:53 Speaker 4: But they also didn't tell you that one in one is eleven, which is often used that way. And that's the kind of thinking you'll have to employ if you want to break through the illusion. And absolutely right in the way you're going at this. There's a new era and everything has to be questioned over. And if you listen to what I said about NASA and you wonder if it's true, we'll go prove it. All truth exists in nature, and as it was said by the agents, the truth is written in the stars and no man can change what's written there.

1:54:24 Speaker 3: And as above, so below.

1:54:26 Speaker 4: There it is. This is a tough school. We're all doing here, and we should help each other because everybody suffers at the same degree.

1:54:34 Speaker 2: I agree, So, Crow, this has been fantastic in my mind. Is I mean, this is a I'm going to have some existential crisis. Maybe tonight I'm going to go out and look at the moon, that's for sure. But you've been incredible. Let's definitely keep in touch. Yeah, send me that link and I would love to do that. I'd love to watch the film. I'd love to review it. And you know, I'd love to take a look at some of the other stuff gut that I can, uh, you know, take a look at and we can talk about So all right.

1:55:04 Speaker 4: I appreciate it if you look at you know, I can't give it out just to be posted, because I have an agreement with the people who keep free speech alive on my private server. But I will give you access and if you want to cover it, you know, after the fact, that would be awesome.

1:55:17 Speaker 2: Yeah, absolutely, my friend, So great job. Thank you Rose for assisting in the back. You know, I really appreciate when you know. I don't have to do that kind of stuff. I do have a producer for in house, but he doesn't really come when I do remote so for obvious reasons, like he doesn't need to be here, I can run the whole thing myself. But crowd, all your links will be in the description below. Truly, truly, keep up the good work.

1:55:45 Speaker 4: Thank you.

1:55:46 Speaker 2: This is it's it's incredible what you've captured. And you know, fortunately the technology you know that you'll be able you'll have access to, I think will only get better, so you might you know, I think you have a really like cool future ahead of you.

1:56:01 Speaker 3: If you if you stick on this and.

1:56:03 Speaker 2: You've already caught some incredible things, some things that really change how I see. Like I said, the solar system in our closest celestial body.

1:56:11 Speaker 4: So I'll give you a log in, come catch the podcast. It'll start your socks all right.

1:56:17 Speaker 2: Well to everyone else that who's watching or most likely listening in the future. Like I said, heavy visual episode. So if you don't want to watch on YouTube, click the link for Crow Radio and sub get uh, get all that footage, check it all out. It's it's truly incredible stuff.

1:56:38 Speaker 3: I'm surprised that.

1:56:41 Speaker 2: So I'm surprised that I haven't seen this sooner. So uh, and that's probably there's probably a.

1:56:46 Speaker 3: Reason for that. So censorship exactly exactly.

1:56:50 Speaker 2: So, as I always say to end out round out each show, stay humble, stay kind, and most importantly, stay vigilant. We'll see you next time, guys. The deputy put the bot